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The Kosovo Myth, Cult or Testament is a traditional belief of the Serb people asserting that the Battle of Kosovo (1389) symbolizes a martyrdom of the Serbian nation in defense of their honor and Christendom against Turks (non-believers). The essence of the myth is that during the battle, Serbs, headed by Tsar Lazar, lost because they consciously sacrificed the earthy kingdom (Serbian Empire) in order to gain the Kingdom of Heaven.
Contents
- The essence and basic elements of the myth
- In Serbia
- Until 19th century
- Since the 19th century
- Outside of Serbia
- References
The legend evolved slowly through chronicles and particularly the oral tradition of Serbs. Since the 19th century period of national revivals in Europe, the Kosovo Myth became an important constitutive element of ethnic identity, as well as cultural and political homogenization of Serbs, and later of members of other South Slavic nations (Yugoslavs). The basic elements of the Kosovo Myth are vengeance, martyrdom, betrayal and glory. This myth dominated political discourse in Serbia until the end of the 20th century. The Kosovo myth is incorporated into the Serb national identity's multifaceted mythomoteur.
Since its establishment at the end of the 14th century, the Kosovo Myth and its poetic, literary, religious, and philosophical exposition was intertwined with political and ideological agendas. The mythologization of the battle occurred shortly after the event. The legend of Kosovo was not created immediately after the battle but evolved from different originators into various versions. The Kosovo Myth existed in the Serbian oral tradition for centuries, until it was recorded by early collectors like Vuk Karadžić and evoked at times of later major historic events such as the Balkan Wars, the First World War and by Slobodan Milošević at the end of the 1980s.
The essence and basic elements of the myth
The essence of this myth is the struggle for freedom through the defense of Christianity and the establishment of the free state. Its basic elements are:
The Kosovo Myth presents the battle as "a titanic contest between Christian Europe and the Islamic East" in which Tsar Lazar renounced "the earthly kingdom for a heavenly one". Although Serbia's strategic fall was the Battle of Maritsa in 1371, Kosovo was the spiritual fall of Serbia and a beginning of a new era for the Serbs. The real battle was not as decisive as presented by this myth because the final downfall of medieval Serbia happened 70 years after it, in 1459, when the Ottomans captured Smederevo.
The Kosovo Myth pictures Serbia as Antemurale Christianitatis (Bulwark of Christianity), similarly to constructions of the other nations in the Balkans. It is sometimes propagated to evoke a sense of pride and national grievance among Serbs.
In Serbia
The scale of interpretations of the Kosovo Myth is undeniably one of the richest. It can be interpreted as "democratic, anti-feudal, with a love for justice and social equality". The myth can be interpreted in different ways in connection with other myths like: myth of military valor, myth of victimhood, myth of salvation and myth of chosen people.
Until 19th century
Oral epic poetry and folk songs cultivated the Kosovo Myth. Medieval church writers portrayed Prince Lazar as a servant of God whose death was martyrdom for the faith, while Serbs are portrayed as "heavenly people" who defended Christianity against Islam. Military defeat in the Kosovo Battle was portrayed as moral victory.
Since the 19th century
The Kosovo Myth is the central myth of Serbian nationalism used since the 19th century to legitimize the intention of the Serbian nationalistic movement to create an independent national state.
The Kosovo Myth was often used to create a Serbian victimization narrative. This myth and its connection to the Serbian victim-centered position was used to legitimize reincorporation of Kosovo into Serbia. The Kosovo Myth was activated and linked to the metaphors of 'genocide'. Albanians from Kosovo were accused of genocide (killing and forcible expulsion) of Kosovo Serbs since the Battle of Kosovo in 1389. Islamized Albanians were presented as violent and treacherous people who were settled in Kosovo to collaborate with Ottoman occupiers and terrorize Christian Serbs. This centuries-long genocide of Serbs continued in the 19th century through the forcible expulsion of up to 150,000 Serbs, and also in Tito's Yugoslavia, 'morally disqualified' Albanians to claim any control of Kosovo at the expense of Serbs.
Outside of Serbia
There was a deep belief among Montenegrins that they descended from Serb knights who fled after the battle and settled in the unreachable mountains. The Kosovo Myth was present among the people in Montenegro before the time of Njegoš, in the form of folk legends and especially folk songs.
At the beginning of the 20th century, with the Yugoslav idea spreading, it also became a trope in common culture of Croats and Slovenes. Croatian sculptor Ivan Meštrović contributed to the Kosovo Myth when in 1907–11, he was commissioned to design the Vidovdan Temple as "the eternal ideal of heroism, loyalty and sacrifice, from which our race draws its faith and moral strength" and "collective ideal of the Serbian people". The temple's actual construction on the Field of Kosovo was postponed because of the Balkan Wars, World War I, World War II, and eventually shelved. Mirko Rački, also adopted the mythos and painted numerous paintings within Kosovo cycle, including The Mother of the Jugović, Nine Jugović brothers, Kosovo Maiden and Miloš Obilić.
Kosovo was particularly present in the public opinion of Great Britain during the First World War where 28 June was proclaimed "Kossovo Day". Manifestations were held across the country. The Kosovo cycle epic folk poems were several times published in France during the war while some French authors emphasized that Kosovo Myth is important to strengthen "the energy for revenge".
Leading up to the Kosovo War, the contemporary Kosovo Albanian political mythology clashed with the Kosovo Myth.