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Dora Pejačević
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Name
Dora Pejacevic
Role
Composer
Parents
Teodor Pejacevic
Grandparents
Ladislav Pejacevic
Died
March 5, 1923, Munich, Germany
Great-grandparents
Ferdinand Karlo Rajner Pejacevic
Similar People
Boris Papandopulo, Ida Gamulin, Blagoje Bersa, Jakov Gotovac, Ivan Zajc
Dora peja evi symphony in f sharp minor op 41 1918
Dora Pejačević (10 September 1885 – 5 March 1923) was a Croatian composer, a member of the Pejačević noble family. She was one of the composers to introduce the orchestral song to Croatian music.
Dora Pejačević (in old documents also Pejacsevich) was born in Budapest, a daughter of Croatian ban, Count Teodor Pejačević and Hungarian Countess Lilla Vay de Vaya, herself a fine pianist. Her mother gave her first piano lessons. Paternally, she descended from the old Croatian noble Pejačević family, one of the most distinguished noble families in Slavonia, eastern region of Croatia.
Dora began to compose when she was 12. She studied music privately in Zagreb, Dresden and Munich and received lessons in instrumentation (from Dragutin Kaiser and Walter Courvoisier), composition (from Percy Sherwood) and violin (from Henri Petri in München). She was largely self-taught, however. She married Ottomar von Lumbe in 1921. Although Pejačević led a lonely life, she met many prominent musicians and writers, and befriended Austrian journalist and writer Karl Kraus and Czech aristocrat and patroness of arts Sidonie Nádherná. Dora died in Munich in 1923, a result of complications following a difficult childbirth (of her son Theo), and is buried at the cemetery in Našice, Croatia.
Dora Pejačević should be considered a major Croatian composer. She left behind a considerable catalogue of 58 opuses (106 compositions), mostly in late-Romantic style, including songs, piano works, chamber music, and several compositions for large orchestra, arguably her best. Her Symphony in F-sharp minor is considered by scholars the first modern symphony in Croatian music. Most of her music has yet to be published and released on compact disc, although concerted efforts have been made recently to rectify this situation. For example, the Croatian Music Information Centre has published some of her scores, including three of her orchestral works (Piano Concerto, Symphony, and Phantasie Concertante). In 2008, the Center also published a bilingual monograph (in English and Croatian), written by the Pejačević scholar Koraljka Kos, accompanied by a first all-Pejačević CD of piano and chamber music.
Her life is a subject of a Croatian biographical film Countess Dora (1993), directed by Zvonimir Berković and starring Alma Prica and Rade Šerbedžija.
Vocal compositions
Lieder:
Ein Lied, op. 11, (text: Paul Wilhelm), (1900)
Warum?, op. 13, (text: Dora Pejačević), (1901)
Ave Maria, op. 16, for voice, violin and organ, (1903)
Sieben Lieder, op. 23, (text: Wilhelmine Wickenburg-Almásy), (1907), (dedicated to Eva van Osten, Melanie Páiffy-Almásy, Julia Culp)
Sicheres Merkmal
Es hat gleich einem Diebe
Taut erst Blauveilchen
Es jagen sich Mond und Sonne
Du bist der helle Frühlingsmorgen
In den Blättern wühlt
Es war einmal
Zwei Lieder, op. 27, (Text: Wilhelmine Wickenburg-Almásy; Ernst Strauss), (1909)
Ich schleiche meine Straßen
Verweht
Vier Lieder, op. 30, (text: Anna Ritter), (1911), (dedicated to Marianne Konradsheim)
Ein Schrei
Wie ein Rausch
Ich glaub', lieber Schatz
Traumglück
Verwandlung for voice, violin and organ, op. 37a, (text: Karl Kraus), (1915), (dedicated to Sidonie Nádherny von Borutin) [1]
Mädchengestalten, op. 42, (text: Rainer Maria Rilke), (1916)
Als du mich einst gefunden hast
Viel Fähren sind auf den Flüssen
Ich bin eine Waise
Ich war ein Kind und träumte viel
An eine Falte, op. 46, (text: Karl Kraus), (1918), (dedicated to Sidonie Nádherny von Borutin)
Drei Gesänge, op. 53, (text: Friedrich Nietzsche), (1919 - 1920)
Venedig
Vereinsamt
Der Einsamste
Zwei Lieder, op. 55, (Text: Karl Henckell; Ricarda Huch), (1920), (dedicated to Rosa Lumbe-Mladota and Juza Lumbe)
Zu dir!
