Name Francoise Morvan Role Writer | Partner Andre Markowicz Movies Bisclavret | |
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Awards Moliere Award for Best Adaptation of a Foreign Play Similar People Andre Markowicz, Armand Robin, Francois‑Marie Luzel, Morvan Marchal, Danielle Collobert | ||
Francoise morvan tete de liste de l euro region ouest
Françoise Morvan (born 1958, Rostrenen, Côtes-d'Armor) is a French writer who specialises in Breton history and culture.
Contents
- Francoise morvan tete de liste de l euro region ouest
- PLATONOV Tchkhov Mise en scne Nicolas Oton extraits 1
- Theatre
- Critical editions
- Childrens literature
- Folklore
- Breton regionalism
- Principal publications
- References
She studied literature in Colombes, then at the Sorbonne. Her doctoral thesis was in French literature, discussing the work of Armand Robin. She later wrote another thesis on the work on François-Marie Luzel.
Her subsequent works typically fall into five different areas of literature:
PLATONOV - Tchékhov / Mise en scène Nicolas Oton / extraits 1
Theatre
Her translation of Eugene O'Neill's Desire Under the Elms led her to translate other dramatic literature, such as John Millington Synge and parts Seán O'Casey. She has also created new translations of Chekhov and Shakespeare in collaboration with André Markowicz. She won the 2006 Molière prize for best theatrical adaptation with André Markowicz for her version of Chekhov's Platonov, directed by Alain Francon.
She also creates shows for Breton theatre troupes, notably Le Pain des âmes, D'un Buisson de ronces (Spiritual Bread: of a Thornbush). She also adapted the myth of Sainte Tryphine et le roi Arthur ("Saint Tryphine and King Arthur") from the writings of Luzel.
Critical editions
She published editions of the works of Armand Robin, including his manuscripts, which she first published in their full original form, which had previously been truncated.
She has also published the prose works of François-Marie Luzel (eighteen volumes) by scrupulously adhering to Luzel's manuscripts, given in facsimile and always giving the original text where they exist in both the French and Breton languages (Tales of Brittany, Rennes University Press).
She has also published works by Danielle Collobert, and has contributed over a hundred prefaces, articles and essays to scholarly editions of poetry and literature.
She has also published translations of Marie de France and the poems of Sylvia Plath.
Children's literature
La Gavotte du mille pattes (The thousand footed gavotte) was the first of her books of songs, followed by books of stories La Femme du loup gris (The Woman of the gray wolf), L'École des loisirs (School of recreation) and Lutins et lutines (Elves and goblins). She worked in collaboration with illustrators.
Folklore
Editing Luzel led her to continue her research in the folklore of the fantastic and supernatural, especially fairies and elves, as in Vie et mœurs des lutins Bretons (Life and manners of Breton elves) and La douce vie des fées des eaux (The sweet life of water-fairies). She considered authentic folk traditions to be an increasingly frail barrier against the commercialization of folklore. She aspired to authenticity by basing her studies on journals giving precise references and citing them specifically in the texts, while including her own form of humour and poetry based on these sources.
She has expanded her work in folklore beyond Brittany to France as a whole and initiated the series "The Great Collections" published by Ouest-France: it has published the folk-story collections of Jean-François Blade (Gascony), of Amélie Bosquet (Normandy) and Henry Carnoy (Picardy).
Breton regionalism
Françoise Morvan has published a provisional autobiographical memoir, which is subtitled "drifting identity and nationalism in Brittany". She has published on the same theme an article which was reproduced by the Breton Information Group (Groupe information Bretagne, or GRIB), which she helped to found. She defended linguist François Falc'hun from numerous "telephone harassment campaigns" by Breton nationalists.
Her memoir "Le Monde comme si" (The world as if) caused controversy in Brittany bewcause of its attacks on the Breton regionalist movement (emsav). She discusses the arguments about the authenticity of Barzaz Breiz, the cultural and political movements in Brittany, their attitude during World War II, the creation of the unified Breton spelling, the Cultural Institute of Brittany, the subsidies given for the Breton language, the Flag of Brittany, among other things.