Name Dusty Fletcher | ||
 | ||
Died March 15, 1954, New York City, New York, United States Movies Killer Diller, Boarding House Blues Similar People Jack McVea, Moms Mabley, Eddy Howard, Gatemouth Moore, Red Ingle | ||
Dusty fletcher in open the door richard
Clinton "Dusty" Fletcher (July 8, 1900 – March 15, 1954) was an African-American vaudeville performer, who was best known for the comedy routine which became a hit record in 1947, "Open the Door, Richard". He had one daughter Helen Fletcher with original Cotton Club Dancer Sadie Mae Fletcher. He had 2 grand daughters Jacqueline and Amber.
Contents
Life
Born in El Dorado, Arkansas, Fletcher had refined his act over at least twenty years in vaudeville before the 1940s. He would come on stage dressed in rags, acting drunk, muttering and complaining about trying to find his way home. He would then bring out a ladder, and try to set it up so he could get in through a window. Every so often he would crash sprawling on the floor while shouting "Open the Door, Richard !".
In 1946, bandleader Jack McVea fashioned Fletcher's routine into the lyrics of a song, which he recorded with his band. McVea's record became a big hit, and Fletcher, by now semi-retired, was found living in South Carolina by Herb Abramson of National Records. He made his own recording of the song, using McVea's arrangement, which made number 3 on US Billboard R&B chart. The song was also covered by many others including Count Basie, Louis Jordan, and Pigmeat Markham.
National Records began a lawsuit to claim Fletcher's royalties as the originator of the routine which led to McVea's hit. However, a blackface vaudeville comedian, John "Spider Bruce" Mason then claimed that Fletcher had originally stolen the routine from him in the 1920s. Eventually, McVea, Fletcher and Mason were all co-credited with writing McVea's version.
Fletcher is credited with originating the "Here come de Judge" line used on the television comedy show, Rowan & Martin's Laugh-In.
The National Association for the Advancement of Colored People (NAACP) publicly attacked the song, particularly Fletcher's version, for making light of public drunkenness and playing on the stereotype of black men as shiftless and ignorant.
Fletcher continued to perform the routine, particularly at the Apollo Theatre in New York, until shortly before his death.