Trisha Shetty (Editor)

GenArts, Inc.

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Industry
  
Software

Website
  
genarts.com

Founder
  
Karl Sims

Type of business
  
Private

Area served
  
Worldwide

Headquarters
  
Cambridge

Founded
  
1996

GenArts, Inc. wwwgenartscomsitesdefaultthemesgenarts2014l

Key people
  
Karl Sims, FounderGary Oberbrunner, Chief Scientist

Products
  
Visual Effects Plug-ins

Subsidiaries
  
Vivoom, Inc., Wondertouch, LLC, SpeedSix Software Limited

Profiles

Twitter
YouTube
Facebook

GenArts, Inc. is a Cambridge, Massachusetts-based developer of visual effects software for the film, broadcast and advertising industries. The majority of traditional video content such as movies, commercials, television shows, newscasts and music videos include at least some special effects created in a GenArts product.

Contents

GenArts creates visual effects software and plugins that integrate visual effects such as glows, lightning, fire and fluids into post-production video editing software from companies like Apple, Adobe, Autodesk and The Foundry.

GenArts is best known for its traditional role in high-end production environments, where high budget and broadly distributed video content is being created by a large corporation. This has changed since 2008, when new leadership, product development and a series of acquisitions broadened GenArts' focus, product portfolio and customer base. GenArts now creates plugins developed for smaller budget video editing tools typically used by smaller studios, the videographer market, or creators of content distributed solely online on websites like YouTube.

History

Karl Sims founded GenArts, Inc. as Genetic Arts in 1996 in Cambridge, MA as a developer of Discreet Spark Plugins. In 1997 Gary Oberbrunner joined GenArts as its second employee. The company name was changed to GenArts in June, 1999. GenArts' first office space was in Karl's barn. By 1999, three years after the company was founded, GenArts had achieved significant commercial success, a pace of growth founder Karl Sims says he did not expect. Karl won the MacArthur "genius grant" in the '90s for his work on artificial evolution.

Between 2000 and 2004 GenArts released plug-ins for Autodesk, Avid, After Effects, Shake, Final Cut Pro, Combustion, Premiere, Digital Fusion, Quantel with Synapse and 844/x. The company had 220 image processing and synthesis effects by 2008. Prices of the software was also reduced.

After creating plugins for the video editing software, GenArts has made the shift to supporting applications such as Avid, Final Cut Pro and Adobe After Effects that support a broader market of video creators.

Leadership and corporate strategy

In 2008, GenArts received funding from Insight Venture Partners and appointed a new CEO, Katherine Hays, to execute on a new growth strategy. That strategy involves consolidating a highly fragmented visual effects market into a standards-based, single vendor, off-the-shelf approach Katherine believes will simplify visual effects for customers. The company has also focused their own R&D on standards, often acquiring popular plugins for a specific video editing software and developing it for other systems. After being a single product company (Sapphire) for over a decade, the new CEO appointment and growth strategy kicked off a series of acquisitions and new partner relationships.

  • June 2008: Katherine Hays took office as CEO and founder Karl Sims moved to a new role on the company's board of directors.
  • January 2009: GenArts acquired UK-based SpeedSix, which brought GenArts the Monsters and Raptors brand plugins. GenArts planned to extend those plugins to Avid and After Effects users.
  • May 2009: The Open Effects Association was formed with GenArts as one of seven founding members striving to create open industry standards across the visual effects community. GenArts’ Chief Scientist Gary Oberbrunner is a Director of the Association.
  • June 2009: GenArts partnered with Lucasfilm to make digital effects for video games that are more consistent with the effects in the movies the games are based on.
  • November 2009: GenArts acquired wondertouch, producers of a sprite-based particle emitter visual effect product called particleIllusion used to create fire, water, explosions, comets, clouds, pixie dust, fog and other natural phenomena. wondertouch had 10,000 customers.
  • Early 2010: GenArts acquired the Tinder plugins from The Foundry, leaving The Foundry with their remaining Furnace, Keylight and Ocula plugins. The brand had a 90% market penetration of Autodesk users. GenArts intended to expand Tinder to Adobe After Effects and other platforms.
  • 2010: GenArts expanded the availability of different plugins on various editing software systems. Monsters became available on Adobe After Effects, Autodesk, Nuke and OFX. Sapphire 5 became available on Adobe After Effects, Final Cut Pro, Nuke, Avid, Smoke and OFX. particleIllusion is released for Adobe After Effects on PC and Macintosh computers.
  • March 2011: Former Artisan Entertainment CEO Amir Malin was appointed to the board of directors.
  • April 2011: GenArts partners with USC to provide their plugins to video arts students.
  • January 2013: Genarts partners with Vimeo to create Vivoom, allowing Vimeo users to apply Sapphire-type filters to their videos. “The average person has 20 videos on their phone that they’ve captured but they’re not willing to share,” estimates Katherine Hays, CEO of the Cambridge-based visual effects software company GenArts, which is used by several leading TV and movie production companies. “There hasn’t been a convenient way to make improvements to videos.”

    • Software

    GenArts supports Adobe After Effects, Adobe Premiere Pro, Apple Final Cut Pro, Avid Systems, Autodesk systems, Nuke, OFX platforms and Sony Vegas Pro. GenArts’ product lines include the Sapphire, Sapphire Edge and Sapphire Accents brands. The acquired particleIllusion and Monsters GT brands are consolidated under Sapphire Accents:

  • Sapphire - This product line has 220 effects in nine categories: Adjust, Blur & Sharpen, Composite, Distort, Lighting, Render, Stylize, Time, and Transitions.
  • Sapphire Accents - A package of extra visual effects from the Monsters GT and particleIllusion products. The Monsters GT product has 50 effects that are similar to Sapphire, like fire, fluids, lightning and blurs, but with specific, unique looks to those effects. particleIllusion is designed for particle effects and used standalone or as an After Effects plugin. Effects in particleIllusion are created through parameters in such a way that there are an infinite number of particle-based effects that are possible.
  • Sapphire Edge - Uses the same visual effects engine as the Sapphire product, but is designed for ease-of-use and only available for Sony Vegas Pro and Final Cut Pro for now.
  • FX Central - An online library of pre-built, pre-configured looks that is updated each month.

    • Breadth of use

    Some examples of effects created with GenArts’ products include the lightning created by superhero Storm in X-Men III, Ironman’s glowing palm and chest and the fire in his jet boots and the emperor's lightning type effect in Star Wars Episode III. Sapphire was also used to create the Diamond Girl character in X-Men Origins: Wolverine. Many Bollywood productions like Little Krishna and Aladin have used software from GenArts. GenArts’ software has been used on at least one Academy Award nominated film from 1996-2012. GenArts has been used in a large number of feature films like X-Men, the Lord of the Rings Trilogy, several Star Wars movies and the Matrix Trilogy. It's also used in newscasts, music videos by Lady Gaga and Beyoncé and television shows like Lost and CSI The company has 29,000 customers including Disney, Lucasfilm, Paramount Pictures, MTV, Univision, Televisa and Warner Brothers.

    References

    GenArts, Inc. Wikipedia
    (Text) CC BY-SA


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