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Hamsanadam

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Hamsanadam

Hamsanadam (pronounced hamsanādam) is a rāgam in Carnatic music (musical scale of South Indian classical music). It is a pentatonic scale (audava rāgam, which means "of 5"), as it is sung in current days. It is a derived scale (janya rāgam), as it does not have all the seven swaras (musical notes), from the 60th Melakarta rāgam Neetimati.

Contents

Structure and Lakshana

Hamsanadam, as it is sung now-a-days, is a symmetric scale that does not contain gandharam and dhaivatam. It is called an audava rāgam, in Carnatic music classification (as it has 5 notes in both ascending and descending scales). Its ārohaṇa-avarohaṇa structure is as follows (see swaras in Carnatic music for details on below notation and terms):

  • ārohaṇa : S R2 M2 P N3 S
  • avarohaṇa : S N3 P M2 R2 S
  • This scale uses the notes shadjam, chatusruti rishabham, prati madhyamam, panchamam and kakali nishadam.

    Other structures

    Earlier structure of this scale were as follows:

  • Ascending scale : S R2 M2 P D3 N3 S
  • Descending scale : S N3 D3 N3 P M2 R2 S
  • In the above, shatsruti dhaivatam is added in the scale compared to current usage (shadava scale with 6 notes in ascendinga and descending scale), with a vakra prayoga (zig-zag descending scale).

    Hamsanadam has a few popular compositions:

  • Bantureethi Kolu by Tyagaraja
  • Niye Paramukham by Papanasam Sivan
  • Kripanidhe by Muthiah Bhagavatar
  • Kalyana Rama by Oothukkadu Venkata Kavi
  • Pada Vendume by Dandapani Desikar
  • Bharama Ee Baluni by G N Balasubramaniam
  • References

    Hamsanadam Wikipedia