Format Music download Writer(s) Keith Gattis | Genre Country | |
Released September 10, 2012 (2012-09-10) Length 5:52 (album version)
5:02 (radio edit) Label Blue Chair/Columbia Nashville | ||
"El Cerrito Place" is a song written by Keith Gattis and originally recorded by Charlie Robison. It was also recorded by Kenny Chesney for his 2012 album Welcome to the Fishbowl, from which it was released in September 2012 as the third single.
Contents
History
The song, written by Keith Gattis, was originally recorded by Gattis in 2002 for his own album Big City Blues. Charlie Robison then recorded it on his 2004 album Good Times. Robison's version was released as both a single and music video, but the single did not chart. Chesney's version includes a backing vocal from Grace Potter, with whom he recorded his 2011 single "You and Tequila".
Content
The song is a mid-tempo in which the male narrator longs for a lost lover in California. Chesney said of the song that he enjoyed Robison's version for several years, and that "There is a certain longing in this song that in a lot of ways I really relate to. It's about wanting something that's obviously not there." Robison praised Chesney's version, saying that he "did a good job with it".
The song title refers to the El Cerrito Place Apartments at the base of the Hollywood Hills in the Hollywood neighborhood of Los Angeles, California, where Gattis lived while writing and recording the song. The song's and apartment's namesake street, off of Franklin Avenue, starts just north of the intersection of La Brea Ave. and Hollywood Blvd., which is consistent with the lyrics of the song.
Critical reception
Chet Flippo, in an article on the song's history for Country Music Television, said that "It's one song that in its different iterations links past and present. It truly shows the power of a single song." Billy Dukes of Taste of Country gave the song 4 ½ stars out of 5, saying that it "might be the most emotional performance of his career. It’s clear he’s falling back on his own experiences as he tells the story of a man looking for his love and maybe his soul." A less favorable review came from Karlie Justus Marlowe of Engine 145, who said that "The song’s necessary grit and gravel are noticeably missing from his delivery, and everything comes off a little too smooth, a touch too neat and tidy." She also criticized the "heavy" production, and gave the song a "thumbs down".