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Books Sweet Anticipation: Music and the Psychology of Expectation, Voice Leading: The Science Behind a Musical Art | ||
Music and emotion got a feeling david huron phd
David Huron (born June 1, 1954) is a Canadian Arts and Humanities Distinguished Professor at the Ohio State University, in both the School of Music and the Center for Cognitive and Brain Sciences. His teaching and publications focus on the psychology of music and music cognition.
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August 4 music emotion and behavior david huron phd
Books
Selected Publications
Huron, D. (2015). Affect induction through musical sounds: An ethological perspective. Philosophical Transactions of the Royal Society of London, Series B, Biological Sciences, Vol. 370, No. 1664, pp. 1–7.
Huron, D., Anderson, N., & Shanahan, D. (2014). You can't play sad music on a banjo: Acoustic factors in the judgment of instrument capacity to convey sadness. Empirical Musicology Review, Vol. 9, No. 1, pp. 29–41.
Huron, D. (2013). A psychological approach to musical form: The habituation-fluency theory of repetition. Current Musicology, No. 96, pp. 7035.
Huron, D. (2013). On the virtuous and the vexatious in an age of big data. Music Perception, Vol. 31, No. 1, pp. 4–9.
Huron, D. (2012). Two challenges in cognitive musicology. Topics in Cognitive Science, Vol. 4, No. 4, pp. 678–684.
Huron, D. & Davis, M. (2012). The harmonic minor scale provides an optimum way of reducing average melodic interval size, consistent with sad affect cues. Empirical Musicology Review, Vol. 7, Nos. 3-4, pp. 103–117.
Huron, D. (2011). Why is sad music pleasurable? A possible role for prolactin. Musicae Scientiae, 15 (2), 146-158.
Huron, D. & Berec, J. (2009). Characterizing idiomatic organization in music: A theory and case study of musical affordances. Empirical Musicology Review, 4(3) 103-122.
Huron, D., Dahl, S., & Johnson, R. (2009). Facial expression and vocal pitch height: Evidence of an intermodal association. Empirical Musicology Review, 4 (3), 93-100.
Huron, D. (2008). A comparison of average pitch height and interval size in major- and minor-key themes: Evidence consistent with affect-related pitch prosody. Empirical Musicology Review, 3 (2), 59-63.
Huron, D. (2008). Lost in music. Nature, 453, 456-458.
Huron, D. (2008). Asynchronous preparation of tonally fused intervals in polyphonic music. Empirical Musicology Review 3(1), 11-21.
Huron, D. (2006). On the role of embellishment tones in the perceptual segregation of concurrent musical parts. Empirical Musicology Review, 2(4), 123-139.
Huron, D. (2006). Exploring how music works its wonders [book review]. Cerebrum: The Dana Forum on Brain Science, Vol. 8, No. 4, pp. 1–6.
Huron, D., & Ommen, A. (2006). An empirical study of syncopation in American popular music, 1890-1939. Music Theory Spectrum, 28 (2), 211-321.
Huron, D., Kinney, D., & Precoda, K. (2006). Influence of pitch height on the perception of submissiveness and threat in musical passages. Empirical Musicology Review, 1 (3), 170-177.
Huron, D. & Veltman, J. (2006). A cognitive approach to medieval mode: Evidence for an historical antecedent to the major/minor system. Empirical Musicology Review, 1(1), 33-55.
Huron, D. & Ollen, J. (2003). "Agogic contrast in French and English themes: Further support for Patel and Daniele (2003)." Music Perception, Vol. 21, No. 2, pp. 267–271.
Huron, D. (2002). "Music information processing using the Humdrum Toolkit: Concepts, examples, and lessons." Computer Music Journal. Vol. 26, No. 2, pp. 15–30.
Huron, D. (2001). "Tone and voice: A derivation of the rules of voice-leading from perceptual principles." Music Perception, Vol. 19, No. 1, pp. 1–64. Text online.
Huron, D. (2001). "Is music an evolutionary adaptation?" Annals of the New York Academy of Sciences, Vol. 930, pp. 43–61. Abstract. Earlier text online.
Huron, D. (2001). "What is a musical feature? Forte's analysis of Brahms's Opus 51, No. 1, Revisited." Music Theory Online, Vol. 7, No. 4, July 2001. Text online.
Huron, D. (1996). The melodic arch in Western folksongs. Computing in Musicology, Vol. 10, pp. 3–23. Text online.
Huron, D. & Royal, M. (1996). "What is melodic accent? Converging evidence from musical practice." Music Perception, Vol. 13, No. 4, pp. 489–516. Abstract online.
Huron, D. (1994). "Interval-class content in equally-tempered pitch-class sets: Common scales exhibit optimum tonal consonance." Music Perception, Vol. 11, No. 3, pp. 289–305. Abstract online.
Huron, D. & Parncutt, R. (1993). "An improved model of tonality perception incorporating pitch salience and echoic memory." Psychomusicology, Vol. 12, No. 2, pp. 154–171. Abstract and Text online.
Huron, D. (1993). "Chordal-tone doubling and the enhancement of key perception." Psychomusicology, Vol. 12, No. 1, pp. 73–83.
Huron, D. (1993). "Note onset asynchrony in J.S. Bach's Two-part Inventions." Music Perception, Vol. 10, No. 4, pp. 435–444. Abstract online.
Huron, D. & Sellmer, P. (1992). "Critical bands and the spelling of vertical sonorities." Music Perception, Vol. 10, No. 2, pp. 129–149. Abstract online.
Huron, D. (1992). "The ramp archetype and the maintenance of auditory attention." Music Perception, Vol. 10, No. 1, pp. 83–92. Abstract online.
Huron, D. (1991). "Tonal consonance versus tonal fusion in polyphonic sonorities." Music Perception, Vol. 9, No. 2, pp. 135–154. Abstract online.
Huron, D. (1991). "The avoidance of part-crossing in polyphonic music: Perceptual evidence and musical practice." Music Perception, Vol. 9, No. 1, pp. 93–104. Abstract online.
Huron, D. (1991). "The ramp archetype: A study of musical dynamics in 14 piano composers." Psychology of Music, Vol. 19, No. 1, pp. 33–45. Abstract online.
Huron, D. (1990). "Crescendo/Diminuendo asymmetries in Beethoven's piano sonatas." Music Perception, Vol. 7, No. 4, pp. 395–402. Abstract online.
Huron, D. (1990). "Increment/Decrement asymmetries in polyphonic sonorities." Music Perception, Vol. 7, No. 4, pp. 385–393. Abstract online.
Huron, D. (1989). "Music in advertising: an analytic paradigm." Musical Quarterly, Vol. 73, No. 4, pp. 557–574. Abstract. Text online.
Huron, D. & Fantini, D. (1989). "The avoidance of inner-voice entries: Perceptual evidence and musical practice." Music Perception, Vol. 7, No. 1, pp. 43–47. Abstract and Text online.
Huron, D. (1989). "Voice denumerability in polyphonic music of homogeneous timbres." Music Perception, Vol. 6, No. 4, pp. 361–382. Abstract online.
Huron, D. (1988). "Error categories, detection and reduction in a musical database." Computers and the Humanities, Vol. 22, No. 4, pp. 253–264. Abstract online.