Nationality American Role Artist | Name Judith Scott Movement Fiber artOutsider art | |
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Died March 15, 2005, Dutch Flat, California, United States | ||
Judith scott at the museum of everything bbc culture show 2011
Judith Scott (May 1, 1943 – March 15, 2005) became an internationally renowned American fiber sculptor. Judith was born into a middle-class family in Cincinnati, Ohio in 1943 along with her fraternal twin sister Joyce. Unlike Joyce, Judith was born with Down Syndrome. During her infancy, Judith suffered from Scarlet Fever, which caused her to lose her hearing, a fact that remained unknown until much later on in her life.
Contents
- Judith scott at the museum of everything bbc culture show 2011
- Biennale arte 2017 judith scott
- Upbringing
- Art
- Film
- Exhibitions
- References
At the age of seven, she was sent to an Ohio state institution where she remained until her sister became her guardian 35 years later. In 1987 Judith was enrolled at the Creative Growth Art Center in Oakland, California which supports people with developmental disabilities. There, Judith discovered her passion and talent for abstract fiber art. An intimate account of Judith Scott’s life, Entwined – Sisters and secrets in the life of artist Judith Scott by her twin sister, Joyce Wallace Scott, has been published by Beacon Press. http://judithandjoycescott.com/entwined.shtml
Biennale arte 2017 judith scott
Upbringing
Judith Scott spent her first seven and a half years at home with her parents, twin sister and older brothers. Although the developmental gap between the two girls was apparent, "the parents consciously sought to treat these youngest members of the family alike."
However, when it was time for the girls to start attending school, Judith was found to be "ineducable." There was only one classroom for children with disabilities, and Judith was not able to pass the verbally-based entrance tests, due to her still undiagnosed deafness.
Consequently, on medical advice, her parents placed Judith in the Columbus State Institution (formerly the Columbus State School), an institution for the mentally disabled, on October 18, 1950. This separation had a profound effect on both twins.
The records from Judith Scott's first few years at the Institution indicate that she had an IQ of 30 (based upon oral testing before her deafness was recognized). For this reason she was denied any training opportunities. Deprived of her twin, Judith became severely alienated, and behavioral problems soon surfaced. Her Clinical Record states that "She does not seem to be in good contact with her environment. She does not get along well with other children, is restless, eats messily, tears her clothing, and beats other children. Her presence on the ward is a disturbing influence." Soon after, she was moved to a smaller state institution at Gallipolis, Ohio.
In 1985, after 35 years of complete separation and lengthy and difficult negotiations, Joyce Scott became her sister’s legal guardian, and brought Judith to live with her in California, a state where all mentally disabled citizens are entitled to an ongoing education.
Judith Scott died of natural causes at her sister's home in Dutch Flat, California, a few weeks short of her 62nd birthday. She outlived her life expectancy at birth by almost fifty years.
Art
On April 1, 1987, Judith Scott began attending the Creative Growth Art Center in Oakland, the first organization in the world to provide studio space for artists with disabilities. For almost two years, Judith showed little interest in any artistic activity. She was unexceptional with paint. She scribbled loops and circles, but her work contained no representational imagery, and she was so uninterested in creating that the staff was considering ending her involvement with the program.
It wasn't until Judith casually observed a fiber art class conducted by visiting artist Sylvia Seventy, that she had her artistic breakthrough. Using the materials at hand, Judith spontaneously invented her own unique and radically different form of artistic expression. While other students were stitching, she was sculpting with an unprecedented zeal and concentration.
Her creative gifts and absolute focus were quickly recognized, and she was given complete freedom to choose her own materials. Taking whatever objects she found, regardless of ownership, she would wrap them in carefully selected colored yarns to create diverse sculptures of many different shapes. Some resemble cocoons or body parts, while others are elongated totemic poles. Many of her works also feature pairs, reflecting Scott's experience as a twin. Judith worked on her art five days a week for eighteen years, producing over 200 pieces in total.
Judith had her first exhibition in 1999, which coincided with the publication of John MacGregor's book Metamorphosis: The Fiber Art of Judith Scott. Together, these events helped propel her to worldwide recognition.
Scott's work has become immensely popular in the world of outsider art, and her pieces sell for substantial sums. Scott is now hailed as a contemporary artist, no longer just an outsider. Her art is held in the permanent collections of many museums, including: Museum of Modern Art (Manhattan, New York), the American Visionary Art Museum (Baltimore, Maryland), Museum of Modern Art, San Francisco, CA, Museum of American Folk Art (Manhattan, New York), Intuit: The Center for Intuitive and Outsider Art (Chicago, Illinois), Irish Museum of Modern Art, Dublin, The Oakland Museum, Oakland, CA. L’Aracine Musee D’Art Brut (Paris, France), Art Brut Connaissance & Diffusion Collection (Paris and Prague), Collection de l'art brut (Lausanne, Switzerland).
Film
In 2006, San Francisco filmmaker Betsy Bayha released the 30-minute documentary Outsider: The Life and Art of Judith Scott. In the same year, Lola Barrera and Iñaki Peñafiel released the feature-length documentary ¿Qué tienes debajo del sombrero? (What's under your hat?) about Scott and Philippe Lespinasse released Les cocons magiques de Judith Scott, a documentary filmed a few weeks before Scott's death. In 2009, Scott Ogden and Malcolm Hearn produced the documentary Make that examined the lives and art-making techniques of Judith Scott and self-taught artists Royal Robertson, Hawkins Bolden and Ike Morgan.
Exhibitions
Permanent exhibitions:
Current Exhibitions:
2017
Former Exhibitions:
2015
2013
2012
2011
2009
2008
2006
2005
2004
2003
2002
2001
2000
1998
1997
1995
1994
1991