Frank Michael Beyer (8 March 1928 – 20 April 2008) was a German composer.
Active as well as a composition teacher, performer and culture functionary, he was one of the leading figures in post-war Berlin musical life. His works have been programmed by many artists of international renown, and he has left an abundant oeuvre comprising works of all genres except opera. His avant-garde compositional style is clear, strict and sensitive, rooted in German modernism as well as in Bachian counterpoint and characteristics of human speech.
Beyer was born in Berlin, the son of the author and art historian Oskar Beyer and his wife Margarete, née Löwenfeld. He spent his childhood in Dresden and on Crete, as well as in Athens and Liechtenstein and received his early training in music from his father. From 1946 to 1949 he studied composition and church music at the Kirchenmusikschule Berlin, before going on to study the piano in Leipzig from 1950 to 1953.
Beyer pursued his composition studies in Berlin under Ernst Pepping and 'virtuoso organ playing' under Joseph Ahrens at the Hochschule for Musik Berlin (now the Berlin University of the Arts). Johann Sebastian Bach and the Second Viennese School, especially Anton Webern, numbered among the composers who had the greatest influence on Beyer’s musical development. A strong focus on music in the family home also played a key role. He became acquainted with Bach’s music during his childhood while his father published a book on Bach which appeared in the Berlin Furche-Verlag in the 1920s.
From 1950 to 1963, Beyer worked as a church musician, both as performing organist and a conductor. He taught at the Kirchenmusikschule Berlin and subsequently at the Hochschule der Künste Berlin (Berlin University of the Arts). In 1964, he established the Musica nova sacra series and was a leading member of the Berliner Bach-Tage festival from 1970 to 1985. From 1986 to 2003, he was director of the music department at the Berlin University of the Arts. He founded the Institute for New Music in 1990 at the Berlin University of the Arts and the Berliner Orchesterkonferenz, which he also led. From 1986 to 2006, he was a member of the senate at the Berlin University of the Arts. Beyer was also on the supervisory board of the German collecting society for music rights GEMA.
He died in Berlin.
Selected awards and honours
1958 Kunstpreis der Stadt Berlin for die Junge Generation (Berlin Art Prize for the Young Generation)1961 Bernhard Sprengel prize for chamber music1963 Villa Massimo fellowship (Rome); Villa Romana fellowship (Florence)1968 fellowship from the Cité des Arts ParisMember of the Berlin Academy of the Arts from 1979Member of the Bayerische Akademie der Schönen Künste (Bavarian Academy of Fine Arts) from 19811997 guest of honour of the Villa Massimo (Rome)Geburt des Tanzes (1987), FP (under the ballet title „Orphische Szene“) 1988 Deutsche Oper Berlin / Choreography: Tom SchillingDas Fenster (1991), features music from „Griechenland“ (1981) and „Action“ (1991), FP 1992 HannoverRondeau imaginaire (1972), FP 1973 Berlin Radio Symphony Orchestra (West Berlin) / Lorin MaazelDiaphonie (1975), FP 1976 Nuremberg Philharmonic Orchestra / Jiří BělohlávekNotre-Dame-Musik (1983/84), FP 1984 Saarbrücken Radio Symphony Orchestra / Hubert SoudantGeburt des Tanzes (1987, based on the ballet), FP 1989 Berlin Radio Symphony