DirectorRalph Bakshi First episode dateSeptember 16, 1994 Duration CountryUnited States
Release dateSeptember 16, 1994 CastAlicia Silverstone (Roslyn), Jared Leto (Michael), Jennifer Blanc (Joannie), Tuesday Knight (Brenda), John Hawkes (Crazy), John Kapelos (The Greek) Similar moviesThe Voyeur, American Gangster, Cashback, The Forgotten, The Nine Lives of Fritz the Cat, You Are the Apple of My Eye
TaglineYou have to live before you die
Cool and the crazy music video jared leto tribute edit 2016
Cool and the Crazy is a 1994 American drama film written and directed by Ralph Bakshi and starring Jared Leto and Alicia Silverstone. The story revolves around an unhappily married couple in the late 1950s who both lead separate affairs. The film was Bakshi's first feature-length live-action film, being primarily known as a director of animated films which heavily utilize live-action sequences, such as Fritz the Cat, Heavy Traffic, Wizards, American Pop and The Lord of the Rings.
Cool and the Crazy first aired on the cable television network Showtime in 1994 as part of the series Rebel Highway.
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High School sweethearts Michael and Rosy happily marry during the 1950s, both 18. Things go along smoothly until Roslyn gets pregnant, at age 19. The bills pile up and the two grow apart from each other. Roslyn spends most of the time taking care of their child and hanging out with her best friend, Joannie, who's married to a guy named Bobby. Joannie's been cheating on her husband with a man named Frankie. Roslyn is introduced to Frankie's friend, Joey, a bad boy who's also married. Immediately, Roslyn begins an affair with Joey. At first Michael doesn't suspect anything, but when the two girl friends go out at night and come back later and later, it dawns on him that they are both having affairs. Michael works at a design company with Lorraine, who's into the The Beat and jazz scenes. One night, he goes out to have an affair with her. The next morning, however, his uptight attitudes causes him to back out of the affair when he learns that he's not her only lover. Eventually Lorraine leaves to go to New York City. At the same time, Roslyn's trying to break off her affair with Joey, but he won't give up that easily. Varied events soon escalate in violence. Joey kidnaps Roslyn, and Michael goes after them, and takes his wife back from him. Michael and Roslyn go their separate ways, and Michael hits the road.
Jared Leto ... Michael, Roslyn's husband and the father of Michael Jr. He lives unhappily in his marriage as he feels that Roslyn is pushing him away.
Alicia Silverstone ... Roslyn, Michael's wife and the mother of Michael Jr. She feels alone at home taking care of the house and the baby, big when Joey comes along, he shows her the world of being free and shows her more fun types of sex.
Jennifer Blanc ... Joannie, Roslyn's best friend who has an affair before Roslyn does.
Matthew Flint ... Joey, Roslyn's secret boyfriend and sex buddy.
Christine Harnos ... Lorraine, Michael's co worker who he too has an affair with.
Richard Singer ... Neal
Tuesday Knight ... Brenda
Christian Frizzell ... Bobby
John Hawkes ... Crazy
Ralph Bakshi began developing Cool and the Crazy in the late 1960s under the title If I Catch Her, I'll Kill Her. United Artists and Paramount Pictures each paid Bakshi to develop the film in the 1970s, but were unwilling to produce it, as were the studios Bakshi pitched the film to in the 1980s. According to Bakshi, "They thought that no one was going to admit that women can—and do—cheat on their husbands. They thought it was too hot, which made no sense."
In 1993, Lou Arkoff, the son of Samuel Z. Arkoff, approached Bakshi to write and direct a low-budget feature for Showtime's Rebel Highway series. For the third time, Bakshi revisited his screenplay for If I Catch Her, I'll Kill Her, and retitled the film Cool and the Crazy. Other directors whose films appeared on the series included William Friedkin, Joe Dante and Robert Rodriguez. The film took its title from a 1958 exploitation film released by American International Pictures, but its plot bore no relation to the earlier film.
Variety reviewer Todd Everett wrote "the hyperdrive visual sense for which Bakshi's animated features have been noted. Everything in "Cool" [...] seems to exist in pastels and Bakshi shoots from more odd angles than any director since Sidney J. Furie in his heyday. And the closing sequences ably demonstrate how it's possible to present strong violence without any blood being shed onscreen. Bakshi pulls strong perfs from a cadre of youngish and largely unknown actors".