Genres Classical Instruments Horn | Name Dale Clevenger | |
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Associated acts Kansas City Philharmonic
Symphony of the Air
American Symphony Orchestra
Chicago Symphony Orchestra Education Carnegie Mellon University Music groups Chicago Symphony Orchestra (Since 1966), American Symphony Orchestra Albums Mahler: Das Lied Von Der, Fantasia 2000, Holst: The Planets, Respighi: Pines of Rome / F, Claudio Abbado Conducts | ||
Dale clevenger live from indiana on sarah s horn hangouts
Dale Clevenger (born 1940 in Chattanooga, Tennessee) was the Principal Horn of the Chicago Symphony Orchestra from 1966 until his retirement in June, 2013. Before joining the CSO, he was a member of Leopold Stokowski's American Symphony Orchestra and the Symphony of the Air directed by Alfred Wallenstein. He was also principal horn of the Kansas City Philharmonic. He currently teaches at theJacobs School of Music in Indiana University.
Contents
- Dale clevenger live from indiana on sarah s horn hangouts
- Dale Clevenger A63 2011 Distinguished Alumni Achievement Honoree
- Personal life
- Musical career
- Reviews by music critics
- Discography
- References
Dale Clevenger (A'63): 2011 Distinguished Alumni Achievement Honoree
Personal life
Clevenger married Alice Anne Render of Louisville, Kentucky, also a skilled hornist. The couple had two sons, Mac and Jesse. His wife passed away in 2011.
Musical career
He started playing trumpet at age 11 and switched to horn at age 13. Clevenger's father was President of the Chattanooga Opera Association, and he was exposed to live orchestral music at an early age. He attended Chattanooga High School, aka "City High" when the band program was under the leadership of Richard Casavant, a scholar of marching band history. Clevenger received a Bachelor of Fine Arts degree from Carnegie Mellon University, Pittsburgh, in 1962. Clevenger considers Arnold Jacobs and Adolph Herseth, former principal brass instrumentalists of the CSO, to be his mentors.
Clevenger has performed with many ensembles worldwide, including the Berlin Philharmonic (under Daniel Barenboim). He has taken part in many music festivals including the Santa Fe Chamber Music Festival, Florida Music Festival, Sarasota, Marrowstone Music Festival, Bellingham, Washington, and Affinis Music Festival, Japan.
He won a Grammy Award for "The Antiphonal Music of Gabrieli," which he recorded with members of the Chicago Symphony brass section, as well as the brass sections of the Philadelphia Orchestra and the Cleveland Orchestra His recording of Mozart's horn concertos was named Record of the Year in Hungary on the European label Hungaraton. He also was a featured soloist in the Chicago Symphony Orchestra's Grammy-winning Strauss Wind Concertos album, on which he plays Strauss's first horn concerto, as well as Andante for horn and piano in C major with Daniel Barenboim accompanying on piano.
In 2003, Clevenger premiered John Williams' Concerto for Horn and Orchestra, a work written for him.
In addition to performing, Clevenger is an experienced conductor. He was the Music Director of the Elmhurst Symphony Orchestra from 1981 to 1995. He has expanded his conducting career with numerous orchestras in North and Central America, Europe, Asia, and Australia, recently leading the Orquestra Sinfonica de Castilla y Leon with Daniel Barenboim as soloist.
Dale Clevenger was President of the Italian Brass Week and taught at Roosevelt University. He currently teaches at the Jacobs School of Music at Indiana University.
Reviews by music critics
Over the years, critics have written of his playing as being "satin smooth (1975)," as having "mellow radiance and gentle flow...despite a few inconsequential fluffs (1978)," and of his "pianissimo trills and daredevil octaves (1981)." He has also been said to have "an unfailing sense of direction in phrasing (1983),", "well drawn legato phrases" despite "regrettable lapses of intonation in the fast ornamental section (1984)" and "smooth control (1991)." In 2010, his horn solos received some negative reviews from music critics at the New York Times and the Chicago Tribune, with the latter describing his work as "unpredictable horn solos, some firm, others faltering. Flaws in a performance of Mahler's 3rd Symphony on November 1, 2012, were cited in three separate reviews, with the Chicago Sun-Times calling his performance "saddening".