Orchestra (West Berlin) / Lothar ZagrosekKlangtore (1996, rev.2001), FP 1997 Deutsches Symphonie-Orchester Berlin / Lothar ZagrosekFuga fiammata (1999/2000), FP 2001 Symphonieorchester des Bayerischen Rundfunks / Ulf SchirmerRicercare I (1957), FP 1958 Berlin Radio Symphony Orchestra (West Berlin) / Wolfgang SawallischVersi (1968), FP 1968 Berlin Philharmonic / Hans ZenderConcertino a tre (1974), FP 1974 SchwetzingenStreicherfantasien nach einem Motiv von J. S. Bach (1977, also arrangement for string quintet), FP 1980 Berlin Philharmonic / Giuseppe SinopoliGriechenland, Music for 3 groups of strings (1981), FP 1982 Berlin Philharmonic / Seiji OzawaLiturgia (based on String Quartet No. 3 “Missa”) (1996), FP 1997 Berlin Radio Symphony Orchestra / Lawrence FosterPassionato con Arietta, Elegy for strings (2005), FP 2006 Diez an der LahnSolo instrument(s) and orchestra
Concerto for flute and string orchestra (1967)Deutsche Tänze for cello and double bass with chamber orchestra (1982), FP 1984 BerlinMysteriensonate for orchestra with solo viola (1986), FP 1987 Berlin Radio Symphony Orchestra (West Berlin) / Sylvain CambrelingConcerto for oboe and string orchestra (1986), FP 1987 Hansjörg Schellenberger / Berlin Philharmonic / Erich LeinsdorfMusik der Frühe, Concerto for violin and orchestra (1992/93), FP 1993 Kolja Blacher / Rundfunk-Sinfonieorchester Berlin / Hanns-Martin SchneidtCanto di giorno for cello and orchestra (1998/99), FP 1999 Michael Sanderling / Berlin Radio Symphony Orchestra / Giuseppe MegaCanzona di Ombra for oboe and strings (cadenza and final movement from Concerto for oboe and string orchestra, 1986/2003)Concerto Notte di pasqua for viola and orchestra (2003–04/06), FP 2007 Tabea Zimmermann / Deutsches Symphonie-Orchester Berlin / Jonathan StockhammerMeridian, Concerto for flute and string ensemble (2004/05), FP 2008 Emmanuel Pahud / Kammerakademie Potsdam / Michael SanderlingEnsemble and chamber music
String Quartet No. 1 (1954/56)Sonata for viola and organ (1962)Tiento for flute and organ (1965)Concerto for organ and seven instruments (1966/69) FP 1969 Peter Schwarz / Kassel EnsembleString Quartet No. 2 (1969) FP 1969 Assmann Quartet, BerlinWind Quintet (1972) FP 1973 Berlin, SWF Baden-Baden Wind QuintetViolin Sonata (1977) FP 1978 Berlin, Saschko Gawriloff / Lothar BroddackDe lumine, Music for chamber ensemble (1978) FP 1979 „das neue Werk“ Hamburg / Dieter CichewieczTrio for oboe, viola and harp (1980) FP 1981 Mannheim, Heinz Holliger / Ursula HolligerDeutsche Tänze for cello and double bass (1980) FP 1980 Vienna, Jörg Baumann / Klaus StollFantasia concertante for 2 violins (1982) FP 1984 Hofheim, Boeckheler / AssmannPassacaglia fantastica for piano trio (1984) FP 1986 Ludwigsburg, Stuttgart Piano TrioString Quartet No. 3 Missa (1985) FP 1985 Berlin, Wilanow QuartetSymphonies for Eight Voices (1988) FP 1989 Scharoun-Ensemble BerlinArchitettura per musica for ensemble (1989) FP 1989 Berlin, musica-viva Ensemble DresdenSanctus for saxophone quartet (1990)Gesta Romanorum for ensemble (1990)Action for percussion ensemble (1991) FP 1993 Super Nova Percussion Ensemble BerlinCanciones for clarinet and ensemble (1991) FP 1991 Alois Brandhofer / Berlin Philharmonic / Peter KeuschnigClarinet Quintet (1992) FP 1993 Stuttgart, Ulf RodenhäuserNachtstück for oboe and piano (1993) FP 1994 Düsseldorf, Christian Schneider / Frank Michael