Nationality Polish | Name Ignaz Friedman | |
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Full Name Solomon Isaac Freudman Born February 13, 1882 Podgorze, Krakow, Austrian Poland Similar People Wilhelm Furtwangler, Arthur Rubinstein, Philippe Gaubert, Percy Grainger, Eugene Ormandy | ||
Ignaz friedman plays liszt tannh user overture wagner duo art piano roll
Ignaz Friedman (also spelled Ignace or Ignacy; full name Solomon (Salomon) Isaac Freudman(n), Yiddish: שְׁלֹמֹה יִצְחָק פֿרײדמאַן; February 13, 1882 – January 26, 1948) was a Polish pianist and composer. Critics (e.g. Harold C. Schonberg) and colleagues (e.g. Sergei Rachmaninoff) alike placed him among the supreme piano virtuosi of his day, alongside Leopold Godowsky, Moriz Rosenthal, Josef Hofmann and Josef Lhévinne.
Contents
- Ignaz friedman plays liszt tannh user overture wagner duo art piano roll
- Ignaz friedman plays alabjev liszt le rossignol piano roll
- Early and later life
- Career
- Later years and death
- Legacy
- Releases by Naxos Historical
- Release by Arbiter
- References
Ignaz friedman plays alabjev liszt le rossignol piano roll
Early and later life
Born to an itinerant Jewish musician in Podgórze near Kraków, Ignaz Friedman was a child prodigy. He studied with Hugo Riemann in Leipzig and Theodor Leschetizky in Vienna, and participated in Ferruccio Busoni's masterclasses.
Friedman lived in Berlin until 1914 and settled in Copenhagen in 1920.
Career
His official début in Vienna in 1904 featured a program of three piano concertos, rivaling the similar programs of established titans like Busoni and Godowsky, and he remained a titan throughout his career. His style was quiet and effortless, imbued with a sense of rhythm and color, grounded in a sovereign technique, and much has been written about his peerless interpretations of Chopin in particular.
As with his compatriot and contemporary Moriz Rosenthal, Friedman's Chopin interpretations, particularly those of the mazurkas, are considered by many to be unsurpassed. Despite having given 2,800 concerts during his career, he sometimes received lukewarm reviews in America in later years, as younger critics were becoming accustomed to modernist playing which stripped romantic interpretation of its agogics and essence. (Rachmaninoff admired Friedman's playing but may have opined that he "played too much to the gallery.")
Later years and death
At the outbreak of the Second World War, Friedman was in Europe, but managed to escape when a concert tour in Australia was offered at the last moment. He settled in Sydney and remained there until his death (which occurred on Australia Day, 1948). His last concert was in Sydney on July 24, 1943, after which neuritis in his left hand forced him to retire from the concert platform.
Legacy
Friedman's relatively few recordings, which have been collected by Naxos Records on five CDs, are widely admired, particularly his Chopin and his nine Songs Without Words by Mendelssohn. Like most of the great artists of his time who broadcast, much of his recorded material has been lost, including hours of radio recordings made in Australia and New Zealand.
He composed more than 90 works, mainly piano miniatures, as well as pieces for cello and a piano quintet, but his compositions have not found a niche in the standard repertory. He arranged many works, especially those of J. S. Bach and Domenico Scarlatti.
He edited an almost complete edition of the piano works of Chopin and also produced editions of Schumann and Liszt.
The Sydney Conservatorium of Music awards an annual Ignaz Friedman Prize for composition.
Friedman also taught several important pianists, including Joseph Gurt, Ignace Tiegerman and Bruce Hungerford (who also died in a foreign country on Australia Day).