Gary Chester

History

Born in Siracusa, Italy, Chester's first successful recording session was to replace a studio drummer. He repeated his success with artists on songs that are considered to be hits, to the extent that Eugene Chadbourne has advocated the renaming of the "oldies" radio station format to "Gary Chester radio."

As a result of Chester's work and instruction, a pro studio drummer can play well in any requested musical genres. In the studio, a drummer will often be given a sheet of music to read with one or two words describing the style. From this basic information, an accomplished drummer will understand the groove and feel of the song. Some of today's most famous studio drummers are renowned for their ability to adapt to any style of music.

As his reputation grew, Chester became a respected teacher, with drummers searching out his expertise and demanding techniques. His drumming systems have been used and endorsed by drummers such as Kenny Aronoff, Gary Gibbons, Danny Gottlieb, Max Weinberg, Chris Adams, Tico Torres, Lindy Morrison, and Dave Weckl, each having studied under Chester.

His daughter Katrina Chester, is a rock and roll singer.

Ostinato

Chester devised a system involving internalized patterns employing a drum 'melody' in an attempt to expand drummers' coordination and groove ability. His use of the ostinato figure employed more than repetition; he created drum melodies for a song with variation and development of the drum phrase or motif using the entire drum kit. He advocated alternating an ostinato line to fit changing harmonies or keys to enhance the song. Chester's system also taught how to set up an ostinato with one limb or more and playing freely with the remaining limbs, allowing one drummer to sound like a small percussion section.

Ambidexterity and rhythmic vocalization

Chester focused on teaching skills like creativity, improvisation, four-limb independence and ambidexterity, cross-dominance, playing solid time, alignment of limbs, and making an independent contribution to the song while playing to match the song rather than playing to show off. For example, his instructional techniques included learning to overcome their natural handedness (or laterality) by playing both right-handed and left-handed. This offered the studio pro greater flexibility, smoother groove transition, and a more complex, unbroken riff or fill. This ambidexterity also permitted the drummer to switch the ostinato from right-to-left or vice versa, thereby letting the free hand (or foot) develop a richer drum melody. One additional benefit was more open handed drumming which increases hand mobility around the set as the drummer does not need to cross and uncross his or her arms as often.

The core concept of Chester's New Breed instruction style was five-way independence. The student was given a system (three parts of a rhythm) and was required to play a written melody with the fourth limb. Chester also taught his students to "sing" each part that each limb played (rhythmic vocalization) while drumming to "train your ears to accept and understand what you’re doing." While coordinating and reading, the student would also be required to sing the quarter note, back beat, up beat and the melody for each system. Once the student performed each two page written melody and sang four different parts, he/she was required to play the same exercise with a left hand lead. Here, countless new rhythms were played, read, coordinated in time to a metronome, while singing. As a result of Chester's instructional techniques, the student would: (a) Develop independent four-way coordination; (b) Master sight reading ability and note recognition (c) Left hand would now be able to play ride patterns (d) Control time keeping through metronome and singing (by singing the quarter note, one could always play in time) (e) By gaining the ability to play and sing the melodies written, the student enhanced creativity and musicianship. If one could play what he/she sang, all playing situations became a breeze.

Published literature

American jazz drummer Louis Bellson said of Chester's first drumming book published by Modern Drummer Publications, New Breed: "A classic!" "An original that uses an approach found in no other book!" "He wrote the book on drumming!"