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Icíar Bollaín
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Years active
1995–present
Siblings
Marina Bollain
Partner
Paul Laverty (1995–)
Role
Actress
Name
Iciar Bollain
Full Name
Iciar Bollain Perez-Minguez
Born
12 June 1967 (age 56) (
1967-06-12
)
Madrid, Spain
Occupation
Director, screenwriter, actress
Awards
Goya Award for Best Director, Goya Award for Best Original Screenplay, Ariel Award for Best Ibero-American Film
Nominations
Goya Award for Best Film
Movies
Even the Rain, Take My Eyes, Kathmandu Lullaby, Flowers from Another, Mataharis
Similar People
Luis Tosar, Paul Laverty, Juan Carlos Aduviri, Laia Marull, Chus Gutierrez
Entrevista a ICÍAR BOLLAÍN
Icíar Bollaín Pérez-Mínguez (born June 12, 1967 in Madrid, Spain) is a Spanish actress, director and screenwriter.
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Early life and education
Icíar Bollaín Pérez-Mínguez was born in 1967 as one of twin girls in Madrid to a father who was an aeronautical engineer and a mother who was a music teacher. She grew up in a liberal household in which each member was allowed to follow their own inclination. Icíar and her twin sister Marina showed an early interest in the arts; Icíar towards filmmaking while her sister studied to become an operatic singer. At the age of fourteen, Icíar was cast in Víctor Erice's film, El Sur (1983).
Career
Since then Icíar Bollaín has acted in fourteen films. At age 18, with her twin sister Marina, she was cast by their uncle Juan Sebastián Bollaín in two films: Las dos orillas (1987); a several years later the twins appeared in Dime una mentira (1992). Icíar Bollaín also took roles in films directed by Felipe Vega, Manuel Gutiérrez Aragón and José Luis Borau. Her red hair was partly what led Ken Loach to choose her for his film, Land and Freedom (1995), about the Spanish Civil War. Her experience working with Loach led her to write the book: Ken Loach: un observador solitario.
Bollain at age 23 formed a production company which she named La Iguana, and made two short films: Baja Corazón (1992) and Los Amigos del muerto (1994). With support from Fernando Colomo, she made her her first feature film as director: Hola, ¿estás sola? (Hi, are you alone? in English) (1995), a story about two young girls who dream of finding an earthly paradise and undertake a long trip towards the sea.
Her second feature film was Flores de otro mundo (Flowers from another world in English) (1999), which she co-wrote with Julio Llamazares. It is the story of three women who travel to rural Spain with the hopes of finding love.
Her film Te Doy Mis Ojos (Take My Eyes) (2003) won seven Goya Awards, including Best Film and Best Director. Starring Luis Tosar and Laia Marull, the movie is about a man's abuse of his wife during their marriage, and their struggles to change the pattern of their lives.
Her 2010 film Even the Rain (Tambien la lluvia) was selected as the Spanish entry for the Best Foreign Language Film at the 83rd Academy Awards. In January 2011, the film made the final nine shortlist. A film within a film, it is set in the Bolivian highlands in 2000. A Spanish film company's work on Columbus' arrival in the New World gets caught up in local violence related to current exploitation of peasants. It stars Gael García Bernal as the director and Luis Tosar as the film producer. Carlos Aduviri, an Aymara who plays a native leader in the "film," takes the lead in organizing a resistance to water privatization; he was nominated for a Best Newcomer Award at the Goya Awards.
Bollaín has won other awards for acting and script-writing, as well as for directing.
Flowers from Another World (Flores de otro mundo) (1999)
This movie can also be seen as a means of instruction for foreign students. It shows several key aspects of both the history of Spain and the socio-cultural evolution of the country. It tells the story of three women, Milany, from Cuba, Patricia, from the Dominican Republic and Marirrosi, from Bilbao. They have several existential problems and concerns regarding their future. These problems are similar to those suffered by three young men from Santa Eulalia, a village from the Province of Guadalajara, which is an unimportant small town without marriageable women. Damian, Alfonso and Carmelo (these young men) come into contact with the three women at a party organized by single people of the village. There they got to know each other and this gives place to a bittersweet story.
This cinematographic work is useful from an academic point of view, not only for its historical value, but also because it is presented as an open window that allows the viewer to take the place of the characters, suffering with them the same surprises and impressions, since the point of arrival of the women to Santa Eulalia. Other essential aspects of the film are that it offers the opportunity to understand one of the main points of the novel: the problems of the Spanish countryside. At the same time, Icíar Bollaín preserves the classic stereotypes of the typical Spanish town, where the bar is the most important forum for meetings and ideological defenses. But Bollaín doesn't leave behind the important issue of the leading sexism of the time, and she is also concerned to mitigate it largely by introducing characters like Doña Gregoria, who is the mother of one of the young men and also the reflection of the rural matriarchy.
