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Jean Jules Antoine Lecomte du Nouÿ

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Name
  
Jean-Jules-Antoine du

Role
  
Artist

Parents
  
Jules Michel Lecomte


Jean-Jules-Antoine Lecomte du Nouy

Died
  
February 19, 1923, Paris, France

Children
  
Jacques Theodore Jules Lecomte du Nouy

Jean-Jules-Antoine Lecomte du Nouÿ (10 June 1842 in Paris – 19 February 1923 in Paris) was an Orientalist French painter and sculptor. He was strongly influenced by the works and teachings of Charles Gleyre and Jean-Léon Gérôme. Lecomte du Nouÿ found inspiration for his art through extensive travels to Greece, Turkey, Egypt and Italy. The thematic content of Lecomte du Nouÿ’s work was mainly figural, but also spanned over a vast range of imagery throughout his career, including classical, historical and religious.

Contents

Jean-Jules-Antoine Lecomte du Nouÿ JeanJulesAntoine Lecomte du Nouy Works on Sale at Auction

Lecomte du Nouÿ is known for remaining faithful to his detailed, realistic style throughout the extent of his career, despite the onset of the Impressionist, Fauvist and Constructivist artistic movements during his lifetime. His work is said to have contributed significantly to the establishment of an iconic repertoire representing the Orient in the nineteenth century. A Parisian street was named after him in 1932.

Early Life and Education

Jean-Jules-Antoine Lecomte du Nouÿ 1000 images about Jean Jules Antoine Lecomte du Nou 18421923 on

Jean-Jules-Antoine was born on 10 June 1842 in Paris. Originally of a Piedmontese origin, his family had been settled in France since the fourteenth century and by the time of his birth had reached the status of nobility. Lecomte du Nouÿ showed a strong attachment to visual art from a young age and was reported to have painted portraits of his father and uncle by the age of 6. In 1861, at 19 years of age, the artistic talents of young Jean-Jules-Antoine Lecomte du Nouÿ prompted him to become a pupil at the atelier of Swiss artist, Charles Gleyre. Under Gleyre’s guidance Jean-Jules-Antoine learned the significance of individualistic style and gained the foundations of creative visual presentation. Later, Lecomte du Nouy further perfected his knowledge of the artistic form under the mentorship of Jean-Léon Gérôme, who was a renowned painter of the Academicism movement. It was at this time that Jean-Jules-Antoine learned the precision required to depict la belle nature—a style of illustration that aims to create the most beautiful representations of the natural form. This later became one of the main techniques employed in Lecomte du Nouÿ’s signature artwork.

Maturity and Travels

Jean-Jules-Antoine Lecomte du Nouÿ FileLecomte du Nouy Il sogno dell39eunucojpg Wikimedia Commons

In 1865, Jean-Jules-Antoine accompanied fellow artist, Félix Auguste Clément, on his travels to Cairo, Egypt. It was after this voyage that the young Lecompte du Nouy sought to portray the opulence of the Orient. In later years, Jean continued his travels, visiting countries like Italy and Greece. Lecompte du Nouy found inspiration in all social, historical and literary facets of foreign culture.

Artistic Style

Jean-Jules-Antoine Lecomte du Nouÿ httpsuploadwikimediaorgwikipediacommonsthu

The Orientalist style is largely characterized by its content, but also by its subdued realism and precision allotted towards depicting the human form. The latter is a prominent characteristic of the 19th century methods upheld by the Académie des Beaux-Arts. Jean-Jules-Antoine was a prominent figure within the sphere of academic art and thereby would adhere to a rule-based artistic style of well-developed skill and formal composition. The artistic composition of Lecomte du Nouy’s paintings was often complemented by the use of half-light, which added certain dramatic and melancholic qualities to his work. To this day some, like Professor Alan Braddock, consider Jean-Jules-Antoine to have been decidedly modern for his time, because his work directly and indirectly broached some of the key issues of his day, albeit from a decidedly conservative perspective: colonialism, international trade, gender, religion, and history.

Later life and death

Jean-Jules-Antoine Lecomte du Nouÿ JeanJulesAntoine Lecomte du Nouy Works on Sale at Auction

Jean-Jules-Antoine spent most of the later years of his life in Romania. There he painted primarily the royal family and their subjects. However, he returned to Paris right before the onset of his death, which occurred on 19 February 1923.

Selected paintings

Jean-Jules-Antoine Lecomte du Nouÿ 1000 images about Jean Jules Antoine Lecomte du Nou 18421923 on

  • 1864 : Le Guet-à-pens
  • 1866 : Invocation de Neptune
  • 1869 : Le souper de Beaucaire
  • 1870 : Démosthène s'exerçant à la parole
  • 1871 : Chrétiennes au tombeau de la Vierge
  • 1872 : Les porteurs de mauvaises nouvelles
  • 1875 : Judith
  • 1878 : Adolphe Crémieux
  • 1884 : Le Marabout prophète
  • 1888 : L'esclave blanche (The White Slave)
  • 1889 : Le samedi au quartier juif
  • 1890 : Le dimanche à Venise
  • 1899 : Portrait du Roi et de la Reine de Roumanie
  • 1902 : Mademoiselle de Maupin
  • 1904 : La Sorcière
  • 1904 : Rêve d'Orient
  • 1905 : La Péri et le Poète
  • 1913 : La dernière ronde
  • 1919 : Etude pour la Victoire
  • Paris

    The rue Lecomte du Nouÿ runs west from the boulevard Murat in arrondissement 16.

  • Paintings by Lecomte du Nouÿ
  • Literature

    Jean-Jules-Antoine Lecomte du Nouÿ Jean Jules Antoine Lecomte Du Nouy Paintings Oil Paintings

  • Roger Diederen, "From Homer to the harem: The art of Jean Lecomte du Nouÿ" (New York: Dahesh Museum of Art, 2004) incl. catalogue raisonné.
  • References

    Jean-Jules-Antoine Lecomte du Nouÿ Wikipedia