Grease: Live

Announcement and casting

On April 28, 2014, Fox announced that it had partnered with Paramount Television to produce a live, three-hour televised adaptation of the 1971 musical Grease in 2015. The move came in the wake of similar live musical adaptations that had been produced by NBC, such as The Sound of Music Live! and Peter Pan Live!.

On January 17, 2015, Fox officially announced that Julianne Hough had been cast as Sandy and Vanessa Hudgens as Rizzo and that the special would air on January 31, 2016. Entertainment Weekly reported that the special had been delayed from its original Target of Summer 2015 due to difficulties in the casting process. On May 28, 2015, it was announced that Keke Palmer would join the broadcast as Marty Maraschino, one of the Pink Ladies. On July 9, it was announced that Aaron Tveit would star as Danny Zuko in the live TV broadcast, and Carlos PenaVega would play the role of Kenickie. On September 30, 2015, it was announced that Carly Rae Jepsen, Kether Donohue, and David Del Rio would play Frenchy, Jan, and Putzie, respectively. On November 6, it was announced that Jordan Fisher, Andrew Call and Yvette Gonzalez-Nacer would join the cast as Doody, Sonny and Cha-Cha, respectively.

Production

Director Thomas Kail envisioned Grease: Live as being a "combination" of elements from the original musical and the 1978 film version of Grease. For instance, the production incorporated songs that were created for the film version, such as a performance of its theme song "Grease (Is The Word)" by Jessie J, "You're the One That I Want", and "Hopelessly Devoted to You", as well as songs that were exclusive to the stage version, such as "Freddy, My Love" and "Those Magic Changes". Kail explained that "very early on as I started imagining what this could be, talking to Marc Platt, our executive producer, and the folks at Paramount, one of the things we really were very focused on was trying to capture the spirit of both the original companies of Grease and that film that has left such an indelible impression on all of us. To try to honor that and pay homage to something that has moved us and we have such a great affection for, and then try to make our own version of it."

The production also contained several new songs including the original, "All I Need Is an Angel", which was written for the character of Frenchy (Carly Rae Jepsen) by Tom Kitt and Brian Yorkey of Next to Normal fame. Joe Jonas's band DNCE made a cameo appearance as Johnny Casino and The Gamblers during the Rydell High dance where they performed The Crickets' "Maybe Baby", as well as a 1950s-inspired remix of their own debut single "Cake by the Ocean" in addition to "Born to Hand Jive" from the stage version and "Rock and roll Is Here to Stay" which was previously only part of the film version. In an interview with Rolling Stone, Jonas explained that the band was approached by the producers for the role following a concert they had performed in New York City.

Grease: Live was broadcast from Warner Bros. in Burbank, California, using two soundstages, half of its backlot, and 44 cameras. Set designer David Korins explained that the medium of a live, television musical would "really show off what theater does best, and also what film and television does best", having constructed a self-contained "cafegymatorium" set that is designed to provide an "immersive", 360-degree experience, as well as traditional theatrical-style stagings. Grease: Live was presented to live studio audiences at each of the three filming locations, who were also directly integrated into relevant scenes as extras on-stage, such as in crowds. Kail explained that he wanted to capture the "feeling" of the audiences at live stage productions, as there was "an energy and an undeniable vitality that real humans give back to real humans that are performing". The Hollywood Reporter believed that the use of live audiences would help to stylistically distinguish Grease: Live from the NBC live musicals that it was patterned after.

The price of a 30-second commercial during Grease: Live was set between $300,000 and $320,000. Coca-Cola was signed on as a major sponsor of the special; the sponsorship included product placement of classic Coca-Cola signage and beverages within the special (such as on a vending machine and on the diner set), and sponsored social media content. In order to be appropriate for broadcast television and to appease advertisers, several songs were edited for content; Platt stated that his goal was to make Grease: Live a "family-friendly" show, but still wanted to maintain "the appropriate edge" the musical required. Among the edits, "Greased Lightnin'" changed the lyrics "the chicks'll cream" to "the chicks'll scream" and "pussy wagon" to "dragon wagon", while the Italian profanity "fongool" was replaced with "be cool" within "Look At Me, I'm Sandra Dee".

