The James Bond film series from Eon Productions has had numerous signature tracks over the years, many of which are now considered classic pieces of film music. The best known of these pieces of music is the ubiquitous "James Bond Theme." Other instrumental pieces, such as the "007 Theme" or "On Her Majesty's Secret Service", and various songs, such as Shirley Bassey's "Goldfinger", Paul McCartney's "Live and Let Die" or Carly Simon's "Nobody Does It Better", Sheena Easton's "For Your Eyes Only" and Duran Duran's "A View to a Kill" have also become identified with the series. "Skyfall" from Skyfall won the Academy Award for Best Song making it the first Bond song to do so.
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"James Bond Is Back"
The briefest of "James Bond themes", this composition started off the "Opening Titles" music of From Russia with Love. It was heard in the On Her Majesty's Secret Service film trailer. WLS (AM) used the theme in the mid-1960s for their secret agent radio serial "The Wild Adventures of Peter Fugitive" that appeared on "The Art Roberts Show".
"007 Theme"
"007 Theme", not to be confused with the "James Bond Theme", is an adventure theme composed by John Barry in 1963 for the Bond film, From Russia with Love. "The John Barry Seven" had pop chart hit with a cover version of Elmer Bernstein's theme to The Magnificent Seven that featured seven beats repeated throughout the theme. Barry used seven beats throughout the "007 Theme".
It became a secondary theme for the Bond films, being used throughout the series, primarily during action scenes. Here are its most notable appearances:
The theme has not been featured in its entirety in a Bond film since its use in Moonraker.
This piece of music was also used by Al Primo, the news director at KYW-TV in Philadelphia for its long-time theme to Eyewitness News, and was adopted by other Group W stations in Baltimore, Pittsburgh, Boston and San Francisco as well as other non-Group W stations, including WLS-TV in Chicago. The theme was also sampled by Big Audio Dynamite for the 1986 song "Sightsee M.C!"
"Suspense" motif
Like John Barry, David Arnold has left his own mark in the music of James Bond. In this case, he has established what can be called the "suspense motif", which is a descending, repetitive four-note motif that can be heard in most of the Bond films he has scored, starting with Tomorrow Never Dies. It is usually an underlying motif playing under the main melody, and is usually orchestrated with piano trills, high strings, horns, blaring trumpets, and an underlying snare drum. This motif can be heard in:
Composers (Eon Productions)
The largest contributions to the Bond films, save for the "James Bond Theme", are works from John Barry. In addition to his uncredited contribution to Dr. No, Barry composed eleven Bond soundtracks and is credited with the creation of "007" (dominated by brass and percussion) and the popular orchestral theme from On Her Majesty's Secret Service.
Next to Barry, David Arnold is the series' most regular composer. He composed the scores for five Bond films: Tomorrow Never Dies through Quantum of Solace. His Barry-esque orchestrations combined with electronic rhythm elements gave the Pierce Brosnan era its musical identity. Arnold was essentially Barry's anointed successor, Barry having recommended Arnold to Barbara when she took over the Bond films from her father Albert R. Broccoli.
Other major composers and record-producers include George Martin, Bill Conti, Michael Kamen, Marvin Hamlisch, Éric Serra and Thomas Newman. Each of these composed for only one Bond film, with the exception of Newman. The departures from John Barry had various causes. Sometimes Barry declined in order to avoid paying double income tax—US and UK. Sometimes the director had worked with the composer of his choice on other films—the latter happened to David Arnold with Skyfall and Spectre.
Title themes
The "James Bond Theme" is the main theme for Dr. No, and has featured in all the Eon Productions Bond films in different versions. The theme has also featured on the gun barrel sequences at the beginning of the films. The original theme was written by Monty Norman, and was performed by John Barry and his orchestra in 1962. In the opening credits of Dr. No, two other pieces were played: an untitled bongo interlude and a Calypso-flavored rendition of "Three Blind Mice", titled "Kingston Calypso". Due to this, Dr. No is the only film to have more than one opening theme. The "James Bond Theme" reached No. 13 in the UK Singles Chart, and remained in the charts for 13 weeks.
The opening credits of From Russia with Love were accompanied by an instrumental version of the main theme, arranged by John Barry and written by Lionel Bart. A single by The John Barry Orchestra reached No. 39 in the U.K. At the film's end, a vocal version by English singer Matt Monro is heard. This song spent 13 weeks in the U.K. charts, peaking at No. 20.
Goldfinger was the third soundtrack composed by John Barry, and this time the theme song had lyrics written by Anthony Newley and Leslie Bricusse. The soundtrack reached No. 1 on the Billboard 200 and spent 70 weeks on the charts. It also peaked at No. 14 on the UK Albums Chart, and received the Bond series first Grammy Award nomination, Best Original Score from a Motion Picture or Television Show.
