Grand Popo Football Club

Grand Popo Football Club are a French electronic music group of a DJ/book-loving television presenter/chat show host and producer/classically-trained pianist who studied at the National Conservatory in Paris, respectively.

Contents

• Grand popo football club men are not nice guys
• Albums
• Singles
• Songs
• References

The duo apparently adopted their unusual moniker after Ariel Wizman visited the West African village of Grand-Popo in Benin to film a television programme and decided that the community was missing a football club. After studying piano, composition, and electronic music, Nicolas Errèra became involved in theatre and successfully directed short films (winning the Clermont-Ferrand prize in 1991, for his Going to Dieppe Without Seeing the Sea) as well as becoming half of pop duo 2 Source. Wizman, meanwhile, DJed at Colombian parties in Paris. He became renowned for his show on Radio Nova that mixed easy listening, soundtracks, and electronic music. When the show transferred to television, Wizman brought in guests as disparate as Johnny Rotten and German philosophers: fortuitously, his guests also included 2 Source, an invite that rekindled Wizman and Errera's previous friendship.

GPFC's first recording appeared on the Source Lab 3 compilation in 1996, but they did not release their debut, Shampoo Victims, until 2000 (the album was re-released two years later).

Together the duo creates Gallic pop that seems to revere and revile the music of peers such as Daft Punk, Air, and Cassius in equal measure. They dubbed a song that sounded curiously like the former "One More Song on the Market", while "Nothing to Say in a House Song" railed against the duo's perceived vacuousness in house music by (vacuously) repeating the title with no other lyrics. "Shampoo Victims" also included a duo of collaborations with friends/heroes Sparks. Russell and Ron Mael provide both lyrics and vocals on the album's best tracks "La nuit est là" (The Night Is Here) and "Yo quiero mas dinero" (I Want More Money). As if to accentuate this fondness for '70s/'80s pop, the duo also sampled Giorgio Moroder's "Love Fever" on "Each Finger Has an Attitude".