Occupation author, journalist Name Hari Kunzru Language English Role Novelist | Nationality British Citizenship British | |
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Ethnicity British Indian of Kashmiri Pandit origin Alma mater Wadham College, Oxford
Warwick University Education University of Oxford, University of Warwick, Wadham College, Oxford Awards Guggenheim Fellowship for Creative Arts, US & Canada, New York Times 100 Notable Books of the Year Books The Impressionist, My Revolutions, Gods Without Men, Transmission, Noise Profiles | ||
Nominations Guardian First Book Award | ||
Hari kunzru and anosh irani in conversation
Hari Mohan Nath Kunzru (born 1969) is a British novelist and journalist. He is the author of the novels The Impressionist, Transmission, My Revolutions, Gods Without Men, and White Tears. His work has been translated into twenty languages.
Contents
- Hari kunzru and anosh irani in conversation
- Hari Kunzru White Tears Hipsters blues music and race in the US
- Personal life
- Career
- Honors
- References
Hari Kunzru: White Tears | Hipsters, blues music and race in the US
Personal life
Kunzru was born in London and grew up in Essex. His father was a Kashmiri Pandit, and his mother was a British Anglican Christian. He was educated at Bancroft's School, Essex. He studied English at Wadham College, Oxford, then gained an MA in Philosophy and Literature from University of Warwick. In his teens, Kunzru decided that he did not believe in formal religion or God, and is "opposed to how religion is used to police people."
His wife is the novelist Katie Kitamura. Kunzru is fascinated by UFOs and as a youngster often imagined a close-encounter type experience with them.
Career
From 1995 to 1997 he worked on Wired UK. Since 1998, he has worked as a travel journalist, writing for such newspapers as The Guardian and The Daily Telegraph, was travel correspondent for Time Out magazine, and worked as a TV presenter interviewing artists for the Sky TV electronic arts programme The Lounge. From 1999–2004 he was also music editor of Wallpaper* magazine and since 1995 he has been a contributing editor to Mute, the culture and technology magazine. His first novel, The Impressionist (2003), had a £1 million-plus advance and was well received critically with excellent sales. His second novel, Transmission, was published in the summer of 2004. In 2005 he published the short story collection Noise. His third novel, My Revolutions, was published in August 2007. His fourth novel, Gods Without Men, was released in August 2011. Set in the American south-west, it is a fractured story about multiple characters across time. It has been compared to David Mitchell's Cloud Atlas.
Although he was also awarded The John Llewellyn Rhys prize for writers under 35, the second oldest literary prize in the UK, he turned it down on the grounds that it was backed by the Mail on Sunday whose "hostility towards black and Asian people" he felt was unacceptable. In a statement read out on his behalf, he stated, "As the child of an immigrant, I am only too aware of the poisonous effect of the Mail's editorial line... The atmosphere of prejudice it fosters translates into violence, and I have no wish to profit from it." He further went on to recommend that the award money be donated to the charity Refugee Council.
He is Deputy President of English PEN.
In 2009, he donated the short story "Kaltes klares Wasser" to Oxfam's Ox-Tales project, four collections of UK stories written by 38 authors. Kunzru's story was published in the Water collection.
In 2012 at the Jaipur Literature Festival he, along with three other authors, Ruchir Joshi, Jeet Thayil and Amitava Kumar, risked arrest by reading excerpts from Salman Rushdie's The Satanic Verses, which remains unpublished in India due to fear of controversy. Kunzru later wrote, "Our intention was not to offend anyone's religious sensibilities, but to give a voice to a writer who had been silenced by a death threat". The reading drew sharp criticism from Muslim groups as being a deliberately provocative move to gain publicity for the four authors. Kunzru himself admitted in an interview that he was asked to leave by the festival organizers as his presence was likely to "inflame an already volatile situation."