Um bei dir zu sein
Tri dječje pjesme (Three children's songs) op. 56, (text: Zmaj Jovan Jovanović), (1921)
Majčica, moj anđeo (Mommy, my angel)
Dijete i baka (Child and grandmother)
Mali Radojica (Little Radojica)
with orchestral accompaniment:
Verwandlung, op. 37b, (text: Karl Kraus), (1915)
Liebeslied, op. 39, (text: Rainer Maria Rilke) (1915)
Zwei Schmetterlingslieder, op. 52, (text: Karl Henckell), (1920)
Goldne Sterne, blaue Glöckchen
Schwebe, du Schmetterling
Compositions for solo piano
Berceuse, op. 2, (1897)
Gondellied, op. 4, (In Erinnerung an die gemütlichen Tage in Našice von Dora, Našice, 25-VII-1898)
Chanson sans paroles, op. 5, (1898)
Papillon, op. 6, (1898)
Menuette, op. 7, (1898)
Impromptu, op. 9a, (1899)
Chanson sans paroles, op. 10, (1900), (dedicated to baroness Else Szentkereszty)
Albumblatt, op. 12, (1901), (lost)
Trauermarsch, op. 14, (1902)
Sechs Phantasiestücke, op. 17, (1903)
Sehnsucht
Leid
Frage
Klage
Bitte
Wahn (2 versions: A and B)
Blumenleben - acht Klavierstücke nach der Blütenzeit im Jahresablauf komponiert, op. 19, (1904 -1905)
Schneeglöckchen
Veilchen
Maiglöckchen
Vergißmeinnicht
Rose
Rote Nelken
Lilien
Chrysanthemen
Berceuse, op. 20, (1906), (dedicated to her nephew count Nikola Pejačević)
Valse de concert, op. 21, (1906)
Erinnerung, op. 24, (1908), (dedicated to Marie Therese Schall-Riaucour)
Walzer-Capricen, op. 28, (1910), (dedicated to her professor Percy Sherwood)
moderato
grazioso
im Lëndler-tempo
wiegend
lento
tempo giusto
allegretto
grazioso, allegramente
moderato
Vier Klavierstücke, op. 32a, (1912), (dedicated to pianist Alice Ripper, who premiered them in Stockholm in 1917)
(lost)
Libelle
Papillon
Abendgedanke
Impromptu, op. 32b, (1912), (dedicated to pianist Alice Ripper)
Sonata in B minor, op. 36, (1914), (dedicated to Anny von Lange)
Con fuoco non troppo allegro
Andante con molta espressione
Allegro risoluto
Zwei Intermezzi, op. 38, (1915), (dedicated to Olga Schulz-Granitz)
Ruhig und innig
Langsam und ausdrucksvoll
Zwei Klavierskizzen, op. 44, (1918), (dedicated to Anny von Lange)
An dich!
Vor deinem Bild
Blütenwirbel, op. 45, (1918), (2 versions: A and B), (dedicated to Sidonie Nádherny von Borutin)
Capriccio, op. 47, (1919), (dedicated to pianist Alice Ripper)
Zwei Nocturnos, op. 50, (1918; 1920)
Sehr ruhig, mit innigem Ausdruck, (Janowitz 20. – 21. Juli 1918. Dedicated to pianist Alice Ripper)
Leicht bewegt und ferträumt
Humoreske und Caprice, op. 54, (1920)
Humoreske, allegretto vivo
Caprice, vivace grazioso
Sonata in A flat major, op. 57 (in one movement), (1921)
Chamber compositions
Rêverie for violin and piano, op. 3, (1897.)
