Name Joaquin Turina Spouse Obdulia Garzon (m. 1908) | Role Composer | |
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Died January 14, 1949, Madrid, Spain Parents Concepcion Perez, Joaquin Turina Education Schola Cantorum de Paris, Madrid Royal Conservatory Compositions Fantasia, Fantasia, Fandanguillo, Fandanguillo, Jardin de oriente, Jardin de oriente, La procesion del Rocio - op 9, La procesion del Rocio - op 9, Serenata - op 87, Serenata - op 87, Piano Quintet, Piano Quintet, Margot, Margot, Rafaga - op 53, Rafaga - op 53, Sonata fantasia - op 59: I Lento - Allegro molto moderato, Sonata fantasia - op 59: I Lento - Allegro molto moderato, Jardins d'enfants - op 63: VI Petite fugue, Jardins d'enfants - op 63: VI Petite fugue, Poema fantastico - op 98: III Encrucijada, Poema fantastico - op 98: III Encrucijada, Contes d'Espagne - Series 2 - op 47: VII Tournoi chevaleresque, Contes d'Espagne - Series 2 - op 47: VII Tournoi chevaleresque, Danzas gitanas - serie 1 - op 55 - nº 4: Generalife, Danzas gitanas - serie 1 - op 55 - nº 4: Generalife, Mallorca - op 44: II Noche en la bahia de Palma, Mallorca - op 44: II Noche en la bahia de Palma, Miniaturas - op 52: I Caminando, Miniaturas - op 52: I Caminando, Mujeres espanolas - primera serie - op 17: III La na coqueta, Mujeres espanolas - primera serie - op 17: III La na coqueta, Sinfonia sevillana - op 23: I Panorama, Sinfonia sevillana - op 23: I Panorama, Homenaje a Navarra - op 102, Homenaje a Navarra - op 102, Ritmos - op 43: IV Garrotin, Ritmos - op 43: IV Garrotin, Mallorca - op 44: I Las cuevas del dragon, Mallorca - op 44: I Las cuevas del dragon, Contes d'Espagne - Series 1 - op 20: III Miramar (Valencia), Contes d'Espagne - Series 1 - op 20: III Miramar (Valencia), Cuarteto de cuerdas - op 4 - "De la guitarra": IV Andante quasi lento, Cuarteto de cuerdas - op 4 - "De la guitarra": IV Andante quasi lento, Sanlucar de Barrameda - op 24: IV Los pescadores en Bajo de Guia, Sanlucar de Barrameda - op 24: IV Los pescadores en Bajo de Guia, Ritmos - op 43: II Danza lenta, Ritmos - op 43: II Danza lenta, Fantasia sobre cinco notas - op 83: I Preludio, Fantasia sobre cinco notas - op 83: I Preludio, Bailete - suite de danzas del siglo XIX - op 79: V Fandango, Bailete - suite de danzas del siglo XIX - op 79: V Fandango, Ritmos - op 43: VI Danza exotica, Ritmos - op 43: VI Danza exotica, Evocaciones - op 46: III Sardana, Evocaciones - op 46: III Sardana, Ninerias (Petite suite) - Series 1 - op 21: II Ce que l'on voit sur la Giralda, Ninerias (Petite suite) - Series 1 - op 21: II Ce que l'on voit sur la Giralda, Sonata en re menor - op 61: I Allegro, Sonata en re menor - op 61: I Allegro, Vocalizaciones - op 74: IV Interludio Quasi andantino, Vocalizaciones - op 74: IV Interludio Quasi andantino, Rincon magico (desfile en forma de sonata) - op 97: III Lied Andantino, Rincon magico (desfile en forma de sonata) - op 97: III Lied Andantino, Dos danzas sobre temas populares espanoles - op 41: I Cadena de seguidillas, Dos danzas sobre temas populares espanoles - op 41: I Cadena de seguidillas, Ninerias (Petite suite) - Series 2 - op 56: VIII Course feerique, Ninerias (Petite suite) - Series 2 - op 56: VIII Course feerique, Poema en forma de canciones - op 19 - nº 1: Dedicatoria, Poema en forma de canciones - op 19 - nº 1: Dedicatoria, Canto a Sevilla - op 37: III Las fuentecitas del parque, Canto