Nationality Austrian | Known for Writer,journalist | |
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Died 29 January 1986, Vienna, Austria People also search for Peter Weiser, Paul Flora, Christian Brandstätter, Bruno Reiffenstein | ||
Letztes interview mit j rg mauthe
Jörg Mauthe (1924–1986) was a chain-smoking Austrian writer, journalist and broadcasting executive. For some years he was prominent in the city politics of Vienna where he was born and died.
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Life
From 1947 he was working as a journalist, specialising from 1950 in cultural criticism for Die Furche, a conservative-leaning Austrian weekly newspaper. In 1955 he moved on to Die Presse where he was appointed Culture Editor.
Mauthe also worked, during its later years, for the US controlled Rot-Weiß-Rot (red-white-red, a reference to the Austrian flag) radio station, where he was in charge of the talk radio section (Abteilung Wort), and numbered among his colleagues Peter Weiser, Walter Davy and Ingeborg Bachmann. He was responsible for the conception of the series Die Radiofamilie (The Radio Family; they used Floriani as family name) and for the satirical weekly programme Der Watschenmann (literally The Slap Man) which ran from 1950 to 1955 (and was later revived on Austrian radio between 1967 and 1974 by Gerd Bacher). In 1967 he was appointed Culture Editor and Programme Planner for the ORF, Austria's national television broadcaster by Bacher, where he also contributed as a script-writer to programmes such as the Familie Leitner (Leitner Family) series and, in 1968, Die Donaugeschichten (The Danube Stories; the Austrian Publicity museum, Österreichischen Werbemuseum, holds a single episode of this 25-minute-long early evening classic series, both scripted and produced by Mauthe, and featuring among others Theo Lingen, Willy Millowitsch, Erich Padalewski and Walter Nießner). Later, in the 1980s, he provided scripts for the Familie Merian (Merian Family) series.
In 1975 Mauthe started to write a regular column for the Kurier, a Vienna-based daily newspaper.
Mauthe was not member of any political party, but he was persuaded for the ÖVP (Austrian People's Party), one of the three principal political parties in Austria, being a thoroughly Austrian equivalent of the English Conservative Party, by its Chairman of that time, Erhard Busek, to work with the ÖVP. Between 1978 and 1986 he was elected member on the City Council (Stadtsenat, the government of the State of Vienna), and till 1983 he was as well member of the Vienna Landtag (regional parliament), which meant that he was also a member of the Vienna Gemeinderat (community council).
As a city politician Mauthe championed causes that took his interest such as the city's image and the care of its many historical monuments and memorials, the revival of the old Wienerlieder (Vienna songs), the city's traditional Beisl (pub/restaurant) culture and the evolving Viennese cuisine. He inspired and guided various district and city festivals and celebrations. The return of the "Altwiener Christkindlmarkt" to the city's Freyung square, a Christmas Market inspired by the example of its eighteenth century precursor, can be traced back to an idea from Jörg Mauthe.
During the 1984 Occupation of the Hainburger Au Mauthe, already recognized for his environmentalist credentials, sided with the occupiers who were opposing the proposed construction of a hydro-electric power plant, expected to destroy a large area of environmentally sensitive wetlands. For the (retrospectively dubbed) Animal's Press conference numerous environmentalist supporters of the "Konrad Lorenz-Referendum" dressed as animals: Mauthe himself turned up dressed as a black stork.
In 1975 Mauthe purchased the Burgruine Mollenburg, a small ruined castle near Weiten in Austria's Waldviertel region. Mauthe made a start on restoring the castle, doing much of the work himself with the help of his son. Jörg Mauthe's ashes are stored in the castle's keep.
In his literary works (especially in his two novels, "Die große Hitze"/"The Great Heat" and "Die Vielgeliebte"/"The Much Loved one") the protestant Mauthe is always concerned with what makes Austria, and especially Vienna, special in the broader context of German speaking "Middle Europe". The question arises as to whether Austrians, with their distinctive version of the German language and their catholic traditions, are permanently separate in terms of literature and life style from, and in some senses antagonistic to (what can be presented as) the protestant German mainstream.