6.2 /10 1 Votes6.2
3/5 MyMovies Produced by Roberto Lione Director Roberto Lione Screenplay Roberto Lione Cinematography Roberto Lione | 6.5/10 Directed by Roberto Lione Music by Giovanni Bacalov Budget 5 million EUR Story by Roberto Lione | |||||||||||||||||||||||||||||||||
English Kate – the Taming of the Shrew Written by Roberto Lione, Andrea Sfiligoi Based on The Taming of the Shrewby William Shakespeare |
Kate - the Taming of the Shrew [Kate – La bisbetica domata] is a 2004 stop-motion-musical adaptation film of Shakespeare's The Taming of the Shrew, directed by Roberto Lione. The film, which uses a stop motion animation based on paper cut-out figures that Lione called "papermotion", claims to be Italy's first feature-length stop-motion animation film.
Contents
Background
After four years in the making for a budget expenditure of €5 million, the highly original "Kate" made its debut on April 23, 2004 at the Cartoons on the Bay festival on the Amalfi coast.
Kate updates Shakespeare's play, setting it in the 21st century with Kate as a skateboard-riding firebrand, the daughter of a spaghetti magnate, and Petruchio a womanizing "Don Giovanni" spendthrift who needs Kate's wealth to pay off his debts.
The director, Roberto Lione is an award-winning filmmaker, screenwriter, Mod-Art artist and director of photography. "Papermotion", Lione's technique of stop-motion using folded paper figures, was also used in the 53 Taco & Paco television cartoons that he coproduced with RaiFiction and in 10 theatrical 35mm shorts. Italian film critics have described his approach to film animation in Kate as "having a poetical dimension, almost metaphysical which recalls De Chirico and the Surrealists."
Production
For the production of Kate, 200 custom-made bronze armatures were made for the 6 inch tall characters which were painstakingly animated by hand. Ten miniature sets were built, each with up 40 light sources. More than 50 miniature scenes were constructed. Almost a half square mile of colored paper was used and over 230,000 photos were taken, one at a time for every single frame of the film. Each animator averaged 5 seconds of filmed animation a day.
Awards
The film won the prize for best full-length animation at the Chicago International Kinder Film Festival in 2004.
Reception
Kate received several positive reviews: