Size 20.5 by 43.3 cm Place Made in Mexico Materials Wood, Turquoise | Created 15th/16th century Present location British Museum | |
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Similar Hoa Hakananai'a, Sphinx of Taharqo, Throne of Weapons, Swimming Reindeer, Warren Cup | ||
The Double-headed serpent is an Aztec sculpture kept at the British Museum. Composed of mostly turquoise pieces applied to a wood base, it is one of nine mosaics of similar material in the British Museum; there are thought to be about 25 such pieces from that period in the whole of Europe. It came from Aztec Mexico and might have been worn or displayed in religious ceremonies. It is possible that this sculpture may be one of the gifts given by the Aztec emperor, Moctezuma II, to Spanish conquistador Hernán Cortés when he invaded in 1519. The mosaic is made of pieces of turquoise, crab shell and conch shell.
Contents
Description
The body of the sculpture has been carved from wood. The back of this model is very plain, and only the heads have decorations on both sides. The body has been hollowed out to make the sculpture lighter. The main body of the snake at the front is covered in turquoise. The stone has been broken into similar sized pieces and then stuck to the wooden body with pine resin. By using 2,000 small pieces, the flat pieces of stone give the impression of a smooth curved mosaic surface. It has to be remembered that this sculpture was created without the use of iron tools. The turquoise had to be cut and ground using harder stones. Some of the turqoise had been brought 1,600 km to become part of this serpent. The heads of the snake have holes for eyes, but there is evidence that beeswax may have been used to hold something that appeared to be an eye. It has been speculated that the material that once made the serpent's eyes was a piece of iron pyrite (Fool's Gold). The vivid contrast of the red and white details on the head have been made from crab shell and snail shell respectively. Cleverly, the adhesive used to attach the Spondylus shell has been coloured with red iron oxide (haematite) to complete the design. The white shell used for the teeth comes from shells of the edible sea snail (Queen Conch).
Provenance
It is not known how this sculpture left Mexico, but it is considered possible that it was amongst the goods given to the conquistador Hernán Cortés when he was sent to take the interior of Mico for the Spanish crown. Cortés arrived on the coast of what is now Mexico in 1519, and after battles he entered the capital on November 8, 1519 and was met with respect, if not favour, by the Aztec ruler Montezuma II. Some sources report that Montezuma thought that Cortés was the feathered serpent god Quetzalcoatl and treated him accordingly. Cortés was given a number of valuable gifts, which included turquoise sculptures, and possibly this serpent. Despite the gifts and the peaceful reception, Montezuma was taken prisoner by Cortés and his troops took the Montezuma's capital, Tenochtitlan, by 1521. The Aztecs were brutally and systematically enslaved and murdered, in spite of their generosity. They then fell victim to smallpox and other European diseases brought to Mexico by Cortés and his troops.
The Cortés antiquities arrived in Europe in the 1520s and caused great interest; however, it is said that other turqoise mosaics ended their days in jewellers' shops in Florence where they were dismantled to make more contemporary objects. Neil Macgregor credits Henry Christy with gathering similar artifacts into the British Museum.
The sculpture is now in the possession of the British Museum and was purchased by the Christy funds.
Significance
This sculpture is one of nine Mexican turquoise mosaics in the British Museum. There are considered to be only 25 Mexican turquoise mosaics in Europe from this period.
There were a number of reasons why the serpent may have been chosen as the subject of this sculpture. It has been proposed that the serpent was a symbol of rebirth because of its ability to shed its old skin and appear as a reborn snake. It may have been a representation of the earth and underworld each head representing one. The snake features strongly in the gods that the people worshiped. The feathered serpent god Quetzalcoatl was important to their religion, but other gods also had serpentine characteristics.
History of the World
This sculpture featured in A History of the World in 100 Objects, a series of radio programmes that started in 2010 as a collaboration between the BBC and the British Museum.