Heather Croall

Background

Croall was born in Blackpool and grew up in Sheffield until the age of five, when her family emigrated to South Australia. In 1993 Croall set up a production company, Re Angle Pictures, to produce and direct documentaries. Her 1999 film Paradise Bent: Boys will be Girls in Samoa won the Silver Plaque at the Chicago International Film Festival. She continued her career at the South Australian Film Corporation, and also produced digital and documentary strands at the Adelaide Fringe Festival. In 2001, she developed Crossover, an organisation which works with new media and documentaries.

From 2003 Croall worked for the Australian International Documentary Conference, where she became festival director and developed the MeetMarket pitching event.

Sheffield Doc/Fest

In 2006 Croall was invited to become festival director at Sheffield Doc/Fest. When she joined the festival, it was a two-day event attracting 500 delegates and 2000 public attendees. Croall widened it to a five-day event with 3000 delegates and 20,000 public attendees. She found new funding which tripled the budget in two years, and changed the date of the festival from November to June. She brought in the MeetMarket pitching forum, which in 2011 generated £5.6 million worth of business for producers. She also added year-round training and events alongside the festival.

Variety magazine said Croall lifted Doc/Fest "into the premier league of international doc events". In 2012 Croall sat on the US Documentary jury at the Sundance Film Festival, and she was on the 25th anniversary advisory committee for PBS's POV documentary series. In 2015 she was awarded Sheffield Doc/Fest's Inspiration Award.

Adelaide Fringe Festival

In February 2015 Croall left Doc/Fest to become CEO and festival director of the Adelaide Fringe Festival.

In 2016 under Croall's leadership the Adelaide Fringe began an official partnership with the Edinburgh Fringe Festival.

Production credits

Croall has co-produced a number of films in which directors edit together archive footage on a particular theme, soundtracked by original music.

In 2012 Croall co-produced the first project to be made by Doc/Fest especially for the festival, From the Sea to the Land Beyond. This is a documentary made up of archive footage from the British coast, directed by Penny Woolcock with an original soundtrack by British Sea Power.

In 2013 she co-produced The Big Melt, a documentary by Martin Wallace that similarly fused original music with archive footage. It was made to celebrate 100 years of stainless steel in Sheffield, with a live soundtrack scored by Jarvis Cocker. She also followed up From the Sea to the Land Beyond with its Australian equivalent, Girt by Sea, which was made for the Perth International Arts Festival on the theme of the Australian coast. Shane McNeil directed, with music by The Panics.

For 2014 Croall co-produced three films, again fusing archive footage with new, original soundtracks. Velorama told the story of a century of the bicycle. It was commissioned to mark the arrival of the 2014 Tour de France in Yorkshire, and directed by Daisy Asquith with a soundtrack by Bill Nelson and Chumbawamba. Love Is All brought together director Kim Longinotto with Sheffield singer/songwriter Richard Hawley, formerly of Pulp, to explore the theme of love. And From Scotland with Love was commissioned as part of the Cultural Festival accompanying the 2014 Commonwealth Games, directed by Virginia Heath with a soundtrack by King Creosote.

In 2015 Croall co-produced two films, both for Storyville. Atomic, Living in Dread and Promise was directed by Mark Cousins and soundtracked by Mogwai (who released the music as the album Atomic). The Show of Shows: 100 Years of Vaudeville, Circuses and Carnivals was directed by Benedikt Erlingsson with music from Sigur Rós, Hilmar Örn Hilmarsson and Kjartan Dagur Holm.