a Sevilla - op 37: III Las fuentecitas del parque, Jardins d'enfants - op 63: IV Cloches, Jardins d'enfants - op 63: IV Cloches, Tres arias - op 26 - nº 3: Rima, Tres arias - op 26 - nº 3: Rima, Souvenirs de l'ancienne Espagne - op 48: II Habanera, Souvenirs de l'ancienne Espagne - op 48: II Habanera, El poema de una sanluquena - op 28: IV El rosario en la iglesia, El poema de una sanluquena - op 28: IV El rosario en la iglesia, Silhouettes - op 70: III La Puerta del Sol (Toledo), Silhouettes - op 70: III La Puerta del Sol (Toledo), Tres arias - op 26 - nº 2: El pescador, Tres arias - op 26 - nº 2: El pescador, Jardins d'enfants - op 63: VII Jeux sur la plage, Jardins d'enfants - op 63: VII Jeux sur la plage, Homenaje a Tarrega - op 69: I Garrotin, Homenaje a Tarrega - op 69: I Garrotin, Homenaje a Lope de Vega - op 90: III Al val de Fuente Ovejuna…, Homenaje a Lope de Vega - op 90: III Al val de Fuente Ovejuna…, Contes d'Espagne - Series 2 - op 47: V Promenade, Contes d'Espagne - Series 2 - op 47: V Promenade, Cuarteto de cuerdas - op 4 - "De la guitarra": V Finale Allegro moderato, Cuarteto de cuerdas - op 4 - "De la guitarra": V Finale Allegro moderato, Ninerias (Petite suite) - Series 1 - op 21: VI, Ninerias (Petite suite) - Series 1 - op 21: VI, Tres sonetos - op 54 - nº 1: Anhelos, Tres sonetos - op 54 - nº 1: Anhelos, Mujeres espanolas - segunda serie - op 73: IV La murciana guapa, Mujeres espanolas - segunda serie - op 73: IV La murciana guapa, Cuarteto de cuerdas - op 4 - "De la guitarra": II Allegro moderato, Cuarteto de cuerdas - op 4 - "De la guitarra": II Allegro moderato Similar People Manuel de Falla, Isaac Albeniz, Enrique Granados, Joaquin Rodrigo, Xavier Montsalvatge |
Joaquin turina piano trio no 2 in b minor op 76
Joaquin Turina (9 December 1882 – 14 January 1949) was a Spanish composer of classical music.
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Biography
Turina was born in Seville. He studied in Seville as well as in Madrid. He lived in Paris from 1905 to 1914 where he took composition lessons from Vincent d'Indy at his Schola Cantorum de Paris, and studied the piano under Moritz Moszkowski. Like his countryman and friend, Manuel de Falla, while there he got to know the impressionist composers Maurice Ravel and Claude Debussy.
In 1908 he married Obdulia Garzon, and together they had five children. She was the dedicatee of the Danzas fantasticas, which he completed in 1919.
Along with de Falla, he returned to Madrid in 1914, working as a composer, teacher and critic. In 1931 he was made professor of composition at the Madrid Royal Conservatory. He died in Madrid. Among his notable pupils were Vicente Asencio and Celedonio Romero.
His works include the operas Margot (1914) and Jardin de oriente (1923), the Danzas fantasticas (1919, versions for piano and orchestra), La oracion del torero (written first for a lute quartet, then string quartet, then string orchestra), chamber music, piano works, guitar pieces and songs. Much of his work shows the influence of traditional Andalusian music. He also wrote a short one-movement Rapsodia Sinfonica (1931) for piano and orchestra. His music often conveys a feeling of rapture or exaltation. His guitar works include Fandanguillo and Hommage a Tarrega, which were written for Andres Segovia. The dedicatee and/or first performer of a number of his piano works was Jose Cubiles.