Name Eleni Karaindrou Role Composer | Spouse Antonis Antypas (m. 1988) | |
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Education National and Kapodistrian University of Athens Albums Eternity and a Day, Elegy of the Uprooting, Dust of Time, Music for Films, Ulysses' Gaze Profiles | ||
dust of time eleni karaindrou
Eleni Karaindrou (Greek: Ελένη Καραΐνδρου) is a Greek composer, born in the village of Teichio (Tichio) in Phocis, Central Greece, on November 25, 1941. She is best known for scoring the films of the Greek director Theo Angelopoulos.
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Karaindrou moved with her family to Athens when she was eight years old, and she studied piano and theory at the Hellenikon Odeion (Hellenic Conservatory). She also attended history and archaeology classes at the university. During the time of the Greek military junta of 1967–1974 she lived in Paris, where she studied ethnomusicology and orchestration, and improvised with jazz musicians. Then she began to compose popular songs.
In 1974 she returned to Athens where she established a laboratory for traditional instruments and collaborated with the department of ethnomusicology of the Greek national broadcasting company. In 1976 she discovered ECM Records, and appreciated the creative freedom offered by the label. This was a period of high productivity for her; she was also introduced to music for the theater and the cinema. Karaindrou has stated that her own personal style emerged in working on soundtracks and that the relationship between images and movements created a new space for her to express emotions.
Her first soundtrack album was released in 1979 for the movie Periplanissi by Christoforos Christofis. In 1982 she won an award at the Thessaloniki International Film Festival and was noticed by Theo Angelopoulos, who was serving as president of the jury. Karaindrou collaborated with the Greek director on his last eight films, from 1984 to 2008.
Karaindrou is very prolific. By 2008 she had composed music for 18 full-length movies, 35 theatrical productions and 11 TV series and television movies. Among the screen directors she has worked with are Chris Marker, Jules Dassin, and Margarethe von Trotta. In 1992 she received the Premio Fellini award. Recently, her compositions "Elegy for Rosa" and "Refugee's Theme" were featured prominently in the 2015 blockbuster film Mad Max: Fury Road.