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George Wettling

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Occupation(s)
  
Drummer

Name
  
George Wettling


Role
  
Soloist

Genres
  
Jazz

George Wettling Drummerworld George Wettling

Born
  
November 28, 1907 (
1907-11-28
)

Origin
  
Chicago, Illinois, United States

Died
  
June 6, 1968, New York City, New York, United States

Albums
  
Ragtime Duo (Mono Version)

Similar People
  
Max Kaminsky, Eddie Condon, Bud Freeman, Pee Wee Russell, Wild Bill Davison

Jack Teagarden, Max Kaminsky, George Wettling - Rocking Chair


Hindustan (Live)


George Wettling (November 28, 1907 – June 6, 1968) was an American jazz drummer. He was one of the young white Chicagoans who fell in love with jazz as a result of hearing King Oliver's band (with Louis Armstrong on second cornet) at the Lincoln Gardens in Chicago in the early 1920s. Oliver's drummer, Baby Dodds, made a particular and lasting impression upon Wettling.

Contents

George Wettling George Wettling JAZZ LIVES

Wettling went on to work with the big bands of Artie Shaw, Bunny Berigan, Red Norvo, Paul Whiteman, and even Harpo Marx: but he was at his best on (and will be best remembered for) his work in small 'hot' bands led by Eddie Condon, Muggsy Spanier, and himself. In these small bands, Wettling was able to demonstrate the arts of dynamics and responding to a particular soloist that he had learned from Baby Dodds.

George Wettling George Wettling JAZZ LIVES

Wettling was a member of some of Condon's classic line-ups, which included, among others, Wild Bill Davison, Billy Butterfield, Edmond Hall, Peanuts Hucko, Pee Wee Russell, Cutty Cutshall, Gene Schroeder, Ralph Sutton, and Walter Page, and in 1957 toured Britain with a Condon band including Davison, Cutshall, and Schroeder.

George Wettling wwwdrummerworldcompicsdrumGeorge20Wettling1jpg

Towards the end of his life, Wettling (like his friend the clarinetist Pee Wee Russell), took up painting, and was much influenced by the American cubist Stuart Davis. He has been said to have believed that "jazz drumming and abstract painting seemed different for him only from the point of view of craftsmanship: in both fields he felt rhythm to be decisive".

References

George Wettling Wikipedia


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