Name Jaclyn Moriarty Role Novelist | Children Charlie Moriarty McAdam Ex-spouse Colin McAdam | |
Siblings Liane Moriarty, Nicola Moriarty Education Gonville and Caius College, Cambridge, University of Sydney, Yale University Books Finding Cassie Crazy, Feeling Sorry for Celia, The Betrayal of Bindy Ma, Dreaming of Amelia, I Have a Bed Made of Butter Similar People Liane Moriarty, Melina Marchetta, Colin McAdam | ||
The Extremely Inconvenient Adventures of Bronte Mettlestone by Jaclyn Moriarty
Jaclyn Moriarty (born in Perth, 1968) is an Australian novelist, most known for her young adult literature.
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Biography
Moriarty was raised in the north-west suburbs of Sydney. She has four sisters and one brother. Two of her sisters, Liane Moriarty and Nicola, are also novelists. Moriarty studied English and Law at the University of Sydney upon graduating from high school. She then completed a Masters in Law at Yale University and a PhD at Gonville and Caius College, Cambridge
She worked as an entertainment and media lawyer for four years before becoming a full-time writer. The literary agent who picked up her first book, Feeling Sorry For Celia, was Australian author Garth Nix. Moriarty was previously married to Canadian writer Colin McAdam, and they have one young son, Charlie. She currently lives in Sydney.
The Ashbury/Brookfield series
The Ashbury/Brookfield Series is four novels that are not sequels but are linked. They all revolve around various students that attend the exclusive private school, Ashbury High, or the local comprehensive, Brookfield High. Many of the students cross over into more than one novel, but each novel is different and tells a different story. All novels are told through the various character's own writing (through letters, emails, exam papers, etc.).
The Ashbury/Brookfield series of novels are (in chronological order):
The Colours of Madeleine trilogy
This trilogy retains some familiar features of Moriarty's style, such as a loosely epistolary form (the use of alternating chapters in which characters speak in their own quite distinctive voices); a sneaky sense of humor; and a plot that keeps the reader off balance by constantly subverting the 'facts' that one thought one understood. But it also marks a departure in the direction of fantasy: the premise of the trilogy is, or at least appears to be, the existence of an almost fairyland-like parallel world, sealed off from our world but in connection with it via 'cracks,' through which letters, or even people, can travel. As usual with Moriarty, nothing is quite what it seems, and incidents and ideas that appeared incidental may turn out to be central. Only the first two volumes of the series have appeared so far (2014):