Foreignness is another key point in this story. At the beginning of the film, with the arrival of the three women to the village, the feeling of strangeness and rejection towards the foreigners appears. However it starts disappearing with the development of loving relationships between them and the young men of Santa Eulalia. This is a clear solution to the problem of foreignness. Icíar Bollaín doesn't present a problem without the corresponding solution, introducing an integrative ideology that breaks with cultural and racial barriers, which is another important pillar of the film that is a recognized pedagogical intention.
Bollaín sets the film during the Spanish property bubble to reflect the issues and consequences that even today directly affect Spanish society. Flowers from Another World analyses not only the racial issue but also the role of women at that time. This can even be compared to other similar cases in which women start a movement for social integration, as in the case of the Mexican immigrant women in the United States. Everything is portrayed through the figures of the three women who star in this story.
Take my eyes (Te doy mis ojos) (2003)
This film is characterized for introducing a new element: the Painting. The use of pictorial art enriches the staging and the story itself, analyzing the narrative function that the works of this style can have within the Cinematography. While the painting does not carry a major role in the story of Pilar, a victim of domestic violence, it is crucial to the development of the main character. Thus, the Painting may be seen as a connector rather than a main narrative axis.
Somehow, through the painting, it is observed throughout the film how Pilar gets rid of the chains of the violence and abuse made by her husband. As Icíar Bollaín said, "Pilar meets art and thus begins to grow up emotionally and as a result she escapes from her difficult situation".This could be taken as an example for all the women who have the same problem, so that they can stop the abuse and free themselves from those chains as Pilar does in the movie. However, it should be emphasised the fact that throughout the film different pictures (mainly Mythology ones) are used to reflect the development of the main character on a personal and social level.
Even the Rain (También la lluvia) (2010)
This film by Icíar Bollaín could be perfectly defined as a "film within a film" because it uses two storylines to tell the tense situation that exists in Bolivia. All related to the heritage and colonial legacy. On the one hand, in this film, there is a low budget film about Christopher Columbus and the Discovery of America in 1492 being recorded. While, on the other hand, the famous Water War (Bolivia) of Cochabamba (April 2000) is taking place. What Icíar Bollaín tries to represent using a historiographical discourse (something far from the truth) and filmic fiction is the relationship between what marked the history of the Western world in 1492 and the development of Bolivia as a country. In order to do this, the director uses her imagination, modifying the historical truth to relate the two events and to explain the history of South America.
Awards
Year Movie Category Result 2004 Te doy mis ojos Best film Winner 2004 Te doy mis ojos Best director Winner 2004 Te doy mis ojos Best script Winner
Filmography
Actress
2012
24 Lies (Short) as
Guionista y Directora
2009
Rage as
Marimar
2006
Cuéntame cómo pasó (TV Series) as
Rosa / Self
- Pasen y vean (2007) - Rosa / Self (uncredited)
- Las alegrías nunca vienen solas (2006) - Rosa (as Iciar Bollaín)
- Los chicos con las chicas (2006) - Rosa
- Todas a la cárcel (2006) - Rosa
- Próxima parada, Perpiñán (2006) - Rosa
2005
La noche del hermano as
Julia
2002
La balsa de piedra as
Maria (as Iciar Bollain)
2002
Nos miran as
Julia
2000
Leo as
Leo (as Iciar Bollain)
1998
Subjúdice as
Paula
1997
Niño nadie as
Asun (as Icíar Bollain)
1996
Menos que cero as
Amaya
1995
El techo del mundo as
Teresa