Weather issues

The use of outdoor sets for portions of the production led to concerns that it could be affected by weather, especially in the wake of forecasts calling for a 100% chance of precipitation and possible thunderstorms on the day of the telecast. Kail stated that the production did have contingency plans in the event of rain, while Platt stated that his team had considered the possibility of rain into its plans for "many months", and that while safety was the highest priority, the show would still go on, rain or shine.

While prepared for the possibility of rain, wind was also a major factor: at around 3:00 p.m. PT, an hour before the telecast went live, Platt was informed that a particular structure on the outdoor set could not be used for safety reasons. By 3:40 p.m. PT, while the team was in the process of re-staging the opening number to exclude the structure, the rain and wind passed, and engineers cleared the use of the structure—allowing a return to the original staging. The broadcast would ultimately feature references to the conditions: emcee Mario Lopez jokingly introduced "El Niño" as being a "special guest", while the opening number, "Grease (Is the Word)", was performed with the cast holding umbrellas, and during a discussion about having a live broadcast at Rydell High, Principal McGee (Ana Gasteyer) quipped, "Let's just hope it doesn't rain."

Death of Greg Hudgens

On the day of the broadcast, Vanessa Hudgens announced on Twitter that her father, Greg, had died of cancer the night before, and that she would dedicate her performance in Grease: Live to his memory. Platt told Entertainment Weekly that he was "fiercely proud" of Hudgens' handling of the situation, describing her as a "very determined young woman" who "knows that the show has to go on, as any actor of the theater or in a live event knows. So she decided she would take her feelings of loss and sadness and put them in a box for that afternoon, that she would use them to fuel her performance and she would do it in honor of her father." Additionally, Fox and Paramount allowed the production to be dedicated in memory of Greg; Platt went on to say that "the cast was behind her and we all joined hands and said, 'We're going to live in this moment. Sometimes life interferes. But you have all worked so hard for this moment and we're going to go for it.'"

Dancers

Soundtrack

The official Soundtrack album, Grease: Live - Music from the Television Event, was released on January 31 by Paramount Pictures. The Target edition, including four bonus tracks, was released on March 4. In the show, 23 songs were performed, but only 19 were included in the official soundtrack. "Alma Mater" (performed by Ana Gasteyer and Haneefah Wood), "Summer Nights (Reprise)" (performed by Julianne Hough and Aaron Tveit), "Mooning" (performed by DNCE) and the medley "Rydell Fight Song" / "Cheerleading Tryouts" (performed by Elle McLemore and Julianne Hough) were not included in any version of the album.

Commercial performance

The album debuted at number 37 on the US Billboard 200, earning 13,000 album-equivalent units in its first week, with just over 9,000 coming from pure sales. It also debuted at number 1 the same week on the Top Album Sales chart.

Reception

Grease: Live received mostly positive reviews. Review aggregator Rotten Tomatoes listed the special with a 91% rating based on 34 reviews, and an average rating of 8.3/10, stating that "Grease: Live took the pressure and threw away conventionality -- it belongs to yesterday. There was a chance that it could make it so far; we started believin' we can be who we are. Grease: Live is the word." Metacritic listed a weighted average of 74 out of 100 based on 22 critics, indicating "generally favorable reviews."

Megan Vick of TV Guide felt that Kail had "upped the standard" for live television musicals, and had "successfully managed to combine all the nostalgic elements of Grease that everyone expected while creating a new experience. The set changes and scale of what they were able to accomplish—in a rainstorm no less—were incredibly impressive. Grease (Is The Word), and ratings most likely will be too." While praising "All I Need Is an Angel" for demonstrating Carly Rae Jepsen's capabilities as a singer, Vick felt that the song was too modern for a musical that is set in the 1950s.

