Birth name Dewey Jean Segura Associated acts Segura Bros. Origin Delcambre, Louisiana Name Dewey Segura | Occupation(s) Accordionist Role Musical Artist Instruments Cajun accordion Genres Cajun music | |
Born February 12, 1902 ( 1902-02-12 ) People also search for Didier Herbert, Amede Ardoin Record labels Columbia Records, Okeh Records | ||
Dewey Segura - Rosalia
Dewey Jean Segura (February 12, 1902 – unknown) was born in Delcambre, Louisiana. He and his brother Edier Segura (sometimes spelled "Eddie") formed the duo known as the "Segura Brothers" (also listed as "Segura Bros"). The duo created some of the earliest Cajun music in the late 1920s.
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Family
Born into a Spanish and French family, Dewey was one of twelve children. All of the children played music to some extent. While playing music, he would routinely bootleg moonshine around the region. He married Euphemie Desormeaux.
Music and career
After the success of Joe Falcon and Cleoma Breaux's record "Allons a Lafayette", Columbia began recording Cajun music; beginning their new series of "Arcadian French" records (40500-F series for Columbia, 90000 series for Okeh). Dewey read in a newspaper on his way to Port Arthur, Texas, during a whiskey run, that recording companies were recording Cajun music in New Orleans. A relative that connections at Columbia helped get Dewey on the end-of-year schedule. On December 16, 1928, Dewey, with his accordion and his brother Eddie on vocals and fiddle, recorded two records for Columbia in New Orleans. The record "Bury Me in a Corner of the Yard" was Columbia's first in their series of "Acadian French" music. The B-side song "My Sweetheart Run Away" was mislabeled (due to confusion between Dewey and the recording engineers) and would later become the song "La Valse de Bayou Teche" recorded by many Cajun musicians.
Later, on December 9, 1929, his brother Eddie, along with Didier Hebert on guitar and Dewey on accordion and vocals, would record three more songs. Due to the heavy use of French among the English-speaking engineers, they asked him not to "sing anything dirty". The musicians would be labeled as "E. Segura & D. Herbert" on the records. Didier Hebert, a blind guitarist from Louisiana, accompanied them on the three songs and recorded a solo song, "I Woke Up One Morning in May", during the same session.
The duo would later record for Alan Lomax, compiled as "folk" field recordings and would be the only Cajun pioneers to do so from the early period. Two songs are recorded, an early version of Jolie Blonde called "La Fille De La Veuve" and "Viens donc t'assis sur la croix de ma tombe". Didier would record a vocal called "Mes Camarades Il Faut Parier" during the Lomax session.
Legacy
On June 22, 1934, the Library of Congress recorded both Dewey and Segura at the White Oak bar near New Iberia, Louisiana. Dewey would record again for historian Richard K. Spottswood in 1975 and would explain to Spottswood that the listings of "Joe Segura" were actually Edier or Dewey.
Discography
1928 Session in New Orleans
1929 Session in New Orleans
Compilations