Forgotten Silver

Synopsis

Forgotten Silver purports to tell the story of "forgotten" New Zealand filmmaker Colin McKenzie, and the rediscovery of his lost films, which presenter Peter Jackson claims to have found in an old shed. McKenzie is presented as the first and greatest innovator of modern cinema, single-handedly inventing the tracking shot (by accident), the close-up (unintentionally), and both sound and color film years before their historically documented creation. The film also shows fragments of an epic Biblical film, Salome, supposedly made by McKenzie in a giant set in the forests of New Zealand, and a "computer enhancement" of a McKenzie film providing clear evidence that New Zealander Richard Pearse was the first man to invent a powered aircraft, several months prior to the Wright Brothers.

The film also shows a (staged) premiere screening of a recovered McKenzie film presented by film promoter Lindsay Shelton. It features deadpan commentary from actor/director Sam Neill and director and film archivist John O'Shea, as well as critical praise from international industry notables including film historian Leonard Maltin, and Harvey Weinstein of Miramax Films.

In reality, McKenzie is a fictional character, and the films featured in Forgotten Silver were all created by Peter Jackson, carefully mimicking the style of early cinema. The interviewees are all acting. Thomas Robins, the actor who portrays Colin MacKenzie, is today more easily recognized by audiences as Sméagol's ill-fated cousin Déagol in Jackson's The Lord of the Rings: The Return of the King.

Cast

As themselves:

Actors:

Production

Costa Botes directed the "documentary" portions while Peter Jackson created the "archive footage" supposedly filmed by McKenzie. Jackson also shot fake interviews in Los Angeles, including the one with Weinstein.

Reception

The film was first aired on Television New Zealand's channel TV ONE in a time slot usually dedicated to plays and mini-series, but was billed and introduced as a serious documentary. A large proportion of the TV audience were fooled until the directors shortly afterwards revealed that it was a hoax. The airing proved extremely controversial. The film was subsequently screened at a number of film festivals.

Literature