Jeremmy Gerald of Deadline Hollywood noted that Grease: Live was broadcast "with nary a hitch and one last-minute change in the out-of-doors opening number that paid tribute to the greatest movie musical of all time, Singin' in the Rain". Acknowledging that none of NBC's live musicals had "hit the stratospheric highs of this show", aspects of the production were praised, such as the live audiences and stage design. Vanessa Hudgens was judged to have "stolen" the show, and that Aaron Tveit and Julianne Hough "couldn't be better matched as the head of the T Birds and the sweet new girl from Utah." In conclusion, Gerald felt that he had "never seen a more inventive interplay between a show and just enough of the mechanics of the deal to make it all the more engaging. That, and the audience that played its essential part in moving Grease Live along with enthusiastic applause replacing the dead air that followed key moments in the earlier live broadcasts, set a new standard for this kind of presentation that will be tough to top."

Variety's Maureen Ryan felt that the performance of Hough and Tveit was weak, explaining that "when Danny has all the presence of a glass of milk and even the black-clad Sandy of the final scenes exudes all the sexual danger of a church choir director, well, rest assured that those concerned about the Grease legacies of Travolta and Olivia Newton-John have nothing to worry about." Despite this and other shortcomings, such as audio issues during "Hopelessly Devoted to You", and the "surreality" of the audience's presence in certain scenes, Ryan felt Grease: Live got "most of the big things right", and that "by incorporating a live audience, using creative staging and employing energetic camera work", the production "boasted an impressive sense of momentum and even spontaneity." Of the individual performances, Ryan praised Keke Palmer's, Hudgens', and Carly Rae Jepsen's vocal performances, Elle McLemore's "simply terrific" Patty, Kether Donahue's "infectous joy", and Ana Gasteyer's "beautifully droll timing" as Principal McGee. She concluded that "If Fox can get the lead casting right in future and snag Kail again, audiences will surely be hopelessly devoted to the network’s next live endeavor." Writing in USA Today, Robert Bianco noted various positive and negative aspects of the broadcast. While he praised performances by the supporting cast, he lamented "the progressive dumbing-down of the material. A Broadway musical that originally spoofed our rose-tinted-glasses view of the '50s has turned into a nostalgic wallow, leaving the show with an odd mix of tones – and in this particular version, a book that sometimes seemed to get lost between songs and inside jokes. ... it was often so flatly acted" that the "kinetic", "visually impressive" musical numbers came as a "much-needed relief". Nevertheless, he felt that the production "sprang to life at the end."

Ratings

Grease: Live was seen by 12.18 million viewers, with a 4.3/13 share in the 18–49 demographic, making it the most-watched program of the night. The special brought Fox its best ratings of the 2015–16 television season since the second season premiere of Empire in September 2015, which was seen by 16.18 million viewers. The overall and demographic ratings also beat NBC's December 2015 presentation of The Wiz Live!, with 6% higher viewership overall, and 30% higher 18-49 ratings. While both competed against NFL games, The Wiz competed against a regular-season Thursday Night Football game on CBS, and Grease against the Pro Bowl on ESPN. Over 1.2 million Twitter posts were made throughout the airing, with most providing condolences for Hudgens' father. An encore of Grease: Live on March 27, 2016, Easter Sunday, was seen by 1.54 million viewers.

TiVo Inc. estimated that Hudgens' solo of "There Are Worse Things I Could Do" was the most replayed scene of the special.

International broadcasts

In Canada, Grease: Live was aired by CTV, in simulcast with the Fox broadcast. The special aired on February 2 in Australia (Nine Network), February 3 in the United Kingdom (ITV2), February 5 in New Zealand (TV3), February 7 in Norway (FEM), February 20 in Denmark (TV2 Fri), and in Italy March 3 (subtitled), August 21 (dubbed) (Rai 4). In Latin America, it was broadcast by FOX Family on April 24, 2016. It was broadcast in Sweden by the public service network (SVT1) on June 12, 2016. It was broadcast in The Netherlands by RTL 8 on July 22, 2016. In Singapore, it was broadcast on Mediacorp Channel 5 on Christmas night, December 25, 2015. In France, it will be broadcast on 6ter on December 26, 2016.

Home media

Grease: Live was released on DVD and Digital HD, March 8, 2016.