Hallelujah Junction is a piece written in 1996 for two pianos by the American composer John Adams. Adams titled his autobiography after this composition. A two-CD retrospective album of works by Adams on the Nonesuch label is also entitled Hallelujah Junction, but does not include the composition.
The name comes from a small truck stop on US 395 which meets Alternate US 40, (now State Route 70) near the California–Nevada border. Adams said of the piece, "Here we have a case of a great title looking for a piece. So now the piece finally exists: the 'junction' being the interlocking style of two-piano writing which features short, highly rhythmicized motives bouncing back and forth between the two pianos in tightly phased sequences".
The work centers around delayed repetition between the two pianos, creating an effect of echoing sonorities. There is a constant shift of pulse and meter, but the main rhythms are based on the rhythms of the word "Hal–le–LU–jah".
The work is in three unnamed movements, and generally takes about 16 minutes to perform. It was first performed by Grant Gershon and Gloria Cheng at the Getty Center in Brentwood, California, in 1998. It is dedicated to Ernest Fleischmann, long-time general manager of the Los Angeles Philharmonic.
In 2002 the composition was used for a ballet with choreography by Peter Martins.
Recordings
2003: Stravinsky: Concerto for 2 pianos; Adams: Hallelujah Junction; Boulez: Structures, Book 2 with Gerard Bouwhuis and Cees van Zeeland, Turtle Records
2005: John Adams: Road Movies with Nicolas Hodges and Rolf Hind, Nonesuch Records
2005: John Adams: Road Movies; Hallelujah Junction; Phrygian Gates; China Gates with Andrew Russo and James Ehnes, Black Box Classics
2007: John Adams: Complete Piano Music with Ralph van Raat and Maarten van Veen, Naxos Records
2007: Junctions with Roberto Hidalgo and Marc Peloquin, Urtext Records (Mexico)