Samiksha Jaiswal (Editor)

Gopala Tapani Upanishad

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Devanagari
  
गोपालतापिन्युपनिषत्

Title means
  
Surrender to Krishna

Type
  
Vaishnava

IAST
  
Gopālatāpanī

Date
  
before 14th century CE

Linked Veda
  
Atharvaveda

Gopala Tapani Upanishad httpsd1k5w7mbrh6vq5cloudfrontnetimagescache

Similar
  
Turiyatitavadhuta Upanishad, Paingala Upanishad, Dhyanabindu Upanishad, Pancabrahma Upanishad, Nrisimha Tapaniya Upanishad

Gopala tapani upanishad kirtan shaktipatseer


Gopāla-tāpanī Upanishad is a Sanskrit text, probably composed in the first half of 2nd-millennium CE, and a minor Upanishad attached to the Atharvaveda. The Gopāla-tāpanī is one of the four Tāpinī Upanishads (Nṛsiṁha, Rāma, Tripurā and Gopāla).

Contents

The central character of the text is Radha who is described as the Shakti of Krishna, her devotion and discussion of Gopala Krishna. Gopala Krishna is presented as identical to the nondual Absolute Reality (Atman-Brahman), the sat-cit-ananda, the Guru, the Om and the object of Vedanta, who can be reached by devotion to love. It is an important text to the Vaiṣṇava schools of Hinduism, particularly the Gaudiya Vaishnavas of Bengal region of South Asia.

The text is listed as 95th in the Telugu language Muktika anthology of 108 Upanishads.

Date

Farquhar dates it to have been composed after Nṛsiṁha-tāpanī Upanishad, which he estimates to be complete by the 7th century. He states that the first of the Tāpanīya Upanishads is believed to be the Nṛsiṁha, which served as the model for the others which took this name. The Gopalatapani text was extensively commented by the 16th-century scholar Jiva Goswami placing the two limits on its composition century. The 14th-century scholar Vidyaranya commented on Tapani series of Upanishad, so it is possible the text existed by then.

The meaning of the series name

The Sanskrit word tāpanīya in the context of these Upanishads is not clear. The word is found in four different forms: tapanīya, tāpanīya, tāpinī, tāpanī. Tāpanī is the most common form used in titles and references, but this appears to be an abbreviated form of the more correct tāpanīya, which appears in the texts themselves. According to Monier-Williams verdict we should assume tāpanīya ("gold") to be the name of a school of the Vājaseyani Saṁhitā that produced the four Upanishads bearing this name. This assumes that they come from a common source something disputed by others, who believe that the three other works were written on the model of the Nṛsiṁha-tāpanī as a result of the success enjoyed by that work in bringing legitimation a particular ancient tradition containing Nṛsiṁha mantra. Deussen reads tapanīya, which means "that which must be heated" or "gold". It also has the meaning of "self-mortification".

The process of self-purification is often compared to smelting gold, which is heated repeatedly in fire to remove any impurities. Deussen thus explains the term is as follows: "Tapanam (austerity) is burning pain-suffering or ascetic self-sacrifice; Nṛsiṁha-tapanam thus means ascetic self-surrender to Nṛsiṁha. Therefore Nṛsiṁha-tapanīya Upanishad is "the doctrine concerning the ascetic surrender to Nṛsiṁha."

Early commentaries

  • Prabodhānanda Sarasvati
  • Jīva Goswami commentary
  • Viśvanātha Cakravarti commentary
  • Early books quoted in

    Verses as reference: used in Krishna Sandarbha by Jiva Goswami

    Verses as reference: used in Hari Bhakti Vilasa by Gopala Bhatta Goswami

    Recent editions and commentaries

  • Kṛṣṇadāsa Kusuma Sarovarawala’s edition (Kusuma Sarovarawala is only used for commenting on the text of the Upanishaad itself)
  • Bhakti Srirupa Siddhāntī Mahārāja edition and comments
  • B.V. Tripurari edition and comments
  • Kuśakratha dāsa’s English translation
  • Concordance of different editions and commentaries

    Pūrva

    'Uttara

    References

    Gopala Tapani Upanishad Wikipedia