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Jorge Preloran

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Name
  
Jorge Preloran

Role
  
Filmmaker


Jorge Preloran anthropologysieduaccessinganthropologypreloran

Born
  
May 28, 1933

Died
  
March 28, 2009, Culver City, California, United States

Spouse
  
Mabel Preloran (m. ?–2009)

Education
  
University of California, Los Angeles (1961)

Movies
  
Cochengo Miranda, Luther Metke at 94

Awards
  
Guggenheim Fellowship for Creative Arts, US & Canada


Nationality
  
Argentine and American

Jorge Preloran


Casabindo (Jorge Preloran)


Jorge Ricardo Preloran (May 28, 1933 – March 28, 2009) was an Argentine filmmaker and a pioneer in ethnobiographic film making.

Contents

Jorge Preloran HUELLAS Y MEMORIA DE JORGE PRELORAN

Life and career

Jorge Preloran The Prelorn Collection

Preloran was born in Buenos Aires to an Argentine father and an Irish American mother. He made a short film, Venganza, in 1954, and left Argentina to enroll at UCLA, graduating with a film studies major in 1961. Holding dual citizenship, he served with the U.S. military in West Germany. He began a career as a filmmaker in 1961, when the Tinker Foundation offered him a grant to make several films on the gauchos of Argentina. Preloran sought to redefine the genre of ethnographic films, moving away from depicting their subjects as exotic or primitive, striving to make films that, as he told Americas magazine, "do not use the people about whom they are made."

Jorge Preloran DER Filmmaker Jorge Prelorn

From 1963-1969 Preloran produced educational films and films on Argentine folklife at the Universidad Nacional de Tucumán in Tucuman, Argentina. He also began to work in a style of ethnographic film known as ethnobiography, in which "the filmmaker gets closer to the subject to give a portrait of the subject as well as their culture and practices."

Jorge Preloran Jorge Prelorn Collection Site Credits

His 1969 film Hermógenes Cayo (Imaginero) was recently listed as one of the ten best Argentine films of all times. In making this film, he spent months with the subject (artist Hermógenes Cayo) prior to shooting, and followed many of the subject's suggestions in the actual film-making. This relationship between filmmaker and subject was to be repeated through his career. Preloran made over 50 films in his lifetime, working in Argentina, the United States, Ecuador, and elsewhere.

Jorge Preloran HUELLAS Y MEMORIA DE JORGE PRELORAN

His 1980 film Luther Metke at 94 was nominated for the 1981 Academy Award for Best Documentary Short.

Jorge Preloran Iruya 1968 Jorge Preloran YouTube

Preloran taught at the School of Theater, Film and Television at UCLA from 1976 to 1994. In 2007 he donated his life's work to the Human Studies Film Archives, Smithsonian Institution, where his films are being preserved and made available for research. Preloran died in Culver City in 2009, at age 75.

Filmography

  • Venganza (1954)
  • At Three O'Clock (1956)
  • The Unvictorious One (1957)
  • Mackinac Island (1958)
  • This Is U.C.L.A. (1959)
  • Death, Be Not Proud (1961)
  • The Llanero (El Llanero) (1962)
  • The Gaucho of Corrientes (El Gaucho Corriento) (1963)
  • The Gaucho of the Pampas (El Gaucho de las Pampas) (1963)
  • The Gaucho of Salta (El Gaucho de Salta) (1963)
  • The Argentine Gaucho, Today (El Gaucho Argentino, Hoy) (1963)
  • Costa Patagónica (1963)
  • Costumbres Neuquinas (1963)
  • La Patagonia Argentina (1963)
  • Anfibios, Reproduccion y Desarrollo (1964)
  • Potential Dinamico de la Republica Argentina (1964)
  • La Biologia Experimental (1965)
  • Dinosaurs — The Age of Reptiles (1965)
  • El Estudio de los Vegetales (1965)
  • Reptiles Fosiles Triasicos de la Argentina (1965)
  • Máximo Rojas, Monturero Criollo (1965)
  • Trapiches Caseros (1965)
  • Feria en Simoca (1965)
  • Casabindo (1966)
  • Ocurrido en Hualfín (1966) (Co-directed by Raymundo Gleyzer)
  • Quilino (1966)
  • Viernes Santo en Yavi (1966)
  • Purmamarca (1966)
  • Claudia y Yo (1966)
  • El Tinkunaco (1967)
  • Salta y Su Fiesta Grande (1967)
  • Un Tejedor de Tilcara (1967)
  • Artesanias Santiagueñas (1968)
  • Chucalezna (1968)
  • Iruya (1968)
  • Medardo Pantoja, Pintor (1968/1983)
  • La Feria de Yavi (1969)
  • Fiestas en Volcan Higueras (1969)
  • Señalada en Juella (1969)
  • Hermógenes Cayo, Imaginero (1970)
  • Damacio Caitruz (Araucanians of Ruca Choroy ) (1971)
  • El Grano Dorado (1971/1981)
  • Manos Pintadas (Painted Hands) (1971/1981)
  • The Red-Tailed Comet (1971) (Edited by Preloran; Photography by Francisco Contino)
  • Remate en Estancia (1971)
  • Claudia (1972)
  • Valle Fertil (1972)
  • The Ona: Life and Death in Tierra del Fuego (1973) (Photography and Editing by Preloran; Directed by Ann Chapman and Ana Montes de González)
  • Cochengo Miranda (1974/1979)
  • Los Hijos de Zerda (Zerda's Children) (1974/1978)
  • The Warao People (Los Guarao) (1974)
  • La Iglesia de Yavi (1977)
  • La Maquina (The Pump) (1978)
  • Luther Metke at 94 (1979) (Co-directed by Steve Raymen)
  • Castelao (1980)
  • Héctor di Mauro, Titeritero (Héctor di Mauro, Puppeteer) (1980)
  • Mi Tia Nora (My Aunt Nora) (1983) (Screenplay by Mabel Preloran)
  • Zulay Frente al Siglo XXI (Zulay Facing the 21st Century) (1989)
  • Patagonia, en Busca de su Remoto Pasado (seven-part series) (1993)
  • Obsesivo (Obsessive) (1994)
  • References

    Jorge Preloran Wikipedia