7.8 /10 1 Votes7.8
Running time 58/73/87 minutes Director Jurij Chascewatskij | 7.8/10 IMDb Release date 2007 (2007) Initial release 2007 Produced by Marianna Kaat | |||||||||||||||||||||||||||||||||
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Directed by Yury Khashchavatski(Second director: Sergey Isakov) Written by Yury Khashchavatskiwith participation ofYevgeni Budinas andSergey Isakov Distributed by Deckert Distribution GmbH (DVD) Similar This Divided State, Grin Without a Cat, Black is Black Ain't, Dialogues with Madwomen, Smiling in a War Zone | ||||||||||||||||||||||||||||||||||
Kalinovski Square (original title: Плошча, or Plošča) is a 2007 documentary film by Belarusian filmmaker Yury Khashchavatski. The film takes a critical look at the re-election of Alexander Lukashenko in March 2006, featuring especially the protests that occurred after the election was found to be fraudulent. The protests had their centre at October Square in downdown Minsk, which was informally renamed on the occasion for Konstanty Kalinowski.
Contents
Before its commercial release on DVD on 9 June 2009, the film was distributed under the title The Square.
Since the Belarusian authorities already persecuted director Yury Khashchavatski since his first movie An ordinary president (1996), all production was done underground.
Witness preview kalinovski square part 1
Content
The movie explores the question how it could be possible that 83 percent voted for Lukashenko, who has been referred to as "Europe's last dictator". Drawing on a lot of archive material, the movie shows the official propaganda and the naivety of simple people in the countryside, together with massive repression helped to defeat the Jeans Revolution. The narrative style resembles that of Michael Moore.
Awards
The film won the Award Ion Vatamanu "for love of truth and freedom" at The International Documentary Film Festival CRONOGRAF, in Chişinău, 15–19 May 2008.
It also won the Alpe Adria Cinema prize as the Best Documentary at the 19th Trieste Film Festival 2008. The prize was awarded for "the director’s ability to create evocative images and document reality as he sees it, from his passionate, if not at times sarcastic, perspective."