Nationality Spanish Name Domingo Ortega | Role Matador Movies Afternoon of the Bulls | |
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Full Name Domingo Lopez Ortega Born February 25, 1906 ( 1906-02-25 ) Borox, Toledo, Spain Died May 8, 1988, Madrid, Spain | ||
Domingo ortega ay flamenco dance series
Domingo Ortega (February 25, 1906 – May 8, 1988) was a Spanish matador. Born Domingo López Ortega in Borox, Toledo, he was the son of a farmer, and grew up helping with farm work. During months when there was no work on the farm, he would travel to other towns selling garlic.
Contents
- Domingo ortega ay flamenco dance series
- domingo ortega pasodoble albany state university symphonic band
- Career
- Legacy
- References
domingo ortega pasodoble albany state university symphonic band
Career
In the summer of 1928, he went to a novillada, a bullfight of young bulls. During the fight, a bull injured the sole bullfighter present. Sensing an opportunity, Ortega jumped into the ring, asked for the bullfighter's tools, gave several passes, and killed the bull. The incident proved to be the start of a new career for him. In 1931, he had only performed in six novilladas when he received the alternativa—graduation from novillero to full matador de toros—from Gitanillo de Triana in Barcelona. The same year, his alternativa was confirmed by Nicanor Villalta in Madrid. He subsequently performed in many bullfights before retiring in 1950. He briefly came out of retirement for a period in 1953.
He is quoted as saying that the three canonical maxims of bullfighting, parar, templar y mandar ("to stop, to moderate, to command"), should be supplemented with a fourth: "to load," meaning the bullfighter should put his weight on his forward foot to put him closer to the bull. He said that a bullfighter being caught by the bull was always due to a mistake on the part of the bullfighter: "In bullfighting either the bullfighter or the bull is in command."
Legacy
While most modern sources praise Ortega highly, Ernest Hemingway expressed a low opinion of him in Death in the Afternoon, describing him as "skillfully built up... with an elaborate press campaign and ballyhoo," and stating, "He was lousy". However Laura Riding refuted Hemingway's view strongly in her essay 'The Bull-Fight', calling Ortega "the critical modernist among contemporary bull-fighters" and saying "There are few books that have given me such a sense of learned simplicity as Ortega's work".