Welsh singer Shirley Bassey has performed the most Bond themes – she recorded the themes to Goldfinger, Diamonds Are Forever, and Moonraker. Bassey also recorded her own versions of "Mr. Kiss Kiss Bang Bang" for Thunderball and "No Good About Goodbye" for Quantum of Solace (see "Unused songs").
Paul McCartney's performance of "Live and Let Die" was the first Bond theme song to be nominated for an Academy Award for Best Original Song; it reached No. 2 as a U.S. single, and No. 9 on the U.K. charts. George Martin's work in the song won the Grammy for Best Arrangement Accompanying Vocalists.
Marvin Hamlisch's (music) and Carole Bayer Sager's (lyrics) "Nobody Does It Better" (performed by Carly Simon) received a nomination for the Academy Award for Best Original Song, as did Bill Conti's "For Your Eyes Only", which was performed by Sheena Easton. Duran Duran and John Barry's "A View To A Kill" topped the singles charts in the U.S. Billboard Hot 100 (the only Bond theme to hit No. 1). It was not until the 2013 Oscars that a Bond theme song finally won the Best Song Academy Award, the theme from Skyfall by Adele. Thomas Newman's score also got the first nomination for Academy Award for Best Original Score in the series since Hamlisch's own for The Spy Who Loved Me, while winning the Grammy for Best Score Soundtrack for Visual Media. Adele's song also won the Grammy Award for Best Song Written for Visual Media.
Several of the later films have alternative theme songs, often during the closing credits. The Living Daylights featured The Pretenders performing "If There Was a Man," composed by John Barry with Chrissie Hynde. Licence to Kill has "If You Asked Me To" sung by Patti Labelle. GoldenEye featured Éric Serra's "The Experience of Love". Tomorrow Never Dies included k.d. lang's "Surrender" during the closing credits, a song which was originally proposed by composer David Arnold to be the title sequence theme instead of the Sheryl Crow title song. The "Surrender" theme is heard throughout the score while the melody of Sheryl Crow's song is not used again during the film. This hearkens back to the Thunderball soundtrack, where Mr. Kiss Kiss Bang Bang was originally proposed as the opening credits music, only to be replaced by the eponymous title track as sung by Tom Jones.
On Her Majesty's Secret Service featured an instrumental theme tune, something which remains unique amongst the post-From Russia with Love films, and included a vocal theme in the form of Louis Armstrong's performance of "We Have All the Time in the World", written by John Barry and Hal David.
No James Bond theme had topped the charts in the UK until "Writing's on the Wall" sung by Sam Smith entered the charts at number one on 2 October 2015.
Secondary songs
A number of Bond films include one (or more) additional songs in the soundtrack. Some of these pieces of music, such as "We Have All the Time in the World" by Louis Armstrong, have gone on to become as well known as the main themes, while other songs remain exclusively linked to the film in which they appear.
Foreign songs
Some songs have been dubbed for the foreign versions of the films.
Main title themes
Secondary songs
Unused songs
There are a number of songs which were originally written as potential Bond themes, but not used, which have then been released or otherwise made available elsewhere. These include:
Cover versions and spin-offs
Bond music has inspired a number of cover albums in a variety of genres, including the 2007 album Mister Bond – A Jazzy Cocktail of Ice Cold Themes (lounge), Shaken and Stirred: The David Arnold James Bond Project featuring David Arnold collaborating with several contemporary artists. The City of Prague Philharmonic Orchestra recorded several albums with Bond music and performs in premieres and special events of Bond films. Britain's Royal Philharmonic Orchestra released an album of several Bond songs performances called Best Of James Bond, some of which were used on the "Ultimate Edition" DVD releases menus. Billy Strange released "Secret Agent File" in 1965. Death metal cover band Ten Masked Men has included at least one Bond theme on each of their albums. In 2004, The Cavaliers play a show titled "007" using Bond music, such as "GoldenEye", "For Your Eyes Only", "Live and Let Die", "Hovercraft Chase", "Welcome to Cuba" and "Paris and Bond". Some of them are Italo disco-like rhythms and soundtrack albums promote hits that matches the film's theme.
Video games
With the increase in audio quality for video game consoles and personal computers, in addition to the continued popularity of computer and video games, publisher Electronic Arts as well as Activision (since 2008) has included opening themes and film-style credit sequences to some of its more recent Bond video game spin offs.
Novels
The 2008 continuation novel Devil May Care by Sebastian Faulks was the first James Bond novel to receive its own theme song. Also called "Devil May Care", the song was written and recorded by Cardiff band SAL and was available on the UK audiobook release of the novel.