Constantine Koukias

Updated on Feb 02, 2024

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Name Constantine Koukias		Role Composer
Education Tasmanian Conservatorium of Music Compositions Tesla - Lightning in His Hand, Tesla - Lightning in His Hand, To Traverse Water, To Traverse Water, Olegas, Olegas, Days and Nights with Christ, Days and Nights with Christ Similar People Matthew Dewey, Michael Lampard, Brian Ritchie, Tasmanian Symphony Orchestra, Victorian Opera

Prayer Bells IHOS Opera

Constantine Koukias (born 14 October 1965) is a Tasmanian composer and opera director of Greek ancestry based in Amsterdam, where he is known by his Greek name of Konstantin Koukias. He is the co-founder and artistic director of IHOS Music Theatre and Opera, which was established in 1990 in Tasmania's capital city, Hobart.

Koukias's works range from large-scale music theatre and opera to mobile installation art events. His atmospheric compositions are characterised by mesmerising temporal, spatial and production designs, while his recent works exhibit eastern influences. His avant-garde approach to the presentation of opera has resulted in hybrid productions such as Days and Nights with Christ, To Traverse Water, Mikrovion, The Divine Kiss, Tesla – Lightning in His Hand and The Barbarians. His music theatre works include ICON, Kimisis – Falling Asleep, Borders, Orfeo, Rapture – Sonic Taxi Performance, Schwa – The Neutral Vowel, Antigone and The Da Ponte Project.

Koukias was commissioned in 1993 by the Sydney Opera House Trust to compose the large-scale music theatre piece ICON to celebrate the 20th anniversary of the Sydney Opera House. His Incantation II for soprano and digital delay won the International Valentino Bucchi Vocal Prize in Rome in 1997, and in 2004 he was awarded a Sir Winston Churchill Fellowship.

Prayer Bells, in which the composer draws on traditions of Latin, Hebrew and Byzantine chant, had its US premiere in 2010 at the Chicago Cultural Center.

The Barbarians, which was commissioned by the Museum of Old and New Art and inspired by Constantine Cavafy's poem Waiting for the Barbarians, premiered in Hobart in 2012 as part of the MONA FOMA festival. It was nominated for a Helpmann Award for Best New Opera the same year, and Tasmanian company Liminal Spaces won the Event category of Australia's Interior Design Excellence Awards for its conceptualisation of the production's design.

In 2014, Kimisis – Falling Asleep had its Netherlands premiere at Splendor Amsterdam and toured to the Karavaan Festival.

His work Three Episodes from the Diary of Signaller Peter Ellis was a winner of ABC radio's Gallipoli Centenary Composer Competition, receiving its national broadcast premiere in 2015.

Koukias has been the recipient of numerous other international commissions and awards, and his design credits include the internationally acclaimed Odyssey and Medea.

Education

Koukias studied at the Tasmanian Conservatorium of Music and the Sydney Conservatorium of Music.

1979 – 1981 Ian Cugley – Composition, University of Tasmania

1981 – 1985 Johannes Roose – Flute, University of Tasmania

1983 – 1984 Don Kay – Composition, University of Tasmania

1984 – 1985 Michael Cubbin – Flute, University of Tasmania

1984 – 1985 Peter Billam – Composition, University of Tasmania

1985 Keith Humble – Composition, La Trobe University, Melbourne

1985 – 1988 Michael Scott – Flute, NSW Conservatorium of Music

1986 Mark Kopytman – Composition, Rubin University of Jerusalem

1986 Richard David Hames, Composers School, Adelaide

1986 – 1988 Thermos Mexis Greek Instrumentation, Sydney

1986 – 1989 Ross Edwards – Composition, Sydney

Operas

1990: Days and Nights with Christ, an opera in two parts, sung in ecclesiastical and modern Greek

1992: To Traverse Water, an opera in two parts, sung in ecclesiastical and modern Greek

1994: Mikrovion – 36 Images in a Phantom Flux of Life, an opera in five parts

1998: The Divine Kiss, an opera in seven parts

2003: Tesla – Lightning in His Hand, an opera in two parts, sung in English about the life and times of Nikola Tesla

2012: The Barbarians, an opera inspired by the Greek-Alexandrian poet Constantine Cavafy, performed in modern Greek with bilingual narration. Premiered in 2012 as part of the MONA FOMA festival.

Music theatre

1999: Rapture – Sonic Taxi Performance, for solo voices, small chorus and ensemble

2001: Spirits of the Hoist, for three solo voices, ensemble and tape

2002: Schwa – The Neutral Vowel, for two solo voices and tape

Orchestral

1993: ICON, for grand orchestra, antiphonal choir (80 voices), 8 percussionists and tape; premiered on the steps of the Sydney Opera House

2003: Within a Prayer at Lamplighting, for orchestra; commissioned by the China National Symphony Orchestra

2004: Ancient Immortal Spirit, for orchestra and mezzo-soprano soloist; premiered by the Tasmanian Symphony Orchestra

Choral works

2001: Prayer Bells – PENTEKOSTARION, for 3 solo chanters and male choirs with hand bells

TROPARION 1 – 'O 'Gladsome Light' , for mixed girls voices with river stones and digital delay; sung in Greek, text from the Divine Liturgy

TROPARION 2 – 'Only-begotten Son' , for solo countertenor and male choir (treble, tenor, baritone and basses) with river stones, sung in Greek, text from the Divine Liturgy

Chamber music

1983: Requiescat, for solo soprano

1985: Echoi 1 – Incantation, for soprano and digital delay

1986: Echoi 2 – Byzantine Images, for amplified flute and digital delay

2003: 1000 Door, A Thousand Windows, for soprano and video projection

2003: Seven Veils, for piano and video projection

Notable students

In addition to his own career as a composer, Koukias has mentored numerous other composers including Matthew Dewey, Michael Lampard and Thanapoom Sirichang.

References

Constantine Koukias Wikipedia

(Text) CC BY-SA