In Your Face (Fishbone album)

Packaging

The cover art of the original vinyl LP was designed to give the illusion that no certain side of the record was the front, back, up or down of the record. This was achieved by placing a barcode on both sides of the record and by printing the band and record name on all four sides of every edge of the record sleeve. Instead of an ordered track listing the tracks were listed haphazardly between both sides with each song title printed in a different contradictory direction. Finally, each side showed three of the six band members also oriented at opposite angles from each other. When someone handling the record saw where the record jacket opened they may have realized the two most likely correct orientations for the album cover. However the illusion was impaired by the inclusion a parental advisory sticker on only one side of the record and the artwork of the CD version of the album which used the side with singer Angelo Moore on the cover and placed the entire track list on the opposite side.

Promotion

The band toured in support of the album with Murphy's Law and headliners Beastie Boys on the Licensed to Ill tour in February and March 1987. A music video for the album's only single, "When Problems Arise," was directed by Gary Weis and Tony Basil and features the band performing with a group of hula dancers. CBS and Columbia Records placed a full page ad for the album on page five of the October 25, 1986 issue of Billboard.

Reception

Fishbone's previous EP had done better than expected and expectations at Columbia Records were raised for In Your Face which led to radio support by CBS. However, Fishbone still had a considerable challenge reaching a larger audience within the American music industry which was still racially segregated during the 1980s and was not prepared to market to both black and white audiences. As a result, the album did not have sales significantly stronger than the Fishbone EP.

Reviews at the time were generally mixed-to-positive. Nelson George, writing for Billboard, reviewed the album favorably, calling it "groove-conscious" and containing "lyrical and melodic depth." He further commented that the band had potential to be a major act in the world of black music and the music industry as a whole. For The Miami Herald, Tom Moon was also positive saying the album was perfect for a party, praising the mix of punk, ska and New Orleans influences and commenting that "Fishbone's time has come." In a review for the New York Times Jon Pareles called it a "Rock Album of the Week," but was mixed in his response, praising the more mature sound and handful of politically conscious tracks but criticizing the uneven blend of absurd humor and serious themes.

Retrospective reviews were more mixed to average. Greg Prato for Allmusic said the album was an incomplete exploration of their sound although it was still an important moment in the career toward achieving the greater successes of later albums. Robert Christgau gave the album a B- and said "...they look like 2-Tone fashion plates and sound like big-time new-wave satirists, which suggests their stock in trade is haircuts". The album also received three-out-of-five stars from The New Rolling Stone Album Guide published in 2004.

Fishbone

Additional personnel

Production

Engineers