8.6 /10 1 Votes
5/5 Mountain Xpress Produced by Michael Winner Music by Francis Lai Initial release 18 December 1967 Screenplay Peter Draper Initial DVD release 22 February 2000 | 7.1/10 IMDb Directed by Michael Winner Written by Peter Draper Cinematography Otto Heller Director Michael Winner Music director Francis Lai | |||||||||||||||||||||||||||||||||
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Starring Oliver Reed
Carol White
Orson Welles
Harry Andrews
Marianne Faithfull Cast Oliver Reed, Marianne Faithfull, Orson Welles, Carol White, Harry Andrews Similar Oliver Reed movies, Movies about advertisting, Satirical movies | ||||||||||||||||||||||||||||||||||
I ll never forget what s isname 1967 clip
I'll Never Forget What's'isname (DVD box title: I'll Never Forget What's 'Isname) is a 1967 British film directed and produced by Michael Winner. It stars Oliver Reed as disillusioned London advertising executive Andrew Quint, who revolts against his boss, Jonathan Lute (Orson Welles), and escapes into Swinging London.
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Synopsis
The film deals with creativity and commercialism. Quint attempts to get back at his boss by making a negative commercial reusing themes from earlier in the film, including Lute saying "The number one product of all human endeavor is waste...waste." The commercial, advertising a Super-8 camera, talks about capturing events while you still can before everything is destroyed and discarded. It ends with Quint operating a car crusher and destroying numerous cameras. The commercial is hailed as a masterpiece, and wins an award, but Quint hurls the award into the Thames.
Cast
Controversy
In the United States, the film was denied a MPAA seal of approval due to a scene between Oliver Reed and Carol White which implied (but did not actually show) oral sex (Winner, in his audio commentary, said he considered the scene to show masturbation. The Catholic League inaccurately described it as "fellatio," even though it is the woman who is receiving.) Universal distributed the film through a subsidiary that was not a member of the MPAA. Along with a similar scene in Charlie Bubbles (1967), this helped to bring about the end of the Production Code in the USA and its replacement with a ratings system.
The film is often named as the first mainstream film to use the word fuck in its dialogue. Another contender is Ulysses, which was released earlier the same year. The contention seems to have arisen because of a longtime absence of either film's release date in any easily obtainable sources, such as the Internet Movie Database. The BBFC certified the film in June 1967 (after demanding the removal, or at least obscuring, of the word fucking), whereas Ulysses, which suffered heavier cuts, had been certified three months earlier in March.