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Hell on Frisco Bay

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Director  Frank Tuttle
Music director  Max Steiner
Duration  
Language  English
6.2/10 IMDb

Genre  Crime, Drama, Film-Noir
Cinematography  John F. Seitz
Country  United States
Hell on Frisco Bay movie poster
Release date  1955
Based on  novel The Darkest Hour by William McGivern
Writer  Sydney Boehm (screenplay), Martin Rackin (screenplay), William P. McGivern (novel)
Cast  Alan Ladd (Steve Rollins), Edward G. Robinson (Victor Amato), Joanne Dru (Marcia Rollins), William Demarest (Dan Bianco), Paul Stewart (Joe Lye), Perry Lopez (Mario Amato)
Similar movies  Ant-Man, Terminator Salvation, Zodiac, Vertigo, The Maltese Falcon, The Enforcer

Edward g robinson scene from hell on frisco bay 1955 film noir


Hell on Frisco Bay is a 1955 American CinemaScope Warnercolor film noir crime film directed by Frank Tuttle, starring Alan Ladd, Edward G. Robinson and Joanne Dru. It was made for Ladd's own production company, Jaguar.

Contents

Hell on Frisco Bay movie scenes

The film featured an early Hollywood appearance by Australian actor Rod Taylor. His part was written especially by Martin Rackin, who worked with Taylor on Long John Silver (1954).

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Plot

Hell on Frisco Bay Hell on Frisco Bay 1955

After five years in San Quentin prison, former policeman Steve Rollins is released. Unjustly convicted of manslaughter in an arrested man's death, Steve is met by a friend from the force, Dan Bianco, and by wife Marcia, whom he shuns because she has been unfaithful to him.

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Steve goes to the San Francisco waterfront looking for a fisherman named Rogani who supposedly has proof that can clear his name. The docks are run by racketeer Victor Amato, who is forcing out dock leader Lou Flaschetti. A couple of thugs who work for the mobster, Lye and Hammy, come to confront Steve, warning him not to take this any further.

Hell on Frisco Bay Hell on Frisco Bay film 1955 AlloCin

Marcia tries to explain to Steve that she was lonely while he was in prison and cheated on him just once. He is reluctant to trust her. Rogani and Flaschetti, meantime, both end up dead. Steve manages to get valuable information from Amato's mild-mannered nephew, Mario, and when the henchman Hammy opens fire, Steve's cop friend Bianco kills him.

Hell on Frisco Bay Hell on Frisco Bay 1955

Lye is told by Amato to murder Mario, even though the boy is the mob boss's blood relative. Lye reluctantly follows orders, but when he discovers Amato behind his back has made a pass at Kay Stanley, an actress Lye is in love with, then slapped her after being rejected, Lye is enraged. And so is Amato's long-suffering wife, Anna, who tells Steve where to find him.

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With the cops closing in and others after him, too, Amato has decided to leave the country. In a showdown, Amato gets the better of Lye, then attempts to flee on a speedboat. Steve swims to the boat and fights with Amato on board. The boat crashes into a lighthouse. Amato, dazed and defeated, is taken into custody. Steve, his reputation restored, considers going back to police work and also giving Marcia a second chance.

Reception

Hell on Frisco Bay The Film Ive Just Seen HELL ON FRISCO BAY watching the star try

Bosley Crowther, reviewing the film for The New York Times, wrote that "thanks to Edward G. Robinson, who wears his role as snugly as he wears his shoes, and to some sardonic dialogue written for him" the film was "two or three cuts above the quality of the run of pictures in this hackneyed genre."

References

Hell on Frisco Bay Wikipedia
Hell on Frisco Bay IMDb Hell on Frisco Bay themoviedb.org


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