Neha Patil (Editor)

Equestrian Portrait of Elisabeth of France

Updated on
Edit
Like
Comment
Share on FacebookTweet on TwitterShare on LinkedInShare on Reddit
Medium
  
Oil on canvas

Period
  
Baroque

Year
  
1635

Artist
  
Diego Velázquez

Genre
  
Portrait

Equestrian Portrait of Elisabeth of France httpsuploadwikimediaorgwikipediacommonsthu

Dimensions
  
301 cm × 314 cm (119 in × 124 in)

Location
  
Museo del Prado, Madrid

Similar
  
Diego Velázquez artwork, Baroque artwork, Portraits

The portrait Equestrian Portrait of Elisabeth of France was painted by Velázquez of Elisabeth of France circa 1635, originally for the Salón de Reinos and now in the Prado since the gallery's institution in 1819.

Contents

History of the work

Velasquez had been commissioned to paint a series of five equestrian portraits of the royal family, Felipe III, his wife Queen Margaret of Austria, Felipe IV, his wife Elizabeth of France and their son Baltazar Carlos. This last was smaller than those of the other family members, as it was intended to be hung on a door and therefore viewed from a lower perspective.

This work of Velasquez had significant input from members of his workshop. The technical studies conducted in the Prado Museum under the direction of Carmen Garrido indicated that the five equestrian portraits were painted at the same time and with the same preparation. The idea that Velasquez retouched a painting by an earlier painter to add detail to the queen's clothing and the trappings of the horse has received support from a number of critics; X-rays reveal a painting under the visible one, in which the horse's girth is visible and the queen's clothing is simpler than the existing one. Later, when Velasquez was finishing details in the queen's head and the horse's legs, a more patient painter filled in the meticulous details of the embroidery, thus obscuring details of the painting previously laid down.

Description of the work

The queen is depicted in profile, wearing a jacket with embroidered stars and a gold-embroidered skirt with her arms and initials. The horse is depicted as an overo with a long mane and forelock falling over its face, doing the passage gait; it is facing left in order to provide symmetry with the portrait of Elisabeth's husband, in which work he is facing right.

References

Equestrian Portrait of Elisabeth of France Wikipedia