Harry Dolan

Watts Writers Workshop

"The Workshop participants had one thing in common: a desire to write—poetry, essay, and stories based on life experiences. Often their writings laid bare ‘the angers, fears, frustrations’ of the people living in Watts". In 1966 Harry Dolan, along with Schulberg and Johnie Scott, testified before "the Ribicoff Committee of the United States Congress, which was investigating urban dislocation and the problems of African Americans living in American cities". This was just one of the redefining opportunities that the Workshop created for themselves that year.

"The individual words of the writers in the Workshop changed the perception of post-1965 Watts from the National Guard—studded streets to an active arena of spiritual and cultural struggle". In his "short prose piece," Will There Be Another Riot in Watts? Dolan's writing style gave a voice to the topic of "cultural blindness toward 'injustice'". The author drew "attention to the severity of the issue," and ultimately, "achieved a forum".

Rise and success

As the success of the Workshop rose, it "drew the attention of the Los Angeles press". In result, "NBC TV devoted an hour of prime time to present 'The Angry Voices of Watts’ on August 16, 1966'". Among many of the talented Watts writers, Harry Dolan made a name for himself with his playwrights, specifically his teleplay Losers and Weepers. The play was first written for Mystery Digest containing a storyline of all white characters "about a poor family, where the young boy decided to go for the money. At the time the emphasis was on the missing money—that was the magazines interest". After critiquing his work to fit the Workshop’s intention of giving African Americans a chance to voice their concerns, the plot of “Losers and Weepers” changed, this time depicting the "frustrations and impotence of a Negro family's life in an urban ghetto". The play shined light on the "oppressive, destructive possibilities of the Negro slum matriarchy".

Losers and Weepers was just the start to Dolan's success. Shortly after the play became a hit he was "signed by Warner Bros. Seven Arts to adapt the Broadway show 'No Strings' to the screen".

In 1970, Dolan and writer/singer Dee Dee McNeal produced Dolan's play The Iron Hand of Nat Turner. "The play recounted the story of an 1831 Virginia slave rebellion from the point of view of its leader, preacher, and slave, Nat Turner". Not only did Dolan do his duty as a husband and father by looking after his wife and six children, but he also was deeply involved in the Watts writers' personal lives. He created leaders out of "men and women trying to make their way in the community as artists". Through his mentoring, he molded Workshop writers such as Amde and Otis, making them capable of earning promotions as he "eventually made Amde assistant director, and asked Otis to take over as the poetry and creative writing instructor".