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Genpei Akasegawa

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Native name  赤瀬川 原平
Movies  Rikyu, Go-hime
Role  Artist

Name  Genpei Akasegawa
Other names  Katsuhiko Otsuji
Books  Hyperart: Thomasson
Genpei Akasegawa Genpei Akasegawa Works on Sale at Auction amp Biography
Full Name  Katsuhiko Akasegawa
Born  March 27, 1937 (1937-03-27) Yokohama, Kanagawa, Japan
Occupation  Conceptual artist, photographer, essayist, short story writer
Died  October 26, 2014, Tokyo, Japan
Siblings  Shun Akasegawa, Haruko Akasegawa
Nominations  Japan Academy Prize for Screenplay of the Year
Similar People  Yutokutaishi Akiyama, Yutaka Takanashi, Hiroshi Teshigahara, Nejime Shoichi, Sawako Agawa

Tilted Titled Title:Shoichi Ozawa VS Genpei Akasegawa


Genpei Akasegawa (赤瀬川 原平, Akasegawa Genpei) was a pseudonym of Japanese artist Katsuhiko Akasegawa (赤瀬川 克彦, Akasegawa Katsuhiko) (March 27, 1937 – October 26, 2014). He used another pen name, Katsuhiko Otsuji (尾辻 克彦, Otsuji Katsuhiko), for literary works.

Contents

Genpei Akasegawa SCAI THE BATHHOUSE Artists Genpei AKASEGAWA

Biography

Genpei Akasegawa httpsnewsartnetcomwpcontentnewsupload201

Akasegawa was born in 1937 in Yokohama, and moved to Ashiya, Ōita and Nagoya in his childhood because of his father's job. Shusaku Arakawa was a high school classmate in Nagoya.

Genpei Akasegawa SCAI THE BATHHOUSE Artists Genpei AKASEGAWA

In 1960, Akasegawa became involved within the Neo-Dada Organizers, along with Ushio Shinohara, Shusaku Arakawa, and Masanobu Yoshimura. He formed the Hi-Red Center with Jiro Takamatsu and Natsuyuki Nakanishi in 1963, which was a group of artists that presented their works as a collective in Japan; they performed happenings within the Hi-Red Center. Akasegawa was also associated with the avant-garde.

Genpei Akasegawa Genpei Akasegawa39s HyperartThomasson LK Studio

In the 1970s he used the idea of Hyper-Art (chōgeijutsu), an ordinary but useless street object that happened to look like a conceptual artwork despite nobody having intended this. He called such things Hyperart Thomasson (named for Yomiuri Giants outfielder Gary Thomasson) and published photographs of them first within the magazine Shashin Jidai and later within books.

Genpei Akasegawa Genpei Akasegawa Collections Walker Art Center

As "Katsuhiko Otsuji," he received the Akutagawa Prize in 1981 for his short story, "Chichi ga kieta". Akasegawa is known for many humorous essays, and his 1998 book Rōjinryoku was a bestseller.

Genpei Akasegawa Genpei Akasegawa

Akasegawa was fond of old cameras, especially Leicas, and from 1992 to around 2009, he joined Yutaka Takanashi and Yūtokutaishi Akiyama in the photographers' group Raika Dōmei, which held numerous exhibitions.

"Thousand-yen bill incident"

Genpei Akasegawa The Principles of Art by Genpei Akasegawa39 The Japan Times

In January 1963, Akasegawa sent out invitations to a solo exhibition at a gallery in Tokyo. The announcement was delivered to several close friends in a cash envelope sent through the postal service. The announcement itself was a 1,000-yen note reproduced in monochromatic colors on the front, with relevant information regarding the exhibit on the back. He produced four more during the next year.

In January 1964, his 1,000-yen note partial reproductions became noticed by the police and he was indicted for creating imitations of banknotes, in violation of the 1894 Law Controlling the Imitation of Currency and Securities. The language of the law was quite vague, prohibiting any manufacture or sale of objects with an exterior front that may “be confused for currency or securities”. In August 1966, he went on trial for what was dubbed the "Thousand-Yen Bill Incident". In June 1967, he was found guilty with a three-month suspended sentence. He appealed twice. The decision was upheld in 1970.

Publications

  • Obuje o motta musansha (オブジェを持った無産者). Tokyo: Gendai Shisōsha, 1970.
  • Tuihō sareta yajiuma (追放された野次馬). Tokyo: Gendai Hyōronsha, 1972.
  • Sakura gahō gekidō no sen nihyaku gojū ichi (桜画報・激動の千二百五十日). Tokyo: Seirindō, 1974.
  • Yume dorobō: Suimin hakubutsushi (夢泥棒:睡眠博物誌). Tokyo: Gakugei Shorin, 1975.
  • Chōgeijutsu Tomason (超芸術トマソン). Tokyo: Byakuya Shobō, 1985. Revised: Tokyo: Chikuma Shobō, 1987. ISBN 4-480-02189-2. English translation: Hyperart: Thomasson. New York: Kaya Press, 2010. ISBN 978-1-885030-46-7.
  • Tōkyō mikisā keikaku (東京ミキサー計画). Tokyo: Parco, 1984. Reissue: Tokyo: Chikuma Shobō, 1994. ISBN 4-480-02935-4.
  • Rōjinryoku (老人力). Tokyo: Chikuma Shobō, 1998, ISBN 978-4-480-81606-1. Reissue: Chikuma Shobō, 2001, ISBN 978-4-480-03671-1.
  • References

    Genpei Akasegawa Wikipedia


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