|Name Jane Murfin|
Children Jan Trimble
Plays Smilin' Through
|Born October 27, 1884 (1884-10-27) Quincy, Michigan, United States|
Occupation Playwright, screenwriter, producer, director
Died August 10, 1955, Los Angeles, California, United States
Spouse Donald Crisp (m. 1932–1944), Laurence Trimble (m. 1915–1926)
Movies The Women, Pride and Prejudice, What Price Hollywood?, Alice Adams, Our Betters
Similar People Laurence Trimble, Jane Cowl, Hunt Stromberg, Adela Rogers St Johns, Anita Loos
Script Play 2”The Women”
Jane Murfin (October 27, 1884 – August 10, 1955) was an American playwright and screenwriter.
Born in Quincy, Michigan, Murfin began her career with the play Lilac Time, which she co-wrote with Jane Cowl. The Broadway production opened on February 6, 1917 and ran for 176 performances. Later that year the two women collaborated on Daybreak, followed by Information Please (1918) and Smilin' Through (1919), for which they used the pseudonym Allan Langdon Martin.
Murfin's screen credits include Way Back Home (1931), Our Betters (1933), The Little Minister (1934), Spitfire (1934), Roberta (1935), Alice Adams (1935), The Women (1939), Pride and Prejudice (1940), and Dragon Seed (1944).
Murfin and Adela Rogers St. Johns were nominated for the Academy Award for Best Story for What Price Hollywood? (1932), but lost to Frances Marion for The Champ.
Murfin was married to film director Laurence Trimble from 1915 until 1926 (no children) and actor Donald Crisp from 1932 until 1944. She is buried near Jane Cowl at Valhalla Memorial Park Cemetery.
Jane Murfin is credited with directing two films, alongside her husband Laurence Trimble. The first of the two, Brawn of the North, starred Strongheart the Dog. Strongheart previously starred in The Silent Call, directed by Laurence Trimble. Jane Murfin and her husband were responsible for the immense popularity of Strongheart, one of the first dog actors.
Brawn of the North (1922)
Jane Murfin's first credited directorial debut was alongside her husband, Laurence Trimble, for the movie Brawn of the North, starring Strongheart the dog. This film was much anticipated, and was praised as an "honest to god money maker" before it even debuted. This movie promised to bring in crowds to fill the theaters, because of the popularity of the previous movie starring Strongheart, The Silent Call. Although Jane Murfin is not credited for directing the previous movie, Trimble was. Brawn of the North was a story about the woods of the north. Newspaper articles of the day described this movie as being full of themes of love, hate, courage and cowardice; moments that would make the crowd both cry and cheer. This film was also advertised as being backed by the dramatics of both Jane Murfin, and husband Laurence Trimble. Brawn of the North was advertised as promising both big money in the box office, and lasting fame and recognition for the theaters that showed it.
Flapper Wives (1924)
Jane Murfin's second work as a director was an adaptation of her play, Flapper Wives, released in 1924. The film was produced by Jane Murfin and Laurence Trimble's production company, Laurence Trimble and Jane Murfin Productions. This film was unique, in the fact that it was written originally to be a play, but turned into a film prior to its Broadway debut. The play was written for Jane Cowl to be the starring role, but at that time in her career her Shakespearean roles took off. Because of this, the play was postponed and it was first turned into a film. The themes of this film were marriage, love, and faith, very different from Murfin's directorial debut of Brawn of the North, which focused on themes of courage, cowardice, and hate. This film asked the questions of whether marriage was still about love. Flapper Wives was about whether the women of the time had become more careless and selfish than those of the past. The film focused on the issues of whether women were supposed to give up all freedom and happiness once married. These themes are portrayed through the narrative of two women, one married to a successful, rich man, the other to a hardworking mechanic. These women look for freedom outside of their homes. The disasters, consequences, and resolutions of this story unfold throughout the film.