Don't Believe the Truth

Recording

The recording process for Don't Believe the Truth was prolonged. The album was originally supposed to be released around summer/autumn 2004, with an initial 3-4-week session produced by Death in Vegas. The recording finally began after Alan White's departure in January 2004 at Sawmills Studios in Cornwall, though the group wasn't satisfied with the results, as Noel said "Unfortunately, after the recording process we decided we didn't like anything we had played/recorded during those three weeks, and because of commitments with Death in Vegas, Richard Fearless and Tim Holmes couldn't find any more time to give to the project."

Noel has commented since on numerous occasions that there was no problem with the work done by Death in Vegas, but he felt the songs they were working on were simply not good enough to form a record, and felt a break was needed in which new material would have to be written. In Noel's words: "We were trying to polish a turd". Around ten songs were worked on with Death in Vegas of which, according to Noel, six were "not even good enough to make the b-sides". Four of the tracks which eventually appeared on the album were worked on with Death in Vegas, those songs being: "Turn Up the Sun", "Mucky Fingers", "A Bell Will Ring" and "The Meaning of Soul", although all of these had extra work done to them or were re-recorded before being released.

After a short break in which many new songs, including "Let There Be Love," "Lyla" and "Part of The Queue" were written, the band reconvened at their Wheeler End Studios with Noel as producer. The band were joined on these sessions by The Who's drummer Zak Starkey. In June 2004, Oasis debuted two new songs from these sessions, the Liam-written "The Meaning of Soul" and the Gem-written "A Bell Will Ring" at two live shows in Poole and at the Glastonbury Festival.

After hearing of the band's production problems from Oasis manager Marcus Russell, American producer Dave Sardy expressed interest in taking over production duties. Sardy was given tapes of existing recording sessions to mix, and after his work was praised by the band, he arrived in the UK to oversee new recording sessions at Olympic Studios in London. These sessions did not last long before he asked the band to travel to Los Angeles and re-record most of the album there, as he felt more comfortable working in a studio closer to home. With the band eventually agreeing to this, recording sessions began at Capitol Studios in October 2004 with the band spending around 9 weeks there.

Release

The decision to have the lead-off single, "Lyla", on the album was a controversial one, prompted by the label's feeling that there wasn't a suitable lead single among the tracks originally presented. As a result, the decision was taken to record "Lyla", a song which Noel had written and demoed a year previously, but which wasn't recorded by the band during the previous recording sessions. It was decided that Dave Sardy would remix Noel's original demo with Liam recording a set of lead vocals and Zak adding a fresh drum track. "Lyla" reached number one on the UK Singles Chart and number nineteen on the U.S. Hot Modern Rock Tracks chart. After having initial reservations about the choice of the first single being taken out of the hands of the band, Noel, who initially wanted "Mucky Fingers" to be the first single, has now reluctantly conceded that the song has indeed "done the business".

In April 2005, four tracks from a promo disc leaked: "The Meaning of Soul", "Mucky Fingers", "Keep the Dream Alive", and "Let There Be Love". The full album found its way onto the Internet on 3 May 2005 instead of 30 May, when Apple Inc. accidentally put the album up early for sale on their iTunes Music Store service in Germany. While there was no official comment by Apple or by Oasis management, it was speculated that Apple simply got the dates confused.

Reception

Don't Believe the Truth received generally positive reviews and was considered a return to form for the band, with a Metacritic score of 64 out of 100. The album won two Q Awards: a special People's Choice Award and Best Album. Critics praised the new sound and the straightforwardness of the drumming of Zak Starkey after a decade of the drumming presence of Alan White.

During interviews, the band has commented very positively on the album about the creation of it, have complimented Archer and Bell on their creativity and contribution of their multiple tracks making the record sound, described by Noel as "Fresh and a Breath Of New Life for us all." Noel Gallagher said to NME: "The finished album is my favourite one of the last four. Because we're all contributing to the songwriting there's a different feel to it. In fact, the only songs that sound like Oasis are Andy Bell's funnily enough." On 'Rock Profiles' Interviews, both Gallagher and Bell had commented that during their hiatus in 2004, that they had to make a record for their fans and to inspire the people who had become interested in them in the first place. Stating that they had nothing to lose since most of their fans and critics had been displeased since the release of Be Here Now, they could make a new and defining record.

It was the 13th biggest selling album in the UK in 2005 with sales of 848,000.

Legacy

The album has been placed on several ranking lists since its release, particularly from British rock and indie music magazines.

In March 2011, NME retrospectively reviewed the album with a highly positive tone, stating the album "introduced a sharper, crisper and occasionally experimental band", and praising the tracks "The Importance of Being Idle" and "Part of the Queue" in particular.

Track listing

Special editions

Credits and personnel

Band members were not credited for performer or instrument credits.