Name Jean-Baptiste Accolay | Role Violinist | |
 | ||
Died August 19, 1900, Bruges, Belgium | ||
Concerto for violin in a minor no 1 jean baptiste accolay 1845 1910
Jean-Baptiste Accolay (17 April 1833 – 19 August 1900) was a Belgian violin teacher, violinist, conductor, and composer of the romantic period. His best-known composition is his one-movement student concerto in A minor. It was written in 1868, originally for violin and orchestra.
Contents
- Concerto for violin in a minor no 1 jean baptiste accolay 1845 1910
- Andy shao violin concerto no 1 in a minor jean baptiste accolay
- Biography
- Concerto in A minor
- References
Andy shao violin concerto no 1 in a minor jean baptiste accolay
Biography
Accolay studied the violin at the Royal Conservatory of Brussels and played the solo flugelhorn at the second cuirassier-regiment of Bruges. He also played the first violin at the orchestra of the theaters of Namur and Bruges. In 1860, he became a teacher of solfège at the conservatory of Bruges. Later on he also taught the violin (1861-1864), the viola (1864), string quartets (1865), and harmony (1874). He stayed at the conservatory until his death in 1900.
In 1865 he cofounded the Séances de musique classique at Bruges and in 1896 he did the same for the Maatschappij der Concerten van het Conservatorium. Aside of these, he also conducted the brass band of the Brugse Jagers-Verkenners.
The majority of Accolay's works are pieces for violin with accompaniment for piano or orchestra, concerto’s, concertino’s, and character pieces.
Concerto in A minor
Accolay's Concerto in A minor has been played by many well-known violinists, including Itzhak Perlman. The liner notes for Perlman's recording of "Concertos from My Childhood" indicate that there are at least "seven works by the long forgotten French violinist and teacher Jean-Baptiste Accolay, whose concertos (including the one in question) were edited for publication by the Walloon virtuoso Mattieu Crickboom, a protégé of Eugène Ysaÿe, and professor at the Royal Conservatory in Brussels." Accolay's Concerto in A minor (1868) is "one of the most enduring of all tutorial violin concertos, it is still regularly studied today. Though its executant demands are slight, this agreeably spontaneous piece highlights one of music's great paradoxes - that expressive power often derives from the simplest of technical means."