Canzonetta in D major, for violin and piano, op. 8, (1899.), (Pejačević's first printed composition. Dedicated to Stefi Geyer)
Impromptu op. 9b for piano quartet,(1903), (Bearbeitung von Op.9a)
Trio in D major, op. 15 for violin, violoncello and piano, (1902)
Menuett in A major, for violin and piano, op. 18, (1904), (dedicated to Jaroslav Kocian)
Romanze in F major, for violin and piano, op. 22, (1907)
Quartet in D minor, op. 25 for violin, viola, violoncello and piano, (1908)
Sonata in D major, op. 26 'Frühlings-Sonate' for violin and piano, (1909)
Trio in C major, op. 29 for violin, violoncello and piano, (1910)
String Quartet in F major, op. 31, (1911), (lost)
Elegie in E flat, major for violin and piano, op. 34, (1913), (dedicated to Johannes Nádherny-Borutin)
Sonata in E minor, op. 35 for violoncello and piano, (1913), (dedicated to Olga and Ernst Schulz)
Piano Quintet op. 40 in B minor for 2 violins, viola, violoncello and piano, (1915 - 1918)
Sonata in B minor, op. 43 'Slawische Sonate' for violin and piano, (1917), (dedicated to violinist Zlatko Baloković)
Méditation for violin and piano, op. 51, (1919), (dedicated to Viteszlav Novák)
String Quartet in C major, op. 58, (1922)
Orchestral compositions
Piano Concerto in G minor, op. 33, (1913)
Symphony in F-sharp minor for large orchestra, op. 41, (1916 - 1917. Rev. 1920), (dedicated to her mother baroness Lilla Vay de Vaya)
Phantasie concertante in D minor for piano and orchestra, op. 48, (1919), (dedicated to pianist Alice Ripper)
Ouverture in D minor for large orchestra, op. 49, (1919)
Songs for voice and orchestra (1915 – 1920)
Verwandlung for voice, violin and orchestra, op.37b, (text: Karl Kraus)
Liebeslied, op.39, (text: Rainer Maria Rilke), (dedicated to her sister Gabrielle Kochanovsky)
Schwebe du Schmetterling, schwebe vorbei (Zwei Schmetterlingslieder, op.52 No.2), (text: Karl Henckell)
Public Video Recordings
Complete Works for Piano
First integral recording ever of Pejačević's works for piano, by pianist Yoko Nishii with help of PTNA (Piano Teachers' National Association of Japan). The videos are public, and as follows:
Sonata in A flat major, Op.57
Sonata in B flat minor, Op.36
Con fuoco non troppo allegro
Andante con molta espressione
Allegro risoluto
Sechs Phantasiestücke, Op.17
Sehunsucht
Leid
Frage
Klage
Bitte
Wahn
Blumenleben, Op.19
Schneeglöckchen
Veilchen
Maiglöckchen
Vergißmeinnicht
Rose
Rote Nelken
Lilien
Chrysanthemen
Impromptu, Op.32
Impromptu, Op.9
Menuette, Op.7
Valse de Concert, Op.21
Zwei Nocturnos, Op.50
Sehr ruhig, mit innigem Ausdruck
Leicht bewegt und ferträumt
Chanson sans paroles, Op.5
Chanson sans paroles, Op.10
Capriccio, op.47
Gondellied, Op.4
Berceuse, op.2
Berceuse, Op.20
Trauermarsch, Op.14
Zwei Intermezzi, Op.38
I. Ruhig und innig
II. Langsam und ausdrucksvoll
Walzer-Capricen, op.28
moderato
grazioso
im Lëndler-tempo
wiegend
lento
tempo giusto
allegretto
grazioso, allegramente
moderato
Vier Klavierstücke, op.32a
(lost)
Libelle
Papillon
Abendgedanke
Zwei Klavierskizzen, op.44
An dich!
Vor deinem Bild
Blütenwirbel, op.45
Humoreske und Caprice, op. 54
Humoreske, allegretto vivo
Caprice, vivace grazioso
Papillon, Op.6
Erinnerung, Op.24
CD Recordings
Symphony in F-sharp minor, op. 41; Phantasie Concertante in D minor, op. 48 for Piano & Orchestra (CPO CD#777-418-2)
Piano Trio, op.29; Cello Sonata, op. 35 (Oliver Triendl, Andrej Bielow, Christian Poltera. CPO 777-419-2)
Piano Quintet, op.40; Piano Quartet, op.25; String Quartet, op.58; Impromptu, op. 9(Oliver Triendl, Quatuor Sine Nomine. CPO 777-421-2) [2 CDs]
String Quartet in C major, op.58 together with String Sextet by Papandopulo (CD #5558910)
Violin Sonata No.1 in D major, op. 26 together with works by Kunc, Boris Papandopulo and J. Š. Slavenski (CD #5872221)