Opened 1906 | Phone +49 3643 755334 | |
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Address Theaterpl. 2, 99423 Weimar, Germany Similar Goethe–Schiller Monument, Goethe House, Bauhaus Museum - Weimar, Schloss Belvedere - Weimar, Schloss Weimar Profiles | ||
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The Deutsche Nationaltheater and Staatskapelle Weimar (DNT) is the most important musical and theatrical venue in Weimar in Germany. It is a twin institution, consisting of the theatrical Deutsches Nationaltheater (German National Theatre, now solely based in Weimar) and the symphony orchestra known as the Staatskapelle Weimar. It has a total of six stages across the city and also hosts touring orchestras and theatre companies, as well as making appearances in electronic media.
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Venues
- Main House (Großes Haus), traditional main stage on Theaterplatz (music and theatre)
- Foyer and Studio Stage (Studiobühne), within the main house on Theaterplatz (music and theatre; cabaret)
- E-Werk Weimar, a former industrial site with two venues, Maschinensaal and Kesselsaal (music and theatre)
- congresscentrum neue weimarhalle (concerts by the Staatskapelle Weimar)
History
The precursor ensemble of Staatskapelle Weimar dates from 1482, with the formation of a musical ensemble in service of the Weimar Fürsten (Princes). In 1602, the ensemble attained resident status at the Weimar court, as the Herzoglichen Hofkapelle (Ducal Court Ensemble). Notable musicians in the early history of the Staatskapelle Weimar included Johann Schein (1615–1616) and Johann Sebastian Bach (1705, 1708–1717), both of whom went on to the St. Thomas Church, Leipzig. Bach particularly worked as resident organist and Kapellmeister.
Johann Nepomuk Hummel served as the ensemble's Kapellmeister from 1819 to 1837, on the appointment by the Grand Duchess Maria Pavlovna. Franz Liszt began his tenure as Kapellmeister in 1842, and championed the music of Richard Wagner, Hector Berlioz, Peter Cornelius. Through this and his teaching activities, Liszt enhanced the prestige of Weimar as a musical hub, notably conducting the world premieres of Wagner's Lohengrin in 1850 and Cornelius's Der Barbier von Bagdad in 1858.
After Liszt left in 1858, he was succeeded by Eduard Lassen who remained as director until his retirement in 1895. Lassen conducted several world premieres during his tenure, including the first performance of Camille Saint-Saëns's Samson et Dalila in 1877. Richard Strauss served as second Kapellmeister under Lassen from 1889 to 1894 and led the premieres of his own Guntram and Engelbert Humperdinck's Hänsel und Gretel.
Peter Raabe became Kapellmeister in 1907. With the end of World War I and the dismantling of the German Empire, the ensemble was renamed the Weimar Staatskapelle. Ernst Praetorius directed concert and opera programming from 1924 to 1933. Because his wife was Jewish, Praetorius left the post after the National Socialists ascended to power in Germany in 1933. Paul Sixt directed activities there during the Nazi regime.
After World War II and the end of the Nazi regime, Hermann Abendroth became Generalmusikdirektor (GMD) and chief conductor of the ensemble, serving from 1945 to 1956. Successive GMD's of the ensemble have included Gerhard Pflüger (1957–1973), Lothar Seyfarth (1973–1979), Rolf Reuter (1979–1980), Peter Gülke (1981–1982), Hans-Peter Frank (1988–1996), George Alexander Albrecht (1996–2002), Jac van Steen (2002–2005) and Carl St.Clair (2005–2008). Oleg Caetani was principal guest conductor of the ensemble from 1984 to 1987. The ensemble was officially renamed the Staatskapelle Weimar in 1988.
In September 2009, the Swedish conductor Stefan Solyom became GMD of the ensemble, with an initial contract of 5 years. He concluded his Weimar tenure in July 2016. In July 2015, the ensemble announced the appointment of Kirill Karabits as its next GMD and chief conductor, effective with the 2016-2017 season, with an initial contract of 3 years. Karabits's debut concert, in September 2016, was Richard Strauss's Alpine Symphony.