BeyerNänie for 2 guitars (1994) FP 1994 Lüneburg, Evers / WeigelTaglied for cello and piano (1998) FP 1998 Berlin, Georg Faust / Rolf Koenen„Windklang“ for string trio (2000) FP 2003 Stuttgart, Ingolf Turban / Kolja Lessing / Wen-Sinn YangWas Orpheus sah for string quartet (2003) FP 2004 Berlin, Vogler-QuartettVoca for 3 trumpets (2004) FP 2004 HamburgLichtspuren for piano trio (2006) FP 2008 Kempen, Trio WandererZu den Inseln, Suite for 9 instruments (2005/06) FP 2008 München, Konstantia Gourzi, cond.Choreographie, Three Mythical Dances for 12 cellos (2007)Toccata in Re for organ (1952) FP 1953 Berlin, Frank Michael BeyerLays for organ (1957)Variationen for piano (1957)Toccaten sub communione for organ (1970) FP 1970 Nuremberg, Peter SchwarzChaconne (1970)Tiento II for organ (1972) FP 1973 Berlin, Frank Michael BeyerCanti dei misteri for organ (1979)Messesätze (Josquin/Beyer) for organ (1979)Canzonetta for guitar (1980)Avanti, 15 Piano Pieces for Young Players (1983)Melos I & II for viola (1983/1990)Das Geläut zu Speyer for organ (1984)Echo for bass flute (1985)Lobgesang „Wurze des Waldes“ for organ (1992)Imago for cello (2002)Wie ein fernes Lied for oboe (cadenza from Concerto for oboe and string orchestra, for separate performance, 2004/05)Metamorphosen – Hommage à A. Skrjabin for violin (2007) FP 2008 Berlin, Viviane HagnerBiblische Szenen for mezzo-soprano and tenor (or soprano and baritone) and ensemble (1955)Sprache der Liebenden for baritone, chamber chorus and orchestra (1961); words by Friedrich HölderlinLavatio – Manifestatio Christi for mixed chorus a cappella (1962)Maior Angelis for soprano, female chorus and ensemble (1970) FP 1970 Berlin, Catherine Gayer / Kammerchor Ernst Senff / Frank Michael BeyerCanticum Mose et Agni for eight-part chorus a cappella (1976) FP 1977 Berlin, Monteverdi Choir / John Eliot GardinerEt resurrexit, Motets for twelve-part chorus a cappella (2001/02) FP 2003 Rundfunkchor Berlin / Simon HalseyDrei Psalmen for baritone and piano by Boris Blacher, arranged for baritone and ensemble by Frank Michael Beyer (1943, arr.1966)Musikalisches Opfer, The Contrapunctual Movements: Ricercare a 3, Fuga canonica & 9 Kanons, by Johann Sebastian Bach, arranged for chamber orchestra by Frank Michael Beyer for performance together with Bach’s Ricercare a 6 in the arrangement by Anton Webern (arr.1985) FP 1985 Berlin, London Sinfonietta / Diego MassonCadenza dolce for the Andante in C Major for flute and orchestra K315 by Wolfgang Amadeus Mozart (2007) FP 2008 Berlin, Emmanuel PahudNikolaus Brass (1949)Orm Finnendahl (1963)Detlev Glanert (1960)Konstantia Gourzi (1962)Hanspeter Kyburz (1960)Marc Lingk (1964)Gerhardt Müller-Goldboom (1953)Isabel Mundry (1963)Thomas Schmidt-Kowalski (1949)Charlotte Seither (1965)Preethi de Silva (1942)Art-Oliver Simon (1966)André Werner (1960)Werner Grünzweig & Daniela Reinhold (ed.): Frank Michael Beyer. Archive zur Musik des 20. Jahrhunderts. Vol.2. Wolke Verlag, 1998, ISBN 3923997825.Andreas Richter: "Der Komponist und Vorsitzende der Berliner Orchesterkonferenz Frank Michael Beyer im Gespräch", in: Das Orchester 01/1995.Alain Pâris: Klassische Musik im 20. Jahrhundert. Instrumentalisten, Sänger, Dirigenten, Orchester, Chöre. transl. by Rudolf Kimmig, rev. by Ralf Noltensmeier. With an introduction by Peter Gülke, Deutscher Taschenbuch Verlag, 2nd edition 1997, ISBN 3423325011.
