7.6 /10 1 Votes
Language English Publication date January 3, 2012 ISBN 978-0-399-15843-8 Publisher G. P. Putnam's Sons | 3.8/5 Goodreads Genre Non-fiction anthology Pages 272 Originally published 3 January 2012 Page count 272 OCLC 765968892 | |||||||||||||||||||||||||||||||||
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Media type Print (hardcover and paperback), audiobook Similar William Gibson books, Other books | ||||||||||||||||||||||||||||||||||
Distrust That Particular Flavor is a collection of non-fiction writing by the speculative fiction author William Gibson. It consists of twenty-six pieces written over a period of more than twenty years. The anthology includes a range of formats, including essays, magazine pieces, album reviews, and forewords from other published works.
Contents
Distrust that particular flavor by william gibson book review
Background
Since making a name for himself as a leading figure in the cyberpunk genre with his Sprawl trilogy of novels, Gibson has been primarily known as a writer of science or speculative fiction. However, beginning in the late eighties, he has regularly penned non-fiction pieces for various publications. Gibson credits his agent for the idea of a collection; according to the writer, the book was intended to bridge the gap between Zero History (2010), his then-most recent novel, and his next work of fiction.
Content
The pieces in Distrust That Particular Flavor were written between the late 1980s and 2010. Some were originally published as magazine articles in Time, Rolling Stone, and Wired. Some appeared as forewords to books by other authors. Several speeches appear in written form for the first time.
In "Disneyland with the Death Penalty", which originally appeared in a 1993 issue of Wired, Gibson reflects on the state of Singapore. Criticisms in the article resulted in the Singapore government banning Wired from the country. The essay "Rocket Radio", which appeared in Rolling Stone, covers the evolution of communications from the crystal radio to the Internet. Written in the late 1980s, it features Gibson theorizing on the future of the then-nascent Net. "Dead Man Sings" takes a more autobiographical note; memories of his childhood are interspersed with an exploration of visual and audio media, and their effect on time. The writer delves into psychogeography in his review of Peter Ackroyd's London: The Biography, entitled "Metrophagy: the Art and Science of Digesting Cities".
Several pieces cover music and fine arts. "Any Mount of the World" is a review of a Steely Dan live album. Gibson is a fan of the group. "Introduction: The Body" looks at the Australian-Cypriot performance artist Stelarc. The collection features Gibson's writings on three of his favourite authors, Jorge Luis Borges, George Orwell and H.G. Wells. The writer's various obsessions feature in other pieces, such as vintage watches (pursued through eBay) and his interest in classic denim.