1995
Hola, ¿estás sola? as
Cantante en karaoke (uncredited)
1995
Land and Freedom as
Maite (as Iciar Bollain)
1993
Una gloria nacional (TV Series)
- Acto décimo (1993) - (as Itziar Bollain)
- Acto quinto (1993) - (as Itziar Bollain)
- Acto cuarto (1993) - (as Itciar Bollain)
- Acto segundo (1993) - (as Itziar Bollain)
1993
Tocando fondo as
Araceli
1993
Jardines colgantes as
Chica
1993
Dime una mentira as
María
1992
Sublet as
Laura (as Iciar Bollain)
1992
Entretiempo (Short) as
Sandra
1992
No sé bailar (TV Series)
- Lo que el viento se llevó (1992)
1992
Un paraguas para tres as
Alicia
1990
Doblones de a ocho as
Anita
1990
Polvo enamorado (Short)
1989
El mejor de los tiempos as
Maria
1989
Venecias
1989
Primera función (TV Series)
- Los pequeños burgueses (1989)
1989
Miguel Servet (La sangre y la ceniza) (TV Series) as
Chica anabaptista
- Un caballero andante o El hombre clandestino (1989) - Chica anabaptista (as Iciar Bollain)
1988
Malaventura as
Rocío
1987
Las dos orillas as
Icíar
1987
Al acecho
1987
Mientras haya luz as
María (as Iciar Bollain)
1983
El Sur as
Estrella - 15 años
Director
2024
Soy Nevenka (filming)
2021
Acojonados (Short)
2021
Maixabel (as Iciar Bollain)
2020
Rosa's Wedding (as Iciar Bollain)
2018
Yuli
2016
The Olive Tree (as Iciar Bollain)
2015
Despertar (Short)
2014
En tierra extraña (Documentary) (as Iciar Bollain)
2013
Hazte extranjero (TV Short)
2012
El currículum de todos (Video short)
2011
Katmandú, un espejo en el cielo (as Iciar Bollaín)
2010
Even the Rain
2007
Mataharis
2004
¡Hay motivo! (segment "Por tu propio bien")
2003
Take My Eyes (as Iciar Bollain)
2000
Amores que matan (Short)
1999
Flowers from Another World
1995
Hola, ¿estás sola? (as Iciar Bollain)
1995
Luz Casal: Plantado en mi cabeza (Music Video)
1994
Los amigos del muerto (Short)
1992
Baja corazón (Short)
Writer
2024
Soy Nevenka (filming)
2021
Maixabel (written by - as Iciar Bollain)
2020
Rosa's Wedding (written by - as Iciar Bollain)
2014
En tierra extraña (Documentary) (screenplay by - as Iciar Bollain)
2011
Katmandú, un espejo en el cielo (screenplay by)
2007
Mataharis (screenplay)
2003
Take My Eyes (screenplay - as Iciar Bollain)
2002
Poniente
2000
Amores que matan (Short) (screenplay - as Iciar Bollain)
1999
Flowers from Another World (writer)
1995
Hola, ¿estás sola? (as Iciar Bollain)
1994
Los amigos del muerto (Short) (writer)
1993
Dime una mentira (story - as Iciar Bollain)
1992
Baja corazón (Short)
Producer
2014
En tierra extraña (Documentary) (producer - as Iciar Bollain)
1994
Xicu'l toperu (Short) (associate producer)
1993
100% cubano (Documentary short) (producer)
Cinematographer
2014
En tierra extraña (Documentary) (as Iciar Bollain)
Assistant Director
1994
Sexo oral (Documentary) (assistant director)
Thanks
2019
The Innocence (special thanks - as Iciar Bollain)
2018
The Silence of Others (Documentary) (thanks)
2017
Thi Mai, rumbo a Vietnam (thanks)
2017
Ochéntame... otra vez (TV Series documentary) (thanks - 1 episode)
- Actrices del cambio (2017) - (thanks - as Icíar Bollain)
2011
Salar (Short) (thanks)
2007
Pudor (thanks)
2003
De nens (Documentary) (thanks)
Self
2022
El crítico (Documentary) as
Self
2022
Los Felices veinte (TV Series) as
Self - Guest
- Icíar Bollaín (2022) - Self - Guest
2022
La Roca (TV Series) as
Self - Guest
- Ray Zapata y Sara Escudero (2022) - Self - Guest
2022
36 premios Goya (TV Special) as
Self - Nominee
2008
Días de cine (TV Series) as
Self - Interviewee / Self - Guest Host
1998
Versión española (TV Series) as
Self - Guest
- Mataharis (2010) - Self - Guest
- Te doy mis ojos (2007) - Self - Guest
- El sur (2003) - Self - Guest
- Flores de otro mundo (2002) - Self - Guest
- Alma gitana (1998) - Self - Guest
2012
Els matins a TV3 (TV Series) as
Self - Guest
- Episode #18.18 (2021) - Self - Guest
- Episode #8.96 (2012) - Self - Guest
2021
Premios Goya 35 edición (TV Special) as
Self - Nominee
2021
Premios Feroz (TV Special) as
Self - Winner
2020
Festival de cine de San Sebastián 2020 - Gala de inauguración (TV Special) as