Erwin Pfrang (*23 October 1951 in Munich) is a German painter and printmaker.
Life and work
Pfrang studied at the Academy of Fine Arts in Munich from 1974-79. Later he spent many years as an independent artist in Montepulciano, Val d’Orcia and Catania, Italy, interrupted by stays in Munich and Augsburg. He presently lives and works in Berlin. Erwin Pfrang is the grandson of the Munich folk comedian Konstantin Pfrang.
Carla Schulz-Hoffmann makes an attempt at characterising the painter: “An artist such as Erwin Pfrang inhabits an alternative world, a tiny microcosm of subjectivity, and lives that life uncompromisingly, with all the limitations and hardships that it entails. Among twentieth-century artists a comparable stance can be encountered perhaps in Jean Fautrier, but certainly in Wols. The succinct characterization of the latter’s manner of working by his friend Henry Pierry Roché applies equally well to Pfrang: ‘Wols sheds his drawings as a snail does its shell – naturally and painfully.’”
Erwin Pfrang is represented by gallerists Fred Jahn, Munich and David Nolan, New York.
Painting and Literature
Pfrang’s lifelong passion for literature becomes particularly evident in his involvement with the works of the Irish writer James Joyce. The result being three cycles of drawings about Dubliners and Ulysses. The New York Times called his drawings for the Circe episode of the novel: "a brilliant solo debut." Other drawings are dedicated to the tale Tubutsch by the German Expressionist writer Albert Ehrenstein and Gerald Barry’s opera The Intelligence Park, libretto by Vincent Deane.
Pfrang comments on the role of representationalism in his work as follows: “Non-representational art presupposes the artist’s knowledge of what reality is. If reality as the result of our questionable sensory experiences, however, is not something we take for granted, we are obliged to "actually create reality" (Günter Eich), to auscultate the world and its objects to discover their nature, and in the painter’s case to sound it out with the blindman’s stick of the brush.
Albertina, ViennaBusch-Reisinger Museum, Cambridge, MassachusettsFogg Art Museum, HarvardMuseum Of Modern Art, New YorkNeue Pinakothek, MunichSaint Louis Art Museum, Saint Louis, MissouriStaatliche Graphische Sammlung München, MunichYale University Art Gallery, New Haven1984 Zeichnungen, Fred Jahn Munich1991 Circe Drawings, David Nolan, New York1995 Dubliners and Related Works, David Nolan, New York1998 Odysseus und kein Ende, Staatliche Graphische Sammlung, Munich1999 Bilder, Staatsgalerie Moderner Kunst, Munich2000 Paintings and Drawings, The Norwood Gallery, Austin, Texas2004 Circe Drawings, Bank of Ireland Arts Centre, Dublin2004 Bilder, Zeichnungen und Graphik, Völcker & Freunde Galerie, Berlin2006 Paintings, Daniel Weinberg Gallery, Los Angeles2007 Hades, Pinakothek der Moderne, Munich2007 Mostra di Erwin Pfrang, Università di Catania2012 New Pictures, Fred Jahn, Munich2015 New Pictures, Matthias Jahn, Munich2016 Axel Pairon Gallery, KnokkeErwin Pfrang: Zeichnungen, exhibition catalogue: Galerie Fred Jahn, München, 1984, text: Dieter Kuhrmann, Erwin PfrangHoller, Wolfgang, Zeichenkunst der Gegenwart: Sammlung Prinz Franz von Bayern, exhibition catalogue: Staatliche Graphische Sammlung, München, 1988, p. 147–149Smith, Roberta, review of Alberto Giacometti: Prints & Erwin Pfrang, Frank Günzel, Rudi Tröger: Drawings, David Nolan Gallery, New York, The New York Times, 6. Januar 1989Künstler '89 im Palais Preysing, exhibition catalogue: Bayerische Vereinsbank, München, 1989, p. 77–83, 95, Text: Carla Schulz-HoffmannErwin Pfrang: Circe Drawings Based on James Joyce's "Ulysses", exhibition catalogue: David Nolan Gallery, New York, 1991, Text: Erwin PfrangKimmelmann, Michael, review of Circe Drawings, David Nolan Gallery, The New York Times, 13 September 1991Jones, Alan, review of Circe Drawings, David Nolan Gallery, New York, Carte Blanche, 16 September 19919. Nationale der Zeichnung Augsburg: Kleine Welten – Das Private in der Gegenwartskunst, exhibition catalogue: Stadtsparkasse, Augsburg, 1994, p. 94–95, Text: Gode KrämerJoyce, James, Dubliner, translation: Harald Beck; afterword: Wolfgang Hilbig; illustrations: Erwin Pfrang, Reclam, Leipzig, 1994Smith, Roberta, Review of Dubliner Drawings and Related Works, Nolan/Eckman Gallery, New York, The New York Times, 20 October 19956 Personali, exhibition catalogue: Castelluccio di Pienza-La Foce, Siena, 1997, p. 26—28, ed. Plinio de Martiis, text: Alan JonesErwin Pfrang: Arbeiten auf Papier & Odysseus und kein Ende, exhibition catalogues (2 volumes): Staatliche Graphische Sammlung, München, 1998, text: Claudia Denk, Tilman Falk, Michael SemffErwin Pfrang: I0 & LUI, exhibition catalogue: Nolan/Eckman Gallery, New York, 1999Erwin Pfrang: Bilder, exhibition catalogue: Staatsgalerie moderner Kunst, München, Verlag Fred Jahn, München, 1999, Text: Peter Eikemeier, Carla Schulz-HoffmannDunham, Carroll, "Erwin Pfrang", Bomb, No. 69, Dec. 1999, p. 94—97Gawell, Lynn, "The Muse Is Within: The Psyche in the Century of Science", in: Dreams 1900-2000, Cornell University Press, Binghamton University Art Museum, State University of New York, 2000, p. 49–50Günzel, Frank, in: Unterwegs, exhibition catalogue: Bayerische Akademie der Schönen Künste, München, 2001Lerm Hayes, Christa-Maria, "Illustrations with a Difference", in: Joyce in Art, exhibition catalogue: Royal Hibernian Academy, Dublin, 2004, p. 63Robustelli, Gianni, Erwin Pfrang, Dissertation: Università degli Studi di Genova, Genua, 2004Erwin Pfrang, "Entwurf einer Rede" in: Erwin Pfrang. Illustrationen zu James Joyce Dubliners, Center for Advanced Studies, LMU, Munich 2013, pp. 3–7Tobias Döring, "Erwin Pfrang illustriert Joyces Dubliners" in: Erwin Pfrang. Illustrationen zu James Joyce Dubliners, Center for Advanced Studies, LMU, Munich 2013, pp. 9–16