WriterBernardo Bertolucci, Sergio Citti, Pier Paolo Pasolini Release dateSeptember 19, 1962 Initial releaseSeptember 19, 1962 (Italy) CastCarlotta Barilli (Serenella), Lorenza Benedetti (Milly), Clorinda Celani (Soraya), Vincenzo Ciccora (Mayor), Alvaro D'Ercole (Francolicchio), Giancarlo De Rosa (Nino) Music directorPiero Piccioni, Carlo Rustichelli ScreenplayBernardo Bertolucci, Pier Paolo Pasolini, Sergio Citti Similar moviesRelated Bernardo Bertolucci movies
La commare secca intervista a bernardo bertolucci
La commare secca (literally "The skinny gossip", English title The Grim Reaper) is the 1962 Italian film written and directed by Bernardo Bertolucci, based on a story by Pier Paolo Pasolini. It was Bertolucci's directorial debut at age 21.
Piero piccioni chachacha cantato la commare secca 1962
The story is very similar to Akira Kurosawa's influential Rashomon, though in an interview Bertolucci denied having seen that film at the time.
The film begins with the brutal image of a prostitute's corpse on the bank of the Tiber in Rome. We then see a series of interrogations of suspects by the police, all of whom are known to have been in a nearby park at the time of the murder. Each suspect recounts his activities during the day and evening, and each narrative serves as a slice of life story. A young man tells the police that he was meeting with priests in order to get a job recommendation, though we see that he and his friends spent the time trying to rob lovers in the park. A gigolo treats both his girlfriends badly. A soldier fails in his attempts at picking up a number of women and falls asleep on a park bench. Two teenage boys share a pleasant afternoon in the company of two teenage girls but end up stealing from a homosexual man in the park.
The final flashback depicts the prostitute's murder by a man in clogs who had been interrogated previously and who is finally apprehended at a dance.
Each narrative is interrupted by a sudden thunderstorm, which in each case leads to an interlude at the prostitute's apartment as she prepares for her evening.
The film was hailed by international critics as a success by a major new talent. Many Italian critics thought it was very much a Pasolini film, although Bertolucci made a conscious effort to create a distinct individual style.