Gerhard Charles Rump (born 1947 in Bochum, Germany) is an author on art history and the theory of contemporary art, emeritus art history teacher at the Technical University of Berlin, curator, gallerist and photo artist.
Biography and career
Born in Bochum on February 24, 1947, he finished the Graf-Engelbert-Schule (Gymnasium) in 1967 and studied Art History, English Language and Literature, Philosophy, Pedagogics and Psychology at the Ruhr-Universitat Bochum from 1968 to 1972; later also Anthropology at the Rheinische-Friedrich-Wilhelms-Universitat in Bonn. He received his PhD with a book on the British 18th Century portrait painter George Romney in 1972. He became a curator at the University of Bochum’s University Library, in 1974 he went to Bonn University as Assistant Professor for Art History. In 1983 he left the University to become a freelance journalist for the national newspapers “Die Welt” and “Rheinischer Merkur” as well as a number of regional journals like “Kolnische Rundschau” and “Bonner Rundschau”. Concurrently he worked as an asset consultant for “Deutsche Vermogensberatung”. In 1986/7 he was curator of monuments for the city of Wesel (Germany), but joined the computer printer manufacturer Mannesmann Tally (now TallyGenicom) in 1987 as corporate communications manager to become the company’s marketing director a few years late. In 1987 he had his Habilitation at the University of Duisburg. In 1994 he returned to journalism as art market editor for “Die Welt” while he pursued researching on art and art history and gained some renown as media theorist, particularly on art communication and semiotics. He also pursued his career as artist photographer. In 2009 he contributed to Konstantin Akinsha's article on Russian avant garde which won the Association for Women in Communications' "Clarion Award". In 2010 he finally left “Die Welt” in order to forcus on his activities as university teacher and essayist, as art journalist and curator. In 2011 Catrin Rothe, Bernhard Ailinger and Gerhard Charles Rump founded the art project and producers’ "RAR Gallery" — Berlin, New York (NY) and Palo Alto (CA).
Rump authored among other titles:
Gerhard Charles Rump: Rekonstruktionen. Positionen zeitgenossischer Kunst. B&S Siebenhaar Verlag, Berlin 2010 ISBN 978-3-936962-36-9Gerhard Charles Rump / Jurgen Raap: Stephan Kaluza: Abfolgen. Edition Vits, Dusseldorf 2005Gerhard Charles Rump: runningMARS. Kunstforum Niederrhein, Emmerich 2004 (Exhibition catalog)Gerhard Charles Rump / Natascha Plankermann: Kate Waters. Twentyfourseven. Galerie Voss, Dusseldorf 2003 (Exhibition catalog)Gerhard Charles Rump (a.o.): Mythos und Moderne. Edvard Frank, Leben und Werk. Eine Biographie mit Briefen. Rathaus Galerie, Euskirchen 1999Gerhard Charles Rump: London Yesterday, Gingko Press, Berkeley Ca, Kunstverlag Weingarten, Weingarten 1998Gerhard Charles Rump / Peter Weiermair: Gunter Blum. Venus. Ed. Braus, Heidelberg 1997Gerhard Charles Rump: Kunstwissenschaft und Verhaltensforschung. Studien zu verhaltensbiologischen Motivationen in kunstlerischen Darstellungen. Deparade Verlag, Soest 1993 ISBN 3-929352-03-6Gerhard Charles Rump: Raimer Jochims / Gotthard Graubner. Inter Nationes (Fine Arts), Bonn 1986Gerhard Charles Rump: Vergangenheitsrechnen. (Folia Pataphysica, 4) CMZ-Verlag, Rheinbach-Merzbach 1986Gerhard Charles Rump: How to Look at an Abstract Painting. Inter Nationes (Fine Arts), Bonn 1985Gerhard Charles Rump: Pferde und Jagdbilder in der englischen Kunst. Studien zu George Stubbs und dem Genre der "Sporting Art" von 1650-1830. Olms, Hildesheim, New York 1983 ISBN 3-487-07425-7Gerhard Charles Rump (ed.): Gefangnis und Paradies: Momente in der Geschichte eines Motivs. Habelt, Bonn 1982Gerhard Charles Rump: Geschichte als Paradigma: Zur Reflexion des Historischen in der Kunst. Habelt, Bonn 1982Gerhard Charles Rump / Heindrichs, Wilfried (eds.): Interaktionsanalysen. Aspekte dialogischer Kommunikation. Gerstenberg, Hildesheim 1982 ISBN 3-8067-1001-5Gerhard Charles Rump: Kunstpsychologie. Kunst und Psychoanalyse. Kunstwissenschaft. Psychologische, Anthropologische, Semiotische Versuche zur Kunstwissenschaft. Olms, Hildesheim, New York 1981Gerhard Charles Rump (ed.): Carl Buchheister (1890-1964). Ausgewahlte Schriften und Briefe. Gerstenberg, Hildesheim 1980 ISBN 3-8067-0791-XGerhard Charles Rump / Wilfried Heindrichs (eds.): Dialoge. Beitrage zur Interaktions- und Diskursanalyse. Gerstenberg, Hildesheim 1979Gerhard Charles Rump (ed.): Kunst und Kunsttheorie des XVIII. Jahrhunderts in England. Studien zum Wandel asthetischer Anschauungen 1650-1830. Gerstenberg, Hildesheim 1979Gerhard Charles Rump: Medium und Kunst. Olms, Hildesheim, New York, 1978 ISBN 3-487-06743-9Gerhard Charles Rump: Bildstruktur - Erkenntnisstruktur: Gegenseitige Bedingungen von Kunst und Verhalten. A. Henn Verlag, Kastellaun 1978Gerhard Charles Rump: Friedrich Grasel. In: Bildhauer heute, vol. 2. Gerstenberg, Hildesheim 1978Gerhard Charles Rump: George Romney (1734-1802). Zur Bildform der Burgerlichen Mitte in der Englischen Neoklassik. 2 vols. Olms, Hildesheim, New York 1974 ISBN 3-487-05107-9Gerhard Charles Rump (ed.): Sprachnetze. Studien zur literarischen Sprachverwendung. Mit Beitragen zu Rainer Werner Fassbinder, Agatha Christie, Andre Breton und James Joyce. Olms, Hildesheim, New York 1976 ISBN 3